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Race and Racism in Nineteenth-Century Art
Painters Robert Duncanson (ca. 1821–1872) and Edward Bannister (1828–1901) and sculptor Mary Edmonia Lewis (ca. 1844–1907) each became accomplished African American artists. But as emerging art makers of color during the antebellum period, they experienced numerous incidents of racism that severely hampered their pursuits of a profession that many in the mainstream considered the highest form of social cultivation. Despite barriers imposed upon them due to their racial inheritance, these artists shared a common cause in demanding acceptance alongside their white contemporaries as capable painters and sculptors on local, regional, and international levels. Author Naurice Frank Woods Jr....
Weavers of the Southern Highlands
Weaving centers led the Appalachian Craft Revival at the beginning of the twentieth century. Soon after settlement workers came to the mountains to start schools, they expanded their focus by promoting weaving as a way for women to help their family's financial situation. Women wove thousands of guest towels, baby blankets, and place mats that found a ready market in the women's network of religious denominations, arts organizations, and civic clubs. In Weavers of the Southern Highlands, Philis Alvic details how the Fireside Industries of Berea College in Kentucky began with women weaving to supply their children's school expenses and later developed student labor programs, where hundreds of students covered their tuition by weaving. Arrowcraft, associated with Pi Beta Phi School at Gatlinburg, Tennessee, and the Penland Weavers and Potters, begun at the Appalachian School at Penland, North Carolina, followed the Berea model. Women wove at home with patterns and materials supplied by the center, returning their finished products to the coordinating organization to be marketed. Dozens of similar weaving centers dotted mountain ridges.
"You Factory Folks who Sing this Rhyme Will Surely Understand"
First Published in 2007. Routledge is an imprint of Taylor & Francis, an informa company.
The Last Castle
"The ... true story behind the ... Gilded Age mansion Biltmore--the largest, grandest residence ever built in the United States"--Amazon.com.
Sugar Fork
In this sequel to Hazel Creek from award-winning author Walt Larimore, a loving rural family struggles to survive tragedy and cope with the invasion of modern ways in the 1920s. THIS CAPTIVATING STORY takes place in the Sugar Fork Valley of the Great Smoky Mountains wilderness during 1925–1926. Nate Randolph and his five unique daughters wrestle to survive after the death of Callie (his wife and their mother) as well as to maintain their farm, forests, family, and faith against an evil lumber company manager seeking to clear-cut their virgin woodland. A cast of delightful characters, including gypsy siblings, Cherokee Indians, a granny midwife, a world-famous writer, and even a flesh-and-b...
Wild, Tamed, Lost, Revived
For anyone who's ever picked an apple fresh from the tree or enjoyed a glass of cider, writer and orchardist Diane Flynt offers a new history of the apple and how it changed the South and the nation. Showing how southerners cultivated over 2,000 apple varieties from Virginia to Mississippi, Flynt shares surprising stories of a fruit that was central to the region for over 200 years. Colorful characters abound in this history, including aristocratic Belgian immigrants, South Carolina plantation owners, and multiple presidents, each group changing the course of southern orchards. She shows how southern apples, ranging from northern varieties that found fame on southern soil to hyper-local appl...
People of Kituwah
"According to Cherokee tradition, Kituwah is located at the center of the world and is home to the most sacred and oldest of all beloved, or mother, towns. Just by entering Kituwah, or indeed any village site, Cherokees reexperience the creation of the world, when the water beetle first surfaced with a piece of mud that later became the island on which they lived. People of Kituwah is a comprehensive account of the spiritual worldview and lifeways of the Eastern Cherokee people, from that beginning to today. Building on vast primary and secondary materials, native and non-native, John D. Loftin and Benjamin E. Frey show how Cherokee religious life evolved both before and after the calamitous coming of colonialism. This book offers an in-depth understanding of Cherokee culture and society"--Page 4 of cover.
Hooked Rugs
Through a close look at the history of the modernist hooked rug, this book raises important questions about the broader history of American modernism in the first half of the twentieth century. Although hooked rugs are not generally associated with the avant-garde, this study demonstrates that they were a significant part of the artistic production of many artists engaged in modernist experimentation. Cynthia Fowler discusses the efforts of Ralph Pearson and of Zoltan and Rosa Hecht to establish modernist hooked rug industries in the 1920s, uncovering a previously undocumented history. The book includes a consideration of the rural workers used to create the modernist narrative of the hooked...
Southern Highland Craft Guild
The Southern Highland Craft Guild is the oldest craft guild in the United States and the only guild to be defined by a geographical area. First conceived by Olive Dame Campbell in the 1920s, the craft guild was launched in 1930 with an exhibition of regional arts. Frances Louisa Goodrich contributed her Allanstand Shop so that families living in an already depressed region would have a sales venue for their work throughout the Great Depression and the years of World War II. From that early start, the Southern Highland Craft Guild has grown to nearly a thousand members and has established a worldwide reputation for fine workmanship. The guild is governed by the artist membership, which is made up of a wide range of craftspeople from institute-trained artists to local makers trained by parents and friends.
