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If This Is the Age We End Discovery
A fascinating blend of poetry and science, Ben-Oni’s poems are precisely crafted, like a surgeon sewing a complicated stitch. The speaker of the collection falls ill, and takes comfort in exploring the idea of “Efes” which is “zero” in Modern Hebrew, using that nullification to be a means of transformation.
Turn Around Brxght Xyxs
POETRY Collection
Solecism
Think the pinched aren’t polysyllabic?" You've never heard from Mexico in this register. Nor moved through the East Village and Jerusalem, Syria and Lebanon, with a guide who spies "what grows in broken concrete." Ben-Oni takes us along borderlands and scenes we rarely hear of in the news - to the very fringes of places like Sal Si Puedes (“Leave if you can”) with its sandals, jellyfish, beer bottles and narcotic wires, then into the marketplaces of melons and catcalls, with the tongue of a Gypsy "incapable of candor." This is exploration and revelation via the road less traveled... Where she finally lands pales beside how she sees the world through her tongue. The journey is all. And if you find yourself "unborn again... twitching in sin" or 'tasting toadstools' and singing the 'discordant dark', then you too may revel in that forbidden space of SOLECISM, reaping poetry from "what remains of the unruly wilds. – Amy King, Author of I Want to Make You Safe and I'm the Man Who Loves You
If This Is the Age We End Discovery
A curiosity of the unknown leads to the process of questioning how we "discover" in itself.
I Have the Answer
If you thought the suburbs were boring, think again. Kelly Fordon’s I Have the Answer artfully mixes the fabulist with the workaday and illuminates relationships and characters with crisp, elegant prose and dark wit. The stories in Fordon’s latest collection are disquieting, humorous, and thought-provoking. They might catch you off guard, but are always infused with deep humanity and tenderness. In these thirteen short stories, Fordon presents people dealing with the grayness of reality and longing for transcendence. Characters within these stories are often as surprised by their own behavior as that of their neighbor’s. In "Jungle Life," the narrator attempts to clarify and document t...
Wound from the Mouth of a Wound
A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrend...
All the Horrors of War
The first book to pair the story of a Holocaust victim with that of a liberator, All the Horrors of War compels readers to consider the full, complex humanity of both.
More Than Mere Light
Poetry. Asian & Asian American Studies. "No one has written a finer, stranger, more enjoyably various and intelligent long poem than Jason's Koo's 'No Longer See,' the central poem in his splendid new book, MORE THAN MERE LIGHT. Schuyler and Knausgaard, Proust and Ashbery, to name just a few, meld into a poetic performance that is joyfully bent, and as gloriously funny as it is self-castigating. Underscoring all this is a sorrowing sense of self that can't shake free of time--time as it drags or stops or flies during romance and sex and the passage from domestic happiness to failure, and as it marks off the progress of a poetry and a life coming into its full, vital strength. With a cool-eye...
Resist Much / Obey Little
The rich, multitudinous voices in this anthology variously call for-having embarked on-the hard work of sobriety, sanity. Nathaniel Mackey
BABE
BABE is about owning the room. It’s about physical touch. It’s about dancing (actually, grinding) on a heart-shaped bed and starring as the leading lady of the film (no matter how risqué it gets). At the core of this collection, the Chinese American speaker questions the conventions around her, dating back to her origin story as a Hong Kongnese child who would get up to stretch in the middle of Cantonese class. As an adult, she questions her fate since the family fortune teller screwed her over with a lazy fortune, yet got her brother’s completely spot-on. She triple sonnets her way through confrontations of queerphobia in her family, the trauma from a past relationship with a significantly older man, and the constant male gaze. She pays homage to the first girls who ever loved her in this analysis of sexuality, queerness, popular culture, and resilience. She’s baby forever.
