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My Name is Rachel Corrie
THE STORY: On March 16, 2003, Rachel Corrie, a twenty-three-year-old American, was crushed to death by an Israeli Army bulldozer in Gaza as she was trying to prevent the demolition of a Palestinian home. MY NAME IS RACHEL CORRIE is a one-woman play
Let Me Stand Alone: The Journals of Rachel Corrie
"A testament to how deeply we need the power and vision and energy of young women to transform the world."--Eve Ensler Rachel Corrie's determination to make a better, more peaceful world took her from Olympia, Washington, to the Middle East, where she died in 2003 as she tried to block the demolition of a Palestinian family's home in the Gaza Strip. A twenty-three-year-old American activist, Corrie also possessed a striking gift for poetry, writing, and drawing. Let Me Stand Alone, a selection of her journals, letters, and drawings as chosen by her family, reveals her story in her own hand, from her precocious reflections as a young girl to her final emails. Corrie's words--whether writing about the looming issues of our time or the ordinary angst of an American teen--bring to life all that it means to come of age: a dawning sense of self, a thirst for one's own ideals, and an evolving connection to others, near and far.
My Name is Rachel Corrie
March 2003. The Gaza Strip. 23-year-old Rachel Corrie stands between a Palestinian house and an armoured bulldozer. Meet the heroine behind the headlines. Edited by Alan Rickman and Katharine Viner and based on the writings of Rachel Corrie herself, this play captures the enduring idealism, blazing eloquence and sardonic wit of her vivid diary entries. First seen at the Royal Court Theatre, London, in 2005, My Name Is Rachel Corrie was revived in a new production at the Young Vic, London, in 2017, directed by Josh Roche, winner of the JMK Young Directors Award 2017.
Theatre of the Real
This book proposes a new way to consider theatre and performance that claims a special relationship to reality, truth and authenticity. It documents innovations in devising and staging theatre and performance that takes reality as its subject, cultural shifts that have generated theatre of the real, some of its problems and some possibilities.
Locating Race
Locating Race provides a powerful critique of theories and fictions of globalization that privilege migration, transnationalism, and flows. Malini Johar Schueller argues that in order to resist racism and imperialism in the United States we need to focus on local understandings of how different racial groups are specifically constructed and oppressed by the nation-state and imperial relations. In the writings of Black Nationalists, Native American activists, and groups like Partido Nacional La Raza Unida, the author finds an imagined identity of post-colonial citizenship based on a race- and place-based activism that forms solidarities with oppressed groups worldwide and suggests possibilities for a radical globalism.
Rachel Corrie
Fictionalized account of Rachel Corrie's life and death in the Gaza Strip.
Arab and Arab American Feminisms
In this collection, Arab and Arab American feminists enlist their intimate experiences to challenge simplistic and long-held assumptions about gender, sexuality, and commitments to feminism and justice-centered struggles among Arab communities. Contributors hail from multiple geographical sites, spiritualities, occupations, sexualities, class backgrounds, and generations. Poets, creative writers, artists, scholars, and activists employ a mix of genres to express feminist issues and highlight how Arab and Arab American feminist perspectives simultaneously inhabit multiple, overlapping, and intersecting spaces: within families and communities; in anticolonial and antiracist struggles; in debat...
Unprepared To Die
The Gory Stories Behind The Murder Ballads Cheerfully vulgar, revelling in gore, and always with an eye on the main chance, murder ballads are tabloid newspapers set to music, carrying word of the latest ‘orrible murders to an insatiable public. Victims are bludgeoned, stabbed or shot in every verse and killers often hanged, but the songs themselves never die. Instead, they mutate – morphing to suit local place names as they criss cross the Atlantic and continue to fascinate each generation’s biggest musical stars. Paul Slade traces this fascinating genre’s history through eight of its greatest songs. Stagger Lee’s “biographers” alone include Duke Ellington, James Brown, Bob Dylan, Dr John, The Clash and Nick Cave. No two tell his story in quite the same way. Covering eight classic murder ballads, including “Knoxville Girl”, “Tom Dooley” and “Frankie & Johnny”, Slade investigates the real-life murder which inspired each song and traces its musical development down the decades. Billy Bragg, The Bad Seeds’ Mick Harvey, Laura Cantrell, Rennie Sparks of The Handsome Family and a host of other leading musicians add their own insights.
