Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Discoverie of Witchcraft
Reproduction of the original.
England's First Demonologist
'The fables of witchcraft have taken so fast hold and deepe root in the heart of man, that few or none can indure with patience the hand and correction of God.' Reginald Scot, whose words these are, published his remarkable book The Discoverie of Witchcraft in 1584. England's first major work of demonology, witchcraft and the occult, the book was unashamedly sceptical. It is said that so outraged was King James VI of Scotland by the disbelieving nature of Scot's work that, on James' accession to the English throne in 1603, he ordered every copy to be destroyed. Yet for all the anger directed at Scot, and his scorn for Stuart orthodoxy about wiches, the paradox was that his detailed account o...
England's First Demonologist
""The fables of witchcraft have taken so fast hold and deepe root in the heart of man, that few or none can endure with patience the hand and correction of God."" Reginald Scot's The Discoverie of Witchcraft (published in 1584) was England's first major work of demonology, witchcraft, and the occult. The book was unashamedly skeptical. It is said that so outraged was King James VI of Scotland by the disbelieving nature of Scot's work that, on James' accession to the English throne in 1603, he ordered every copy to be destroyed. Yet for all the anger directed at Scot, and his scorn for Stuart orthodoxy about witches, the paradox was that his detailed account of sorcery helped strengthen the h...
A defence of witchcraft belief
This is the first published edition of a fascinating manuscript on witchcraft in the collection of the British Library, written by an unknown sixteenth-century scholar. Responding to a pre-publication draft of Reginald Scot’s sceptical Discoverie of Witchcraft (1584), the treatise represents the most detailed defence of witchcraft belief to be written in the early modern period in England. It highlights in detail the scriptural and theological justifications for a belief in witches, covering ground that may well have been considered too sensitive for print publications and presenting learned arguments not found in any other contemporary English work. Consequently, it offers a unique insight into elite witchcraft belief dating from the very beginning of the English witchcraft debate. This edition, which includes a comprehensive analytical introduction, presents the treatise with modernised spelling and relevant excerpts from Scot’s book.
A Defence of Witchcraft Belief
This is the first published edition of a fascinating manuscript on witchcraft in the collection of the British Library, written by an unknown sixteenth-century scholar. Responding to a pre-publication draft of Reginald Scot's sceptical Discoverie of Witchcraft (1584), the treatise represents the most detailed defence of witchcraft belief to be written in the early modern period in England. It highlights in detail the scriptural and theological justifications for a belief in witches, covering ground that may well have been considered too sensitive for print publications and presenting learned arguments not found in any other contemporary English work. Consequently, it offers a unique insight into elite witchcraft belief dating from the very beginning of the English witchcraft debate. This edition, which includes a comprehensive analytical introduction, presents the treatise with modernised spelling and relevant excepts from Scot's book.
The Damned Art (RLE Witchcraft)
This book approaches witchcraft and demonology through literary records. The works discussed deal with the contemporary theories propounded by those who sought either to justify, or to refute persecution. Eight contributors of differing interests,a nd with different approaches to their subject, examine a selection of important, representative witchcraft texts – published in England, France, Germany, Italy and America – setting them within their intellectual context and analysing both their style and argument.
Dumbstruck
Why can none of us hear our own recorded voice without wincing? Why is the telephone still full of such spookiness and erotic possibility? Why does the metaphor of ventriloquism, the art of 'seeming to speak where one is not', speak so resonantly to our contemporary technological condition? These are the kind of questions which impel Steven Connor's wide-ranging, restlessly inquisitive history of ventriloquism and the disembodied voice. He tracks his subject from its first recorded beginnings in ancient Israel and Greece, through the fulminations of early Christian writers against the unholy (and, they believed, obscenely produced) practices of pagan divination, the aberrations of the voice ...
Metamorphosis
None
