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Features largest group of works of art on paper in the western United States.
THIS BOOK TELLS the stories of twenty-five women, from the dawn of civilization to the present day, who bent the arc of history by what they did at the defining moment in their lives. At this critical juncture, they had a choice—taking the safe, or least risky, option—or challenging the status quo. They wielded the sword, seized political power, or challenged societal norms and laws—and transformed society contrary to all cultural dictates. Some women were virtual saints, others were more ruthless than any man of their age. One even instituted the first police state in history. These women all faced enormous odds. The social norms of their time were so pervasive and insular that every touchpoint in society bullied them as social media bullies women today—especially those who dare to be different—not for difference’s sake, but to make a difference in their brief time on this planet. To the woman, they responded to challenges, setbacks, and disappointments by redoubling their efforts. We can learn from—and be inspired by—their lives and their grit, and their mistakes. To read their stories is to see ourselves anew.
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A fascinating look at the artistically productive reign of Hatshepsut, a female pharaoh in ancient Egypt
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The two museums that in 1970 became the Fine Arts Museums of San Francisco were at one time rival institutions. The de Young museum grew out of the California Midwinter International Exposition of 1894. The Legion of Honor had its genesis in the Panama-
ForewordMAX HOLLEINESSAYSA HISTORY OF RESEARCH AND SCHOLARSHIP ON THE POLYCHROMY OF ANCIENT SCULPTUREVINZENZ BRINKMANNON THE POLYCHROMY OF ANCIENT SCULPTUREVINZENZ. BRINKMANN AND ULRIKE KOCH-BRINKMANNREDISCOVERING COLORPolychrome Art from Ancient Egypt and the Near EastRENÉE DREYFUSESSAYSTHE DISCOVERY OF THE POLYCHROMY OF ANCIENT GREEK SCULPTUREWinckelmann's Research on Statues and TextsOLIVER PRIMAVESICOLOR AND LIGHTDodwell and Pomardi in GreeceJOHN CAMP.ANCIENT PAINTS AND.PAINTING TECHNIQUES Methods of InvestigationVINZENZ BRINKMANN, ULRIKE KOCH-BRINKMANN, AND HEINRICH PIENINGCATALOGUE OF THE EXHIBITIONBibliographyAcknowledgmentsMAX HOLLEINPhotography Credits.
Within modern frameworks of knowledge and representation, Dionysos often appears to be atypical for ancient culture, an exception within the context of ancient polytheism, or even an instance of a difference that anticipates modernism. How can recent research contribute to a more precise understanding of the diverse transformations of the ancient god, from Greek antiquity to the Roman Empire? In this volume, which is the result of an international conference held in March 2009 at the Pergamon Museum Berlin, scholars from all branches of classical studies, including history of scholarship, consider this question. Consequently, this leads to a new look on vase paintings, sanctuaries, rituals and religious-political institutions like theatre, and includes new readings of the texts of ancient poets, historians and philosophers, as well as of papyri and inscriptions. It is the diversity of sources or methods and the challenge of former views that is the strength of this volume, providing a comprehensive, innovative and richly faceted account of the “different” god in an unprecedented way.