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Chapbook
Contains 10 sewned, printed letterpress chapbooks of poetry (each 12 cm.) by Harmony Holiday (five books) and Rocio Carlos (five books). Chapbooks signed by poets and various book designers, illustrators, and printers from Archetype Press.
Attendance
Poetry. Literary Nonfiction. Hybrid Genre. Latinx Studies. LGBTQIA Studies. California Interest. Reading ATTENDANCE trains your attention on plants and animals until you can't stop noticing them. It's a way of moving through the natural world--which turns out to include the whole world. An almanac, a logbook, a devotional, a witness statement, poetry. A documentary not in the sense of capturing but in the sense of being a creature paying attention to the world we already live in. It's a hybrid text: One year of two people reaching their arms across styles and genres. At times notes, at times lists, or run-on sentences, or poems, or things that want to be poems, but always plants, and always ...
Chapbook
Contains twenty-two sewned, printed letterpress chapbooks of poetry (each 12 cm.) 1962 Revisited (five books), Dennis Phillips (six books), and Rocio Carlos (six books). Chapbooks signed by poets and various book designers, illustrators, and printers from Archetype Press.
Ambiguities and Tensions in English Language Teaching
The central theme of this book is the ambiguities and tensions teachers face as they attempt to position themselves in ways that legitimize them as language teachers, and as English speakers. Focusing on three EFL teachers and their schools in the southern Mexican state of Oaxaca, it documents how ordinary practices of language educators are shaped by their social context, and examines the roles, identities, and ideologies that teachers create in order to navigate and negotiate their specific context. It is unique in bringing together several current theoretical and methodological developments in TESOL and applied linguistics: the performance of language ideologies and identities, critical TESOL pedagogy and research, and ethnographic methods in research on language learning and teaching. Balancing and blending descriptive reporting of the teachers and their contexts with a theoretical discussion which connects their local concerns and practices to broader issues in TESOL in international contexts, it allows readers to appreciate the subtle complexities that give rise to the "tensions and ambiguities" in EFL teachers' professional lives.
Convention and Transgression
Carballido's plays are a staple of the theatre scene in Mexico City and are also frequently staged in Europe, the United States, and throughout Latin America. He has written more than thirty full-length plays and more than sixty one-act pieces as well as movie scripts, adaptations, and works for children's theatre. More than fifteen years have passed since the last book appeared on Carballido's theatre, during which he has written a score of new plays.
A World Below
None
(the Other House)
(the other house) is a book, a poem, a book of poems, that is also ghost document and prenatal correspondence. It was written as the author read through the draft of a manuscript for The Yellow House, by her friend, the poet Chiwan Choi. Ghost because it is a letter of the dead to the dead, but prenatal because the manuscript it addresses hadn't been published yet. Her notes and questions eventually became a conversation with the text itself, with the speaker of the poems, with no one in particular, with the dead, with old lovers, with her own work, and with the author herself. This book is a response, a map, a thread of hauntings, a reconstructed memory of loss and the body, language and desire.
Auto/Body
The poems in Auto/Body are an inexhaustible engine—sometimes a body, sometimes flesh—a sensual exploration of what it means to repair, to remake, to keep going even when rebuilding feels impossible. From the greased-up engines of auto body shops to the innumerable points of light striking the dance floor of a queer nightclub, Auto/Body, winner of the Ernest Sandeen Prize in Poetry, connects the vulnerability of the narrating queer body to the language of auto mechanics to reveal their shared decadence. Behind the wheel of this book is an insistent, humorous voice whose experiences have lent themselves to a deep, intimate knowledge of survival, driven by the pursuit of joy and exalted ple...
The Latino Threat
News media and pundits too frequently perpetuate the notion that Latinos, particularly Mexicans, are an invading force bent on reconquering land once their own and destroying the American way of life. In this book, Leo R. Chavez contests this assumption's basic tenets, offering facts to counter the many fictions about the "Latino threat." With new discussion about anchor babies, the DREAM Act, and recent anti-immigrant legislation in Arizona and other states, this expanded second edition critically investigates the stories about recent immigrants to show how prejudices are used to malign an entire population—and to define what it means to be American.
Water for All
Water for All chronicles how Bolivians democratized water access, focusing on the Cochabamba region, which is known for acute water scarcity and explosive water protests. Sarah T. Hines examines conflict and compromises over water from the 1870s to the 2010s, showing how communities of water users increased supply and extended distribution through collective labor and social struggle. Analyzing a wide variety of sources, from agrarian reform case records to oral history interviews, Hines investigates how water dispossession in the late nineteenth century and reclaimed water access in the twentieth and twenty-first centuries prompted, shaped, and strengthened popular and indigenous social movements. The struggle for democratic control over water culminated in the successful 2000 Water War, a decisive turning point for Bolivian politics. This story offers lessons for contemporary resource management and grassroots movements about how humans can build equitable, democratic, and sustainable resource systems in the Andes, Latin America, and beyond.
