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Pitiless Bronze
Follow Ruth Heflin as she explains why we know that ancient humans were gynocentric (female centered) before they were androcentric (male centered), and how we know that ancient humans did not originally believe there were just these two genders. Along the way, she will show you how the first biology experiment probably happened and explain why it had to happen the way it did before humanity learned males play a biological role in procreation.
Mrs. Nash
Mrs. Nash is a screenplay written to imagine what led the real Mrs. Nash, the first historically documentable EuroAmerican male to live his life as a woman in the United States, to choose to live as a woman. Claypool Wright is a young Bostonian lawyer who is rejected by "polite society" when he is caught having sex with his former college professor, Edward Neisman. The film opens with the death of Mrs. Nash and the Army coroner discovering that she has hidden her birth gender well. This arc serves as the film's frame story. We then catch Clay with Edward at the moment his father discovers his "unsavory" activity, banishing him from the family and his inheritance. We follow Clay as he struggles with his own feelings and needs, until, in a flash of insight, he decides to try to re-enter "polite society" by becoming a woman. Once he is courted by an Army officer, Clay becomes Eleanor and migrates to Fort Riley, Kansas, where her husband is stationed. Kansas, though, holds many surprises for Eleanor, the least of which is a chance encounter with Neisman. The film ends with the frame story coming back, where Army officials decide to keep Eleanor's true identity secret.
A Forest of Time
Publisher Description
The Black Elk Reader
This book includes both new essays and revised versions of classic works by recognized authorities on Black Elk. Clyde Roller's introduction explores his life and texts and illustrates his relevance to today's scholarly discussions. Dale Stover considers Black Elk from a postcolonial perspective, and R. Todd Wise investigates similarities between Black Elk Speaks and the Testimonio (as exemplified by I, Rigoberta Menchu: An Indian Woman in Guatemala). Anthropologist Raymond A. Bucko provides an annotated bibliography and a sensitive guide to the issues surrounding cultural appropriation, a subject also explored through Frances Kaye's engaging reading of Hawthorne's The Marble Fawn. Classic essays by Julian Rice and George W. Linden are included in the collection as well as Hilda Niehardt's reflections on the 1931 and 1944 interviews with Black Elk. With its unusually broad range of academic disciplines and perspectives, this book shows that Black Elk stands at the intersection of today's scholarly discussions. In addition to scholars of religion, anthropology, multicultural literature, and Native American studies, The Black Elk Reader will appeal to a general audience.
The Routledge Queer Studies Reader
The Routledge Queer Studies Reader provides a comprehensive resource for students and scholars working in this vibrant and interdisciplinary field. The book traces the emergence and development of Queer Studies as a field of scholarship, presenting key critical essays alongside more recent criticism that explores new directions. The collection is edited by two of the leading scholars in the field and presents: individual introductory notes that situate each work within its historical, disciplinary and theoretical contexts essays grouped by key subject areas including Genealogies, Sex, Temporalities, Kinship, Affect, Bodies, and Borders writings by major figures including Eve Kosofsky Sedgwick, Judith Butler, David M. Halperin, José Esteban Muñoz, Elizabeth Grosz, David Eng, Judith Halberstam and Sara Ahmed. The Routledge Queer Studies Reader is a field-defining volume and presents an illuminating guide for established scholars and also those new to Queer Studies.
Waterlily
When Blue Bird and her grandmother leave their family?s camp to gather beans for the long, threatening winter, they inadvertently avoid the horrible fate that befalls the rest of the family. Luckily, the two women are adopted by a nearby Dakota community and are eventually integrated into their kinship circles. Ella Cara Deloria?s tale follows Blue Bird and her daughter, Waterlily, through the intricate kinship practices that created unity among her people. Waterlily, published after Deloria?s death and generally viewed as the masterpiece of her career, offers a captivating glimpse into the daily life of the nineteenth-century Sioux. This new Bison Books edition features an introduction by Susan Gardner and an index.
The World, the Text, and the Indian
Advances critical conversations in Native American literary studies by situating its subject in global, transnational, and modernizing contexts. Since the rise of the Native American Renaissance in literature and culture during the American civil rights period, a rich critical discourse has been developed to provide a range of interpretive frameworks for the study, recovery, and teaching of Native American literary and cultural production. For the past few decades the dominant framework has been nationalism, a critical perspective placing emphasis on specific tribal nations and nationalist concepts. While this nationalist intervention has produced important insights and questions regarding N...
Native Liberty
Gerald Vizenor was a journalist for the Minneapolis Tribune when he discovered that his direct ancestors were the editor and publisher of The Progress, the first Native newspaper on the White Earth Reservation in Minnesota. Vizenor, inspired by the kinship of nineteenth century Native journalists, has pursued a similar sense of resistance in his reportage, editorial essays, and literary art. Vizenor reveals in Native Liberty the political, poetic, visionary, and ironic insights of personal identity and narratives of cultural sovereignty. He examines singular acts of resistance, natural reason, literary practices, and other strategies of survivance that evade and subvert the terminal notions of tragedy and victimry. Native Liberty nurtures survivance and creates a sense of cultural and historical presence. Vizenor, a renowned Anishinaabe literary scholar and artist, writes in a direct narrative style that integrates personal experiences with original presentations, comparative interpretations, and critiques of legal issues and historical situations.
I Remain Alive
In I Remain Alive, Ruth J. Heflin explores the literary endeavors of five of the most prominent Native American writers from the turn of the century-Charles Eastman, Gertrude Bonnin, Luther Standing Bear, Nicholas Black Elk, and Ella Deloria-and challenges the traditional view of Native American literature. It is widely accepted that the Native American Literary Renaissance began in 1968 with N. Scott Momaday's House Made of Dawn. With this book, however, Heflin shows that the Sioux embarked on their own literary renaissance beginning in 1890 with the articles of Eastman, soon after the battle of Wounded Knee. The Sioux nation produced more booklength manuscripts in this period between Wound...
Fictions of Western American Domesticity
This work provides a compelling explanation of something that has bedeviled a number of feminist scholars: Why did popular authors like Edna Ferber continue to write conventional fiction while living lives that were far from conventional? Amanda J. Zink argues that white writers like Ferber and Willa Cather avoided the subject of their own domestic labor by writing about the performance of domestic labor by “others,” showing that American print culture, both in novels and through advertisements, moved away from portraying women as angels in the house and instead sought to persuade other women to be angels in their houses. Zink further explores lesser-known works such as Mexican American cookbooks and essays in Indian boarding school magazines to show how women writers “dialoging domesticity” exemplify the cross-cultural encounters between “colonial domesticity” and “sovereign domesticity.” By situating these interpretations of literature within their historical contexts, Zink shows how these writers championed and challenged the ideology of domesticity.
