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Education Directory
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Tax Restructuring Act of 1979: Testimony from administration and invited panelists
A biography of the famous trumpeter who was one of the first great improvisers in jazz history.
Farmer Cooperatives
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Theatre and Aural Attention
Theatre and Aural Attention investigates what it is to attend theatre by means of listening. Focusing on four core aural phenomena in theatre – noise, designed sound, silence, and immersion - George Home-Cook concludes that theatrical listening involves paying attention to atmospheres.
A Displaced Nation
In A Displaced Nation, Phi-Van Nguyen argues that the displacement of eighty thousand mostly Roman Catholic evacuees from North Vietnam in 1954 had a profound impact on the war opposing Saigon on both Hanoi and on the evacuees themselves. Assisting with the transportation, emergency relief, and resettlement of the evacuees allowed diverse organizations and the United States to support Saigon. This transnational mobilization also convinced the evacuees the "free world" would never let Vietnam remain divided. Many people see the Vietnam wars spanning from 1945 to 1989 as separate conflicts. But Nguyen demonstrates that the evacuees experienced a continuous civil war. A Displaced Nation shows the evacuees felt so validated by transnational support that they thought they could use this external help to return one day to the north. This belief was not constant nor were the strategies to achieve it the same for all, but through their political activism and action the evacuees showed they were willing to seize any opportunity to oppose Hanoi during the subsequent decades, even once established overseas.
A Student’s Handbook of Indian Aesthetics
Art and life in India have been inextricably intertwined from ancient times to the present day. Art as a way of life, as ritual, as decoration and as unity with the Sublime bore testament to the socio-cultural milieu; the high level of sophistication that developed in ancient India was reflected in the arts in a holistic light. The arts, thus, strived to hone man’s intellectual sensibilities, thus raising him to the level of the transcendental, which in India was Brahma or ultimate reality. This book brings forth the popular theories of Indian aesthetics and Indian poetics. Bharatmuni, Abhinavgupta, Anandvardhana and a number of seers have given substantial dimensions to the concept as found in Natryashastra, Dhvanyavloka, and Abhinavbharati, among other texts. It represents primarily a compilation of commentaries and criticism of these texts, and will serve as a preliminary guide to students, beginners and researchers of Indian aesthetics and poetics. The appendices bring together a number of papers on Indian aesthetics, while there is also an informative and comprehensive bibliography and an exhaustive glossary to provide added aid for non-Sanskrit speakers.
