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The Confessions Of Robin Askwith
  • Language: en
  • Pages: 277

The Confessions Of Robin Askwith

  • Type: Book
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  • Published: 2012-08-31
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  • Publisher: Random House

Of all the actors and personalities thrown up by that strangest of periods. The 1970s, surely Robin Askwith was one of the most 'of his time'? As star of the infamous CONFESSIONS films, as well as over 25 other movies, Askwith was huge. His cheeky, innocent face, his Mick Jagger lips and more often than not his bare arse -- he, possibly more than anyone else sums up a bygone era remembered fondly by millions. Today, Askwith is a cult figure. The CONFESSIONS films are still regular staples on British TV and around the world, especially in the Commonwealth countries. They are just as funny as they ever were -- classic camp British humour in the same language as the Carry On films. In this bril...

Fallen Stars
  • Language: en
  • Pages: 164

Fallen Stars

  • Type: Book
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  • Published: 2004
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  • Publisher: Headpress

Fallen Stars probes the underside of fame to reveal a host of glittering careers stunted by ill-health, alcoholism, drug addiction and egomania. Twenty-one tales of stardom turned sour, these are the tragic final years of some of the world's best-loved actors and comedians, a latter-day Hollywood Babylon that includes Benny Hill, Diana Dors, Peter Sellers, Carry On legends and many others.

Uneasy Dreams
  • Language: en
  • Pages: 278

Uneasy Dreams

  • Type: Book
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  • Published: 2015-09-03
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  • Publisher: McFarland

There has been a tremendous amount of renewed interest in the output of Britain's Hammer Films. But there remain a great number of worthwhile British horror films, made at the same time by other companies, that have received little attention. The author provides a comprehensive listing of British horror films--including science fiction, fantasy, and suspense films containing horror-genre elements--that were released between 1956 and 1976, the "Golden Age" of British horror. Entries are listed alphabetically by original British title, from Vincent Price in The Abominable Dr. Phibes (1971) to Zeta One (1969). Entries also include American title, release information, a critique of the film, and the film's video availability. The book is filled with photographs and contains interviews with four key figures: Max J. Rosenberg, cofounder of Amicus Productions, one of the period's major studios; Louis M. Heyward, former writer, film executive and producer; Aida Young, film and television producer; and Gordon Hessler, director of such films as The Oblong Box and Murders in the Rue Morgue.

British Low Culture
  • Language: en
  • Pages: 203

British Low Culture

  • Type: Book
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  • Published: 2013-10-18
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  • Publisher: Routledge

Identifying 'permissive populism', the trickle down of permissiveness into mass consumption, as a key feature of the 1970s, Leon Hunt considers the values of an ostensibly 'bad' decade and analyses the implications of the 1970s for issues of taste and cultural capital. Hunt explores how the British cultural landscape of the 1970s coincided with moral panics, the troubled Heath government, the three day week and the fragmentation of British society by nationalism, class conflict, race, gender and sexuality.

James Bond, the Spy I Loved
  • Language: en
  • Pages: 190

James Bond, the Spy I Loved

Christopher Wood segued from being the author of Confessions of a Window Cleaner to writing the screenplays for The Spy Who Loved Me and Moonraker, two of the most successful James Bond movies ever made. Here he recounts his adventures in the wonderful world of 007.

Please Sir! The Official History
  • Language: en
  • Pages: 207

Please Sir! The Official History

First broadcast in 1968, Please Sir! is generally considered to hold a firm place in the distinguished ranks of the greatest British sitcoms. David Barry - known to millions as mummy's boy Frankie Abbott - was a fan favourite, appearing in all three series as well as both the 1971 feature film and spin-off TV show The Fenn Street Gang. In this entertaining and expertly-written memoir, David tells the whole story, from his own audition all the way through to what the gang are doing today. Along the way he shares hilarious anecdotes and fond memories that for the first time give a behind-the-scenes look at what it was like to film the much-loved show that has remained a smash hit for more than fifty years. This journey through the golden age of British sitcom and beyond will bring back all kinds of memories for those lucky enough to have seen Please Sir! first-time around... and is an enjoyable waltz through TV history for those that didn't. If you've ever wondered what it was like to play a key part in one of the best-loved British sitcoms of all time, this is the perfect book for you!

The British Film Industry in the 1970s
  • Language: en
  • Pages: 234

The British Film Industry in the 1970s

  • Type: Book
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  • Published: 2013-01-22
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  • Publisher: Springer

Is there more to 1970s British cinema than sex, horror and James Bond? This lively account argues that this is definitely the case and explores the cultural landscape of this much maligned decade to uncover hidden gems and to explode many of the well-established myths about 1970s British film and cinema.

British Film Culture in the 1970s
  • Language: en
  • Pages: 337

British Film Culture in the 1970s

This volume draws a map of British film culture in the 1970s and provides a wide-ranging history of the period.

Kaiju Unleashed
  • Language: en
  • Pages: 247

Kaiju Unleashed

Kaiju Unleashed offers a general introduction to the exciting film genre, serves as a guidebook to its film highlights, and celebrates its practitioners, trends, and stories.

British Film Catalogue
  • Language: en
  • Pages: 1763

British Film Catalogue

  • Categories: Art
  • Type: Book
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  • Published: 2016-04-01
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  • Publisher: Routledge

First published in 2001.The standard work on its subject, this resource includes every traceable British entertainment film from the inception of the "silent cinema" to the present day. Now, this new edition includes a wholly original second volume devoted to non-fiction and documentary film--an area in which the British film industry has particularly excelled. All entries throughout this third edition have been revised, and coverage has been extended through 1994.Together, these two volumes provide a unique, authoritative source of information for historians, archivists, librarians, and film scholars.