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Drawing on the correspondence of the artist, his friends and his family, as well as a review of contemporary critical responses, this text examines the work of Sargent's early maturity. The text is the catalogue for an exhibition at the Sterling and Francine Clark Art Institute in Summer 1997.
James Hickey proceeds from the premise that throughout history, humans have demonstrated a proclivity for using violence against one another as a means to achieve an end, means enabled, in many respects, by the technologies available at the time. Advancing technology has often been a prime enabler of ever-increasing levels of violence and attendant human suffering. At a few junctures in history, however, certain technologies have seemingly provided the armed forces that possess them the ability to fight wars with decreasing levels of violence and suffering. Today, precision-guided munitions (PGMs) with their high degree of discrimination and accuracy again hold such promise. This book seeks ...
This edited volume addresses the challenges and opportunities facing NATO post-2014, applying an original approach to strategy that will produce fresh insights into this hot topic within the international security community.
Den amerikanske kunstner John Singer Sargents (1856-1925) skildringer af Venedig.
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Sargent's portraits in charcoal constitute a gallery of the great and the good and the talented, scarcely less remarkable in its range of personalities than that earlier gallery of painted portraits.
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