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Black Mirror
Poetry. Bilingual edition translated from the French by David Rattray. Roger Gilbert-Lecomte (1907-1943) is considered one of the eminent poets of the Surrealist period. The visionary, sardonic, and often outrageous poems in this bilingual edition represent the first presentation of his work in English. With Rene Daumal he was the founder of the literary movement and magazine Le Grand Jeu, the essence of which he defined as "the impersonal instant of eternity in emptiness." "The glimpse of eternity in the void," writes Rattray in the Introduction, "was to send Daumal to Hinduism, the study of Yoga philosophy, and Sanskrit. It sent Lecomte on an exploration of what he called a 'metaphysics of absence.'" Rattray, a poet acclaimed for his translations of Artaud, keeps intact the power and originality of Gilbert-Lecomte's work.
Twin Tracks
It was a blustery late spring day in 1954 and a young Oxford medical student flung himself over the line in a mile race. There was an agonising pause, and then the timekeeper announced the record: three minutes, fifty-nine point four seconds. But no one heard anything after that first word - 'three'. One of the most iconic barriers of sport had been broken, and Roger Bannister had become the first man to run a mile in under four minutes. To this day, more men have conquered Mount Everest than have achieved what the slender, unassuming student managed that afternoon. Sixty years on and the letters still arrive on Roger Bannister's doormat, letters testifying to the enduring appeal of the four...
Walks in the World
In the twentieth century no form of experience has been more frequently taken up by poets eager to capture both the openness and fluidity of life and the aesthetic closure of an artwork than that of a walk. Examining the walk poem, Roger Gilbert contends that at its heart is the "desire to keep what we have lived." What is the appeal of the walk poem for modern American poets? According to Gilbert, it provides a ready-made frame within which to explore the full range of individual consciousness as it responds to and reflects on the world immediately at hand. The unstructured, plotless character of the walk allows poets to move freely from place to place, image to image, thought to thought. S...
