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Cities, Mayors, and Race Relations analyzes the politics behind improving race relations in local communities through the use of mayoral task forces. By investigating three communities with unique cultural, social, economic, and racial characteristics, author Richard T. Middleton IV provides insight into why some communities are more likely to realize success in influencing policy makers to adopt policy innovations aimed at improving race relations than are others. This book chronicles how political culture, level of racial threat, factors central to task force formation, and staffing affect the likelihood that mayoral leadership and use of government organized nongovernmental organizations will persuade local level actors to adopt policies aimed at improving race relations. To study this phenomenon, Cities, Mayors, and Race Relations focuses on three cities: Madison, Wisconsin, Columbia, Missouri, and Kansas City, Missouri.
The Ghost Ship is a collection of stories by Richard Barham Middleton. Contents: The Ghost Ship, A Drama of Youth, The New Boy, On the Birghton Road, A Tragedy in Little, Shepherd's Boy, The Story of a Book and many more.
Analyzes textbooks in the Dominican Republic for evidence of reproducing Haitian Otherness Unmastering the Script: Education, Critical Race Theory, and the Struggle to Reconcile the Haitian Other in Dominican Identity examines how school curriculum–based representations of Dominican identity navigate black racial identity, its relatedness to Haiti, and the culturally entrenched pejorative image of the Haitian Other in Dominican society. Wigginton and Middleton analyze how social science textbooks and historical biographies intended for young Dominicans reflect an increasing shift toward a clear and public inclusion of blackness in Dominican identity that serves to renegotiate the countryâ€...
How does popular music produce its subject? How does it produce us as subjects? More specifically, how does it do this through voice--through "giving voice"? And how should we understand this subject--"the people"--that it voices into existence? Is it singular or plural? What is its history and what is its future? Voicing the Popular draws on approaches from musical interpretation, cultural history, social theory and psychoanalysis to explore key topics in the field, including race, gender, authenticity and repetition. Taking most of his examples from across the past hundred years of popular music development--but relating them to the eighteenth- and nineteenth-century "pre-history"--Richard Middleton constructs an argument that relates "the popular" to the unfolding of modernity itself. Voicing the Popular renews the case for ambitious theory in musical and cultural studies, and, against the grain of much contemporary thought, insists on the progressive potential of a politics of the Low.
In recent years, more and more Christians have come to appreciate the Bible's teaching that the ultimate blessed hope for the believer is not an otherworldly heaven; instead, it is full-bodied participation in a new heaven and a new earth brought into fullness through the coming of God's kingdom. Drawing on the full sweep of the biblical narrative, J. Richard Middleton unpacks key Old Testament and New Testament texts to make a case for the new earth as the appropriate Christian hope. He suggests its ethical and ecclesial implications, exploring the difference a holistic eschatology can make for living in a broken world.
It is traditional to think we should praise Abraham for his willingness to sacrifice his son as proof of his love for God. But have we misread the point of the story? Is it possible that a careful reading of Genesis 22 could reveal that God was not pleased with Abraham's silent obedience? Widely respected biblical theologian, creative thinker, and public speaker J. Richard Middleton suggests we have misread and misapplied the story of the binding of Isaac and shows that God desires something other than silent obedience in difficult times. Middleton focuses on the ethical and theological problem of Abraham's silence and explores the rich biblical tradition of vigorous prayer, including the lament psalms, as a resource for faith. Middleton also examines the book of Job in terms of God validating Job's lament as "right speech," showing how the vocal Job provides an alternative to the silent Abraham. This book provides a fresh interpretation of Genesis 22 and reinforces the church's resurgent interest in lament as an appropriate response to God.
People have long been shooting small stones and carefully rounded bullets of clay, glass, steel, and lead from weapons without using gunpowder. And the bow and arrow has been man's choice all over the world and throughout history at times when modern firearms have been unavailable or unsuitable. In America, there is currently an explosion of interest in making primitive archery tackle--wooden bows, flint arrowheads, natural fiber strings. The author has made and shot flint-tipped arrows from many bows of his own making. He first noticed, twenty years ago, that no one has written a book on catapults, and started to keep records of his own experiments in that and other related fields, leading to this book, which explores many of the ways, old and new, in which people have shot bullets by force of their own muscles.
The Rev. Richard T. Middleton III shares some of his most memorable eulogies and homilies that he delivered as an Episcopal priest in Mississippi in this collection. In a homily honoring Claude Rashad McCants, a young man from Jackson, Mississippi, who was senselessly murdered, he said, "The first thing I believe is that God did not will for this to happen. The Ten Commandments clearly state that God does not favor murder. I don't believe that God ever encourages any of his children to commit murder. When this tragedy happened, God's heart was the first heart to break." In paying tribute to Lula Belle Forte, the mother of a childhood friend, he said, "Brother may die, sister may die, aunt may die, grandma may die, wife may die, husband will almost surely die, but no death is felt like Mama's death. And that's because there just isn't anybody else on earth like our mother." Whether you've lost a loved one, serve as a minister, or work in hospice care, funeral service or a related field, you'll be inspired by this collection of memories of remarkable and influential people.
A critical analysis of issues and approaches in a variety of areas, ranging from the political economy of popular music through its history and ethnography to its semiology, aesthetics and ideology. The book focuses on Anglo-American popular music of the last 200 years.
Offers a deeply informed take on a key Christian doctrine and its interpretation and relevance today.