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Introduction - Landscape as Perspective. Chapter 1 - The Pommemorative Anatomy of a Colonial Park. Chapter 2 - A New Monument in a New Land. Chapter 3 - Carlo Scarpa: Built Memories. Chapter 4 - The Rational Point of View: Viollet-le-Duc and the Camera Lucida. Chapter 5 - Cezanne's Party. Chapter 6 - Subject to Circumstance, The Landscape of the French Lighthouse System. Chapter 7 - The Body in the Garden. Chapter 8 - Self, Scene and Action: The Final Chapter of Yuan Ye. Chapter 9 - The House of Light and Entropy: Inhabiting the American Desert. Chapter 10 - Landscape to Inscape: Topography as Ecclesiological Vision. Chapter 11 - Fluid Precision: Giacomo Della Porta and the Acqua Vergine fountains of Rome. Chapter 12 - New Projects for the City of Munster. Chapter 13 - The Villa d'Este Storyboard. Chapter 14 - The Splendid Effects of Architecture, and its Power to Affect the Mind.
In his theory of the novel, Guido Mazzoni explains that novels consist of stories told in any way whatsoever about the experiences of ordinary men and women who exist as contingent beings within time and space. Novels allow readers to step into other lives and other versions of truth, each a small, local world, absolute in its particularity.
This book explores considerations of method in the field of political anthropology, contending that this constitutes a distinct approach within the broader area of the human, social and political sciences. Faithful to the basic guiding ideas of anthropology, it nonetheless challenges and rejects the pretended stance of scientific neutrality and advances a position that engages with the notion of participation, recognising its value and arguing that participation is essential to the development of a proper social and political understanding. An outline of what political anthropology can offer by way of methods, this invitation to consider the development of methodological ideas beyond the presumed ‘scientific’ and ‘universalistic’ approaches that dominate in the social sciences will appeal to scholars of anthropology, sociology and politics with interests in questions of method and methodology.
The world is full of traces of the past, ranging from things as different as monuments and factories to farms, eco-museums, landscapes, mountaineering and even woven-grass bridges. These traces must be protected and passed on to future generations. Communicational analysis shows that these traces have acquired the status of heritage by becoming communicative beings imbued with a new social life. Up until the 1970s and 1980s, granting this status was the prerogative of the state. New modes then emerged, increasingly involving social actors and the publicization of knowledge. Today, the heritage recognition of these traces also depends on interpretative schemes that circulate in society, notably through the media. Heritage Traces in the Making is aimed at anyone – researchers, professionals and students – who is interested in how heritage is created and how it evolves.
This publication approaches MoMA's incomparable drawings collection from a new direction, presenting works not by date but by specific sequences of forms. It suggests that the meaning of a work of art depends not only on its own internal structures but also on relationships to other works.
The authors of The Bounds of Myth present in their articles an account of the importance of myth as a valid form of thought and its relation to other forms of discourse such as religion or literature.
Available in English for the first time, anthropologist Carlo Severi’s The Chimera Principle breaks new theoretical ground for the study of ritual, iconographic technologies, and oral traditions among non-literate peoples. Setting himself against a tradition that has long seen the memory of people “without writing”—which relies on such ephemeral records as ornaments, body painting, and masks—as fundamentally disordered or doomed to failure, he argues strenuously that ritual actions in these societies pragmatically produce religious meaning and that they demonstrate what he calls a “chimeric” imagination. Deploying philosophical and ethnographic theory, Severi unfolds new approaches to research in the anthropology of ritual and memory, ultimately building a new theory of imagination and an original anthropology of thought. This English-language edition, beautifully translated by Janet Lloyd and complete with a foreword by David Graeber, will spark widespread debate and be heralded as an instant classic for anthropologists, historians, and philosophers.
In the last few decades, creolisation has become a recurrent feature in the works of scholars from many disciplines, serving as a useful metaphor for understanding contemporary societies in a “world of globalisation”. More than a metaphor, creolisation can be conceived as a powerful analytical and theoretical tool in order to grasp the current dynamics of intercultural encounter and conflict, allowing a close look at the production of new subjectivities and identities. In accordance with this viewpoint, in this book, creolisation processes have been investigated under the interdisciplinary gaze of a wide European research group, which has tried to detect creole patterns in the fields of ...
How can the power of wholes be resisted without essentializing their parts? Drawing on different archives and methodologies, including aesthetics, history, biology, affect, race, and queer, the interventions in this volume explore different ways of troubling the consistency and stability of wholes, breaking up their closure and making them more dynamic. Doing so without necessarily presupposing or producing parts, an outside, or a teleological development, they indicate the critical potential of partiality without parts.