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Berossus and Genesis, Manetho and Exodus proposes a provocative new theory regarding the date and circumstances of the composition of the Pentateuch. Gmirkin argues that the Hebrew Pentateuch was composed in its entirety about 273-272 BCE by Jewish scholars at Alexandria that later traditions credited with the Septuagint translation of the Pentateuch into Greek. The primary evidence is literary dependence of Gen. 1-11 on Berossus' Babyloniaca (278 BCE) and of the Exodus story on Manetho's Aegyptiaca (c. 285-280 BCE), and the geo-political data contained in the Table of Nations. A number of indications point to a provenance of Alexandria, Egypt for at least some portions of the Pentateuch. Th...
Plato’s Timaeus and the Biblical Creation Accounts argues that the creation of the world in Genesis 1 and the story of the first humans in Genesis 2-3 both draw directly on Plato’s famous account of the origins of the universe, mortal life and evil containing equal parts science, theology and myth. This book is the first to systematically compare biblical, Ancient Near Eastern and Greek creation accounts and to show that Genesis 1-3 is heavily indebted to Plato’s Timaeus and other cosmogonies by Greek natural philosophers. It argues that the idea of a monotheistic cosmic god was first introduced in Genesis 1 under the influence of Plato’s philosophy, and that this cosmic Creator was ...
Designed to be read as narrative and also to be dipped into for inspiration, encouragement and consolation, The Good Book offers a thoughtful, non-religious alternative to the many people who do not follow one of the world's great religions. Instead, going back to traditions older than Christianity, and far richer and more various, including the non-theistic philosophical and literary schools of the great civilisations of both West and East, from the Greek philosophy of classical antiquity and its contemporaneous Confucian, Mencian and Mohist schools in China, down through classical Rome, the flourishing of Indian and Arab worlds, the European Renaissance and Enlightenment, the worldwide scientific discoveries of the 19th and 20th centuries to the present, Grayling collects, edits, rearranges and organises the collective secular wisdom of the world in one highly readable volume.Contents:GenesisProverbsHistoriesSongsWisdomActsThe LawgiverLamentationsConcordConsolationsSagesThe GoodParables
'Argonauts of the Desert' presents a revolutionary new commentary on the Bible and its origins, arguing that most biblical stories and laws were inspired by Greek literature. From Genesis to Kings, the books of the Bible may have been written by a single author, a Hellenized Judean scholar who used Plato's ideal state in The Laws as a primary source. As such, biblical Israel is a recreation of that twelve tribes State and the stories surrounding the birth, life and death of that State were inspired by Greek epics. Each chapter presents the biblical material and compares this to the Greek or Roman equivalents, discussing similarities and differences.
Did the Bible only take its definitive form after Alexander conquered the Near East, after the Hellenisation of the Samaritans and Jews, and after the founding of the great library of Alexandria? The Bible and Hellenism takes up one of the most pressing and controversial questions of Bible Studies today: the influence of classical literature on the writing and formation of the Bible. Bringing together a wide range of international scholars, The Bible and Hellenism explores the striking parallels between biblical and earlier Greek literature and examines the methodological issues raised by such comparative study. The book argues that the oral traditions of historical memory are not the key factor in the creation of biblical narrative. It demonstrates that Greek texts – from such authors as Homer, Hesiod, Herodotus and Plato – must be considered amongst the most important sources for the Bible.
A new theory: The Gospel of Mark began as a play performed in Rome 90-95 CE, and produced by Flavia Domitilla, a Roman aristocrat. Author takes a director's point of view to systematically uncover the play beneath Mark's condensed, literary text. Illuminates early Christianity. For scholars in biblical studies or ancient theater.
"This book asks what drove the religious visions of ancient scribes. During the first millennium BCE both Babylonian and Judean scribes wrote about and emulated their heroes Adapa and Enoch, who went to heaven to meet their god."--Preface, p. [v].
Jeremiah in History and Tradition examines aspects of the Book of Jeremiah from a variety of perspectives including historical, textual, redaction, and feminist criticism, as well as the history of its reception. The book looks afresh at the Book of Jeremiah through the lens of intertextuality and reception history in the broadest sense, exploring Jeremiah in its historical context as well as the later history and interpretation of the text, and also reconsidering aspects of the Book of Jeremiah’s traditions. This volume features essays from a unique assembly of scholars, both seasoned and new. It is divided into two parts: "Jeremiah in History", which explores a variety of readings of Jeremiah from the point of view of classical historical criticism; and "Jeremiah in Tradition", which discusses the portraits and use of both the book and the figure of Jeremiah in extra-biblical traditions. Offering challenging new theories, Jeremiah in History and Tradition is invaluable to scholars and students in the field of Biblical Studies. It is a useful resource for anyone working on the interpretation of the biblical text and the readings of the text of Jeremiah throughout history.