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Current Catalog
First multi-year cumulation covers six years: 1965-70.
The Hebrew Portuguese Nations in Antwerp and London at the Time of Charles V and Henry VIII
Based on documents (which appear in the appendix on pp. 129-238), reconstructs the activities of Conversos who fled the Portuguese Inquisition to Antwerp and to London. These "Portuguese Nations" established the Sedakah Rescue Organization to help smuggle fellow Conversos from Lisbon to Antwerp and over the Alps to Italy or to the Ottoman Empire. England served only as a temporary refuge for Conversos who were persecuted in the Low Countries. However, they were generally (despite occasional persecution) allowed to remain in Antwerp due to the policies of Emperor Charles V and local authorities, both of whom were guided by economic considerations. Disputes the view that Charles, who was respo...
Le Magasin théatral
None
Discourse Markers in Early Modern English
This volume provides new insights into the nature of the Early Modern English discourse markers marry, well and why through the analysis of three corpora (A Corpus of English Dialogues, 1560-1760, the Parsed Corpus of Early English Correspondence, and the Penn-Helsinki Parsed Corpus of Early Modern English). By combining both quantitative and qualitative approaches in the study of pragmatic markers, innovative findings are reached about their distribution throughout the period 1500-1760, their attestation in different speech-related text types as well as similarities and differences in their functions. Additionally, this work engages in a sociopragmatic study, based on the sociopragmatically annotated Drama Corpus of almost a quarter of a million words, to enhance our understanding about their use by characters of different social status and gender. This volume therefore constitutes an essential piece of the puzzle in our attempt to gain a full picture of discourse marker use.
Gore On Stage
It is a generally accepted fact that in the first half of the nineteenth century, Catherine Gore became the most prolific, if not most popular writer of fashionable novels in England. It is less well known that Mrs. Gore's 200-volume output included eleven extremely popular, if not always critically successful, plays, performed at all three of the Theatres Royal in London: Drury Lane, Covent Garden, and the Haymarket. While several of the plays held the stage in England and the United States well into the second half of the nineteenth century, modern critical appraisals of the works have been hampered by the lack of available texts. Gore on Stage, for the first time provides performance text...
