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Southern Gothic: New Tales of the South is an anthology like no other. Featuring over 15 stories and poems by new and veteran authors, the writing reflects a diverse range of Southern experience. From the post-Katrina New Orleans of Rose Yndigoyen’s “Long Gone Girls” and the deep-rooted family of Hardy Jones’ “Visitin’ Cormierville” to the racial tension of Eryk Pruitt’s “Them Riders” and Shane K. Bernard’s “The Phrenologist,” the anthology represents a new interpretation of the long-established Southern Gothic genre. Each story is paired with original art by Nathan Mark Phillips. Phillips’ images pull at the underside of the stories and bring a thoughtful level of interpretation to each work. Poking at the heart of Southern distinctiveness, these writers and artists make a bold statement about the south in the 21st century.
“The Yellow Wallpaper” by Charlotte Perkins Gilman is a feminist classic, a haunting critique of the isolation treatment for female hysteria wrapped up in a superb psychological horror story. Over a century later women are still battling gender bias in the treatment of mental illness. Here are 15 stories of very different women who have in common the fact that they are fighting for control of their worlds and of their minds. Traci Orsi's "Waiting for Jordan" finds Julia hallucinating at home when her husband is shipped off to Iraq. Leah Chaffin's "Last Caress" delves into the sad and savage story of a rare female serial killer while in "An Obedient Girl" Amy Bridges relates her experienc...
I Voted for Biddy Schumacher: Mismatched Tales from the Mind of Brian Centrone is a collection of three short stories from up and coming author, Brian Centrone. The collection opens with “The Life and Times of Biddy Schumacher: A Fantastic Story.” In this bizarre and enchanting tale of small town life, readers are introduced to quirky, religious zealot Biddy Schumacher whose decision to run for political office changes the course of her life. In “A Shade of Gray” (INK) independent, spirited Emma must try and find the courage and words to tell her boyfriend, “it’s over.” Finally, the well-received “Exit” (Voyages, Red Rover) completes this trio of stories, taking the reader on a late night car ride while the driver examines his life, friends, and relationships.
Dress You Up is an anthology like no other. The twelve diverse stories in this collection speak to the multiple ways in which fashion is more than just the clothes we wear. There will be no frivolous yarns about fashion here—those tales can be found in other closets. This Capsule Collection of Fashionable Fiction illustrates how the clothing and accessories we wear or covet often reflect past memories, present challenges, or future hopes and dreams. The stories focus on themes such as trauma and healing, perception and identity, love and loss, hopes and dreams. Ultimately, these stories help us understand how fashion can shape who we are or who we want to be. Edited by Brian Centrone (Salon Style: Fiction, Poetry & Art and Southern Gothic: New Tales of the South) and illustrated by Stephen Tornero, Dress You Up will dazzle and delight readers as much as it will touch and move them.
Salon Style is a collection of writers, poets, and artists with unique voices and incredible vision in diverse genres such as Gothic/Horror, Sci-Fi, Women’s Lit, and Americana. Salon Style features stories by emerging writers M.P. Diederich, Dan Ress, Casey Ellis (Startling Sci-Fi: New Tales of the Beyond), Jack Bates, Lucy Black, and established writers John Rodzvilla, John Vicary, Stefanie Freele, and P.J. Schaefer (Behind the Yellow Wallpaper: New Tales of Madness). It includes works by notable poets Michele Seminara, Reymond Drew, and Mike Algera. Salon Style also features art by NLSP veterans Nathan Mark Phillips (Southern Gothic: New Tales of the South) and Michael Tice (Retrospective). Illustrations by Carrion House, photography by Jessica Hoard, and drawings by Sarah-Jean Krahn complete this varied collection.
We are in the midst of a rapidly changing sexual scene. Casual sex between consenting adults scarcely gets a second look, marriage is increasingly viewed as an at-will contract, attitudes toward same-sex relationships have done an about-face, and the family has been redefined in ways that challenge how we effectively minister to those inside and the church. If we as believers value our call to be the salt and light of society, then we must begin to think biblically and strategically about how to engage our sexually volatile culture. Sex, Lies, and the Truth aims to help Christians in all walks of life do just that: It addresses the question of how to develop a Christian ethic in an increasingly post-Christian society by becoming biblically informed and culturally conversant with a topic that promises to be one of the foremost challenges the church will face in the coming years.
Emerging as the dark side of Romanticism, horror is one of literature’s oldest genres. Its history is so diverse it’s sometimes difficult to define. Are moody stories about ghosts and vampires related to gory tales of beasts and zombies? And what about the more realistic terrors of murderous rogues and diabolical doctors? The emotion of fear unifies the 14 stories in First Came Fear: New Tales of Horror. But fear is legion in its varieties. The authors skillfully navigate terror of all types. M.P. Diederich’s “Dressage for Beginners” and Christopher Calix’s “The Wedding Gift” are fine examples of the ghoulish humor tradition while J.P. Whitmer’s “Loved to Death” will fr...
For generations, the science fiction genre and literary fiction have been perceived as irreconcilable. Startling Sci-Fi: New Tales of the Beyond attempts to prove otherwise. These 13 stories are boldly literary while employing unmistakable characteristics of the sci-fi genre. Jhon Sanchez’s “The Japanese Rice Cooker” and Daniel Gooding’s “Crow Magnum Xix” toy with readers’ expectations by defying traditional storytelling techniques while Eve Fisher’s “Embraced” and David W. Landrum’s “The Priestesses of Light” are intricately constructed character studies. Rob Hartzell’s “The Dead and Eternal” raises profound concerns about modern technology though Adam Sass’s “98% Graves” takes an optimistic view of the future. Every story is accompanied by Stefanie Masciandaro’s vibrant, hypnotic illustrations which simultaneously evoke the days of sci-fi pulp paperbacks yet remain firmly grounded in 21st century digital techniques. This anthology will take you beyond what you thought possible in science fiction.
Updated with sixteen new pages of quips, remarks and exchanges from the creators of overheardinnewyork.com. The streets of New York are full of characters who don't mince words-or care who hears them. This collection presents some of the most outlandish real life conversations overheard on the sidewalk, in the subway, and at the next table. It's the Big Apple peeled, a hysterically unvarnished portrait of the city that never sleeps-and often neglects to think before it speaks in public.
Over the past fifty years, feminist literary criticism has become theoretical rather than practical, severing any relationship between literary analysis and the real lived experiences of women. An example of this disconnect is the way in which the madwoman in feminist literature has become a lauded icon of liberation, when in reality her situation would be seen as anything but empowered. Finding the Plot takes this example to task, arguing that in fact any interpretation of women’s madness as subversive reinforces the very gender stereotypes that feminist literary criticism should be calling into question.