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If This Is the Age We End Discovery
A fascinating blend of poetry and science, Ben-Oni’s poems are precisely crafted, like a surgeon sewing a complicated stitch. The speaker of the collection falls ill, and takes comfort in exploring the idea of “Efes” which is “zero” in Modern Hebrew, using that nullification to be a means of transformation.
Turn Around Brxght Xyxs
POETRY Collection
Solecism
Think the pinched aren’t polysyllabic?" You've never heard from Mexico in this register. Nor moved through the East Village and Jerusalem, Syria and Lebanon, with a guide who spies "what grows in broken concrete." Ben-Oni takes us along borderlands and scenes we rarely hear of in the news - to the very fringes of places like Sal Si Puedes (“Leave if you can”) with its sandals, jellyfish, beer bottles and narcotic wires, then into the marketplaces of melons and catcalls, with the tongue of a Gypsy "incapable of candor." This is exploration and revelation via the road less traveled... Where she finally lands pales beside how she sees the world through her tongue. The journey is all. And if you find yourself "unborn again... twitching in sin" or 'tasting toadstools' and singing the 'discordant dark', then you too may revel in that forbidden space of SOLECISM, reaping poetry from "what remains of the unruly wilds. – Amy King, Author of I Want to Make You Safe and I'm the Man Who Loves You
George Washington Gómez
In the 1930s, Américo Paredes, the renowned folklorist, wrote a novel set to the background of the struggles of Texas Mexicans to preserve their property, culture and identity in the face of Anglo-American migration to and growing dominance over the Rio Grande Valley. Episodes of guerilla warfare, land grabs, racism, jingoism, and abuses by the Texas Rangers make this an adventure novel as well as one of reflection on the making of modern day Texas. George Washington GÑmez is a true precursor of the modern Chicano novel.
More Than Mere Light
Poetry. Asian & Asian American Studies. "No one has written a finer, stranger, more enjoyably various and intelligent long poem than Jason's Koo's 'No Longer See,' the central poem in his splendid new book, MORE THAN MERE LIGHT. Schuyler and Knausgaard, Proust and Ashbery, to name just a few, meld into a poetic performance that is joyfully bent, and as gloriously funny as it is self-castigating. Underscoring all this is a sorrowing sense of self that can't shake free of time--time as it drags or stops or flies during romance and sex and the passage from domestic happiness to failure, and as it marks off the progress of a poetry and a life coming into its full, vital strength. With a cool-eye...
Wound from the Mouth of a Wound
A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrend...
Still Stace
Is it possible to be gay and Christian? Stacey loves being a Christian. Her best friends are also her church friends. Her favorite place on earth is Bible camp every summer. And she talks to God like they are old friends. But one summer, she meets a girl who turns everything upside down. Is this feeling she has for her more than just friendship? Could it be a crush? Filled with dread, Stacey embarks on a journey to discover what it means to be gay, whether it is possible to change, and how to reconcile her identity with her faith. Will it even be possible? In this young-adult illustrated memoir, Stacey Chomiak tells the true story of her teenage and young-adult years: of heartbreak, family conflict, trying to become ex-gay, wrestling with her faith, and finding love. Uncovering happiness and joy while surrounded by the loneliness of a world that actively excludes her seems insurmountable. Until she learns to love her full self. Then the possibility of being both gay and Christian seems not just possible, but the best answer of all.
Resist Much / Obey Little
The rich, multitudinous voices in this anthology variously call for-having embarked on-the hard work of sobriety, sanity. Nathaniel Mackey
Fieldnotes on Ordinary Love
"“Wilson’s collection is romantic yet world-weary, bereaved yet fortified―a kindred reflection of the heart in the modern world.” ―Publishers Weekly Fieldnotes on Ordinary Love is a collection whose poems approach family, politics, and romance, often through the lens of space: the vagaries of a relationship full of wonder and coldness, separation and exploration. There is the sense of the speaker as a cartographer of familiar spaces, of land he has never left or relationships that have stayed with him for years, and always with the newness of an alien or stranger. Acutely attuned to the heritage of Greco-Roman myth, Wilson writes through characters such as the Basilisk and the Minotaur, emphasizing the intense loneliness these characters experience from their uniqueness. For the racially ambiguous speaker of these poems, who is both black and not black, who has lived between the American South and the Midwest, there are no easy answers. From the fields of Kentucky to the pigeon coops of Chicago, identities and locations blur—the pastoral bleeds into the Afrofuturist, black into white and back again."
Arsenal with Praise Song
Rodney Gómez's Arsenal With Praise Song somehow manages to yoke together lament and celebration, reproach and veneration across the borders of eras and nations. Set in the stark desert landscape of the México-U.S. border all too familiar to so many refugees and migrants, these poems scrutinize human bodies and the body of the earth as the sites of great injustices and violences-political, social, and spiritual-and as the vehicles that carry our collective legacy generation to generation.
