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Reclaiming Artistic Research
This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change. LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 2021–22. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University. She holds a project residency at Stelo Arts and Culture Foundation 2023-24.
14. Triennale Kleinplastik Fellbach
In its fourteenth edition the Fellbach Triennial of 2019 forges an unprecedented bridge between contemporary art and the origins of art 40,000 years ago: some of the oldest art known to humanity was found close by, in the Swabian Jura? small sculptures from the Ice Age. Perhaps they were created where they were found, but they could also be relics of early migration. Economy and war, jewelry, folklore and nature, ecology, spirituality and virtual reality or information: the question is what role does art play for humankind and how do artists today derive them from the development of our multipolar world? The intimate relationship between humans and objects, viewers and artworks demands direct attention and is in turn dependent on proportions, scales and dimensions. The project shows more than 150 works by 60 artists from over 40 nations. These are complemented by objects of cultural history.00Exhibition: Triennial For Small Sculpture, Fellbach, Germany (01.06. - 29.09.2019).
Humor in Global Contemporary Art
Pursuing a new and timely line of research in world art studies, Humor in Global Contemporary Art is the first edited collection to examine the role of culturally specific humor in contemporary art from a global perspective. Since the 1960s, increasing numbers of artists from around the world have applied humor as a tool for observation, critique, transformation, and debate. Exploring how humorous art produced over the past six decades is anchored in local sociopolitical contexts and translated or misconstrued when exhibited abroad, this book opens new conversations regarding the functioning of humor and the ways in which art travels across the globe. With contributions by an impressive arra...
Art genre féminin
Aujourd'hui, la question de la présence des femmes dans l'art s'impose peu à peu comme un débat incontournable. Quelle place occupent-elles réellement dans ce milieu professionnel ? Qu'il s'agisse de la visibilité des artistes femmes dans les lieux d'exposition, l'espace public, les musées ou sur la Toile, du rôle des femmes au sein des écoles et des universités, de la parité femmes-hommes dans le secteur culturel, ou encore de la représentation des minorités de genre sur la scène artistique, les problématiques sont complexes et imbriquées. Cette publication met en lumière la multiplicité des enjeux à travers une série d'entretiens issus d'un cycle de douze tables rondes i...
Reclaiming Artistic Research
This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change. LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 2021–22. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University. She holds a project residency at Stelo Arts and Culture Foundation 2023-24.
An Anecdoted Topography of Chance
This book is about the collaborative work by four artists associated with the FLUXUS and Nouveau Réalisme movements.
Du fennec au Sahara
Une présentation de l'oeuvre du peintre rennais G. Pinard, à travers un long entretien abordant divers thèmes autour de la pratique artistique et de la société.
Women in South African History
Accompanying CD-ROM contains the complete text of the printed volume.
New Burlesque
Before it was a show business genre, burlesque was an attitude. It was parody, outrageousness, exaggeration, pastiche--even grotesquerie. If in 19th- and 20th-century America the term came to signify a variety show of light comedy, dance, and strip tease, eventually descending to a plateau of triviality, cheap sexuality, and predictable gaudy costumes, it has now--Woo Hoo! Ladies!--been resuscitated. (It's amazing what a feminist revolution can accomplish when pasties and sequins are introduced.) In New Burlesque, Katharina Bosse takes a trip across the United States to meet and document every proponent of the unabashed renaissance that she can get her camera lens around. Her colorful series of let-it-all-hang-out portraits of Babette la Fave, Kitten DeVille, Kitty Crimson, Ruby Darling, Dirty Martini, D'Milo, Starlet O'Hara, Scarlette Fever, Ursulina, and their many sisters give a wild, wicked stage to the very grown-up darlings of a new century. Whether pictured in a saloon or a kitchen, by the side of a country road or in front of a parking lot, these dames show it just how they please.
