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Reclaiming Artistic Research
This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change. LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 2021–22. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University. She holds a project residency at Stelo Arts and Culture Foundation 2023-24.
Humor in Global Contemporary Art
Pursuing a new and timely line of research in world art studies, Humor in Global Contemporary Art is the first edited collection to examine the role of culturally specific humor in contemporary art from a global perspective. Since the 1960s, increasing numbers of artists from around the world have applied humor as a tool for observation, critique, transformation, and debate. Exploring how humorous art produced over the past six decades is anchored in local sociopolitical contexts and translated or misconstrued when exhibited abroad, this book opens new conversations regarding the functioning of humor and the ways in which art travels across the globe. With contributions by an impressive arra...
Reclaiming Artistic Research
This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change. LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 2021–22. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University. She holds a project residency at Stelo Arts and Culture Foundation 2023-24.
14. Triennale Kleinplastik Fellbach
In its fourteenth edition the Fellbach Triennial of 2019 forges an unprecedented bridge between contemporary art and the origins of art 40,000 years ago: some of the oldest art known to humanity was found close by, in the Swabian Jura? small sculptures from the Ice Age. Perhaps they were created where they were found, but they could also be relics of early migration. Economy and war, jewelry, folklore and nature, ecology, spirituality and virtual reality or information: the question is what role does art play for humankind and how do artists today derive them from the development of our multipolar world? The intimate relationship between humans and objects, viewers and artworks demands direct attention and is in turn dependent on proportions, scales and dimensions. The project shows more than 150 works by 60 artists from over 40 nations. These are complemented by objects of cultural history.00Exhibition: Triennial For Small Sculpture, Fellbach, Germany (01.06. - 29.09.2019).
An Anecdoted Topography of Chance
This book is about the collaborative work by four artists associated with the FLUXUS and Nouveau Réalisme movements.
Women in South African History
Accompanying CD-ROM contains the complete text of the printed volume.
Acts of Transgression
Fifteen writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa, focusing on a wide range of perspectives, personalities and theoretical concerns Contemporary South African society is chronologically ‘post’ apartheid, but it continues to grapple with material redress, land redistribution and systemic racism. Acts of Transgression represents the complexity of this moment in the rich potential of a performative art form that transcends disciplinary boundaries and aesthetic conventions. The contributors, who are all significantly involved in the discipline of performance art, probe its intersection with crisis and socio-...
New Burlesque
Before it was a show business genre, burlesque was an attitude. It was parody, outrageousness, exaggeration, pastiche--even grotesquerie. If in 19th- and 20th-century America the term came to signify a variety show of light comedy, dance, and strip tease, eventually descending to a plateau of triviality, cheap sexuality, and predictable gaudy costumes, it has now--Woo Hoo! Ladies!--been resuscitated. (It's amazing what a feminist revolution can accomplish when pasties and sequins are introduced.) In New Burlesque, Katharina Bosse takes a trip across the United States to meet and document every proponent of the unabashed renaissance that she can get her camera lens around. Her colorful series of let-it-all-hang-out portraits of Babette la Fave, Kitten DeVille, Kitty Crimson, Ruby Darling, Dirty Martini, D'Milo, Starlet O'Hara, Scarlette Fever, Ursulina, and their many sisters give a wild, wicked stage to the very grown-up darlings of a new century. Whether pictured in a saloon or a kitchen, by the side of a country road or in front of a parking lot, these dames show it just how they please.
André Lhote and His International Students
Zwischen den 1920er und 1950er Jahren existierten in Paris sowohl liberale als auch konservative Kunstakademien. Besonders begehrt war die Académie André Lhote (1885-1962), die von 1925 bis 1962 operierte. Diese zog eine bemerkenswerte Zahl von internationalen Künstlern und Studenten an. Aufgrund des sehr guten Zustands seines Archivs können wir heute davon ausgehen, dass während vier Jahrzehnten an die 1600 Studenten bei André Lhote in Montparnasse, 18 rue d?Odessa und an seinen Landakademien (L?Académie aux champs) in Mirmande (seit 1926), Gordes (seit 1938) und in Cadière d'Azur (seit 1948) studierten. André Lhote and His International Students ist eine Sammlung von 13 Aufsätzen...
Amazon Rainforest Magic
SERIES: AMAZON RAINFOREST MAGIC The magic of the Amazon rainforest enchanted artist Barbara Crane Navarro as she spent the winter months with the Yanomami communities in Venezuela and Brazil over a period of twelve years. These travels inspired her to write her children's books. The vividly illustrated stories in this series evoke daily life in the rainforest and the magical quality of the Yanomami's relation to the plants and animals around them. The first book, "Amazon Rainforest Magic: The Adventures of Namowe, a Yanomami Boy," recounts the journey of Namowe, a thirteen year old Yanomami boy living in the rainforest, as he seeks a cure for his baby sister.
