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A portrait of the artist as a young man, an examination of the influence of his hometown
Oppenheimers Diagnostic Neuropathology, A Practical Manual has become a modern classic in its field, covering the practical aspects of the work of the neuropathologist. Full of sensible advice and observations often omitted from neuropathology texts, it guides the neuropathologist through the methods available to them when facing diagnostic questions. The third edition has been fully updated to ensure authoritative coverage of this complex and fast-moving discipline. The experience of the authors is apparent on every page, where superb illustrations combine with an accessible writing style to present complex, academic information that could otherwise prove formidable to trainees and professionals alike. An essential reference for postgraduate students of neuropathology and histopathology, who need to acquire an understanding of neuropathology as part of their training, this book will also be of interest to trained neuropathologists, neurologists, neurosurgeons and neuroradiologists.
Completely rewritten and updated, this new edition is almost twice the size of its predecessor. Illustrated in colour throughout, and with contributions from the world's leading authorities, it is the definitive reference on the neuropathology of dementia. It gives practical guidance to pathologists, describes the contribution of neuroimaging to diagnosis, and surveys the clinical features of dementia. New material includes: Three entirely new chapters on neuroimaging, molecular diagnostics, and transgenic models. Two chapters on tauopathies under new authorship. A chapter under new authorship on synucleinopathies, which includes multiple system atrophy.
First multi-year cumulation covers six years: 1965-70.
How did propertied families in late medieval and early modern Florence maintain their power and affluence while clans elsewhere were fatally undermined by the growth of commerce and personal freedom and the consequences of the Plague? Molho suggests that the answer is found in the twin institutions of arranged marriage and the dowry.
For the first time, The Merchant of Venice looks at the place and role of the late medieval merchant nobility in the great international trade that took place in the world known at the time, from China and Asia to Flanders and England. These merchants who travelled the world were also shipowners, sailors and bankers. They used modern banking techniques and credit based on bills of exchange held no secrets for them. They traded spices, porcelain, cotton and silk, dyes and glassware for drapery, wool and metals. These merchants used part of their profit to embellish their city, which amazed foreign visitors, and were always on the lookout for the latest discoveries and inventions. Venice was at the height of its power at the time, but it was also on the eve of its weakening.
Why do able-bodied characters fake disability in 40 early modern English plays? This book uncovers a previously unexamined theatrical tradition and explores the way counterfeit disability captivated the Renaissance stage. Through detailed case studies of both lesser-known and canonical plays (by Shakespeare, Jonson, Marston, and others), Lindsey Row-Heyveld demonstrates why counterfeit disability proved so useful to early modern playwrights. Changing approaches to almsgiving in the English Reformation led to increasing concerns about feigned disability. The theater capitalized on those concerns, using the counterfeit-disability tradition to explore issues of charity, epistemology, and spectatorship. By illuminating this neglected tradition, this book fills an important gap in both disability history and literary studies, and explores how fears of counterfeit disability created a feedback loop of performance and suspicion. The result is the still-pervasive insistence that even genuinely disabled people must perform in order to, paradoxically, prove the authenticity of their impairments.
An exploration of ways of looking in Renaissance Florence, where works of art were part of a complex process of social exchange Renaissance Florence, of endless fascination for the beauty of its art and architecture, is no less intriguing for its dynamic political, economic, and social life. In this book Patricia Lee Rubin crosses the boundaries of all these areas to arrive at an original and comprehensive view of the place of images in Florentine society. The author asks an array of questions: Why were works of art made? Who were the artists who made them, and who commissioned them? How did they look, and how were they looked at? She demonstrates that the answers to such questions illuminat...