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The Annotated Reader
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Artists' Cocktails
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Ampersand
If you get hold on texts, articles and interview featuring Ryan Gander, one word will pop-up in particular - storyteller. Through his work he always tries to narrate in form of objects or actions particular feelings or actions, pose questions and maybe sometimes give loose answers. His initial projects involved public lectures and performances, but lately it has evolved into creating articulated stories and emotions through the use of sculpture, real estate projects, architecture or (sometimes) technically complex installations. If you have seen his work for the latest dOCUMENTA in Kassel, Airflow-velocity Study for I Need Some Meaning I Can Memorise (the Invisible Pull), you are surely aware of the complexity of the questions his projects pose to the user, questioning the notions of language and knowledge, a reinvention of the modes of the appearance and creation of the artwork.
Appendix Appendix
Artist's book containing a proposal and scripts for a television series that will use fine art, TV, film, literature, cartoons, etc. to create a conceptual art work.
The Boy Who Always Looked Up
Night in the Museum is a new publication from acclaimed British artist Ryan Gander. The book explores the act of viewing, through sculptures, paintings and prints in the Arts Council Collection, the UK's largest loan collection of postwar British art. Pairing each figurative sculpture with a contemporary artwork, Gander sets up an objective relationship between the "viewing" sculpture and the painting or print that they are gazing at, provoking questions about the role of the artist, the artwork and the viewer. Containing brand new work created by Gander especially for the accompanying exhibition, and a text from Ossian Ward, Night in the Museum provides a unique reflection on the role of looking in contemporary art. The work of Ryan Gander (born 1976)ranges from installations, sculptures and photographs to performative lectures, publications, inventions and interventions. Gander examines the conditions of art production and the cognitive process of the perception of art. He has won numerous prestigious prizes, including the Z rich Art Prize (2009), the ABN Amro Art Price (2006), the Baloise Art Statements of the Art Basel (2006) and the Dutch Prix de Rome (2003).
Reclaiming Artistic Research
This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change. LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 2021–22. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University. She holds a project residency at Stelo Arts and Culture Foundation 2023-24.
Ryan Gander
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Ryan Gander
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Ryan Gander
Ryan Gander: Catalogue Raisonnable Vol. 1 was conceived by ÅbÄke as a 'reasonable alternative' to a catalogue raisonnÉ for the artist. Documenting over 500 works made during a 10 year period, the Catalogue Raisonnable is intended to be navigated freely and illogically, in a non-linear fashion by its reader, echoing the 'para-possible thinking' and 'associative methodologies' on which much of Gander's practice is based. The book consists of two sections: the first is a complete index/catalogue of the artist's practice, while the second is made up from a collage of by-products, off-cuts, transcriptions, scripts, conversations, and material related to the works in the index. This title has been co-published by Westreich/Wagner Publications on the occasion of the exhibition Ryan Gander – Zurich Art Prize Winner 2009 at Haus Konstruktiv, Zurich.
