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Why Jane Austen?
Rachel M. Brownstein considers Jane Austen as heroine, moralist, satirist, romantic, woman, and author, along with the changing notions of these categories over time and texts. She finds echoes of many of Austen's insights and techniques in contemporary Jane-o-mania, a commercially driven, erotically charged popular vogue that aims to preserve and liberate, correct and collaborate with old Jane.
Becoming a Heroine
"Brownstein examines how the stories we read influence our notions of how we should live. In fresh, wonderfully nuanced readings of works by Jane Austen, Charlotte Bronté, George Eliot, Henry James, and Virginia Woolf, she considers woman-centered novels as rewritings of romance, and analyzes the thematic links and echoes that connect these works not only to each other but to women's lives. This splendidly provocative book shows how good novels, intelligent heroines, and careful readers are skeptical of the romantic ideal of a perfected, integral self"--Publisher's description, back cover.
Tragic Muse
The great nineteenth-century tragedienne known simply as Rachel was the first dramatic actress to achieve international fame. Composing her own persona with the same brilliance and passion she demonstrated on stage, she virtually invented the role of "star." Rumors of her extravagant life offstage delighted the audiences who flocked to theaters in Boston and Paris, London and Moscow, to see her perform in the tragedies of Racine and Corneille. In Tragic Muse, Rachel M. Brownstein reveals the life of la grande Rachel and explores--at the boundary of biography, fiction, and cultural history--the connections between this self-dramatizing woman and her image. Born to itinerant Jewish peddlers in...
Leaving Home
   First published in 1953, this novel is the absorbing story of three siblings from an upper middle-class family in Brooklyn who must make the transition to independent adult life during the depression years 1933 to 1940. Just out of Vassar, Nina rides the sweaty subways to her publishing job in Manhattan before resigning to conventional wife-and motherhood in the suburbs. Kermit, sarcastic, manipulative, and frustrated by his own youth, blisters at being a Columbia day student, and grapples for escape and detachment. Pretty, vulnerable Marion rebounds from an impossible affair to make and impulsive and happy love match. Praising then novel. the New York Times Book Review called it "a delight to read, and even re-read, for its subtle, ironic implications." Today, the story remians impressively rich in the emotional detail of the trauma and excitement of leaving home.
The Cambridge Companion to Jane Austen
A comprehensive guide to Austen's works in the contexts of her contemporary world and present-day criticism.
Hunger Makes Me a Modern Girl
From the guitarist of the pioneering band Sleater-Kinney, the book Kim Gordon says "everyone has been waiting for" and a New York Times Notable Book of 2015-- a candid, funny, and deeply personal look at making a life--and finding yourself--in music. Before Carrie Brownstein became a music icon, she was a young girl growing up in the Pacific Northwest just as it was becoming the setting for one the most important movements in rock history. Seeking a sense of home and identity, she would discover both while moving from spectator to creator in experiencing the power and mystery of a live performance. With Sleater-Kinney, Brownstein and her bandmates rose to prominence in the burgeoning undergr...
Anaïs Nin, Fictionality and Femininity
Helen Tookey presents a new study of Anais Nin (1903-77), focusing both on the cultural and historical contexts in which her work was produced and received, and on the different versions of Nin herself - as a modernist, a woman writer, a public (and controversial) figure in the women'sliberation movement, and as a set of conflicting and often extreme representations of femininity. The author shows how contextual feminist approaches shed light on Nin (who moved from Paris modernism of the 1930s to US second-wave feminism of the 1970s), and how this sheds light on key issues andconflicts within feminist thinking since the 1970s, particularly questions of identity, femininity, and psychoanalysis. Anais Nin: Fictionality and Femininity provides new readings of Nin through contemporary feminist approaches, using Nin to make an intervention into critical debates aroundmodernism, feminism, and psychoanalysis, writing and identity, fictionality and femininity.
Female Performers in British and American Fiction
The female performer with a public voice constitutes a remarkably vibrant theme in British and American narratives of the long nineteenth century. The tension between fictional female performers and other textual voices can be seen to refigure the cultural debate over the ‘voice’ of women in aesthetically complex ways. By focusing on singers, actresses, preachers and speakers, this book traces and explores an important tradition of feminine articulation. Drawing on critical approaches in literary studies, gender studies and philosophy, the book conceptualizes voice for the discussion of narrative texts. Examining voice both as a thematic concern and as an aesthetic effect, the individual chapters analyse how the actual articulation by female performers correlates with their cultural visibility and agency. What this study foregrounds is how women characters succeed in making themselves heard even if their voices are silenced in the end.
Disruptive Acts
All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home.".
Realism, Representation, and the Arts in Nineteenth-Century Literature
This book confronts a significant paradox in the development of literary realism: the very novels that present themselves as purveyors and celebrants of direct, ordinary human experience also manifest an obsession with art that threatens to sabotage their Realist claims. Unlike previous studies of the role of visual art, or music, or theatre in Victorian literature, Realism, Representation, and the Arts in Nineteenth-Century Literature examines the juxtaposition of all of these arts in the works of Charlotte Brontë, William Thackeray, George Eliot, Thomas Hardy, and others. Alison Byerly combines close textual analysis with discussion of relevant ancillary topics to illuminate the place of different arts within nineteenth-century British culture. Her book, which also contains sixteen illustrations, represents an effort to bridge the growing gap between aesthetics and cultural studies.
