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Stan Douglas
Essays based on a monumental-sized photograph by preeminent visual artist Stan Douglas.
Beyond Wilderness
"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John O'Brian and Peter White pick up where the Group of Seven left off. They demonstrate that since the 1960s a growing body of both art and critical writing has looked "beyond wilderness" to re-imagine landscape in a world of vastly altered political, technological, and environmental circumstances. By emphasizing social relations...
Image and Inscription
Image and Inscription features the work of many of Canada’s distinguished authors, critics, curators, and artists who are recognized for their contribution to the discourse and practice of photography... it presents the diversity and the changeable milieu of photographic practice and evokes an unanticipated moment in Canadian photography. It also represents an important step in expanding the contemporary authorship on photography in Canada." - adapted from the Introduction by Robert Bean
Locating Memory
Paying close attention to the setting in which photographs are made and used, the contributors consider how meanings in photographs, from historical inquiry to quests for identity, may be shifted, challenged and renewed over time and for different purposes.
First Son
First Son is an extraordinary collection of photographs by C.D. Hoy (1883-1973), a Chinese-Canadian photographer whose startling, evocative portraits of First Nations, Chinese, and Caucasian subjects in small-town British Columbia, taken between 1909 and 1920, form an important historical and cultural document about the roots of "otherness" in Canada.
History of the Book in Canada: 1840-1918
This second of three volumes in theHistory of the Book in Canada demonstrates the same research and editorial standards established with Volume One by book history specialists from across the nation.
Working Lives
Craig Heron is one of Canada's leading labour historians. Drawing together fifteen of Heron's new and previously published essays on working-class life in Canada, Working Lives covers a wide range of issues, including politics, culture, gender, wage-earning, and union organization. A timely contribution to the evolving field of labour studies in Canada, this cohesive collection of essays analyzes the daily experiences of people working across Canada over more than two hundred years. Honest in its depictions of the historical complexities of daily life, Working Lives raises issues in the writing of Canadian working-class history, especially "working-class realism" and how it is eventually inscribed into Canada's public history. Thoughtfully reflecting on the ways in which workers interact with the past, Heron discusses the important role historians and museums play in remembering the adversity and milestones experienced by Canada's working class.
Encyclopedia of Twentieth-Century Photography, 3-Volume Set
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
Expo Sixty Seven
Expo 67, the world's fair held in Montreal during the summer of 1967, brought architecture, art, design, and technology together into a glittering modern package. Heralding the ideal city of the future to its visitors, the Expo site was perceived by critics as a laboratory for urban and architectural design as well as for cultural exchange, intended to enhance global understanding and international cooperation. This collection of essays brings new critical perspectives to Expo 67, an event that left behind a significant material and imaginative legacy. The contributors to this volume reflect a variety of interdisciplinary approaches and address Expo 67 across a broad spectrum ranging from ar...
Images from the Likeness House
On a winter's day in 1889, Tsimshian Chief Arthur Wellington Clah went to Hannah and Richard Maynard's photography studio in Victoria 'to give myself likeness.' In Images from the Likeness House, Dan Savard explores the relationship between First Peoples in British Columbia, Alaska and Washington and the photographers who made images of them from the late 1850s to the 1920s. He gives examples of the great technological advancements that took place, from wet-glass-plate to nitrate-film negatives, showing the images in their original state, not cropped, corrected or retouched. This is not only an important book about photography, but also a visual statement about perception (and misperception), cultural change and survival. Images from the Likeness House will appeal to ethnographers, photographers, art lovers and anyone interested in the history of BC, Alaska and Washington.
