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The Monk, The Moor and Moses Ben Jalloun
The Monk, the Moor and Moses Ben Jalloun is a novel about a deliberately forgotten history; a history that remains hidden in the hallowed inner sanctums of Western academic institutions. Four young people - students in an American university in 2008 - set out to discover those truths on their own: not just because they need to know, but because they see how the past affects their own lives in very real ways. Parallel to their lives is the tale of Rehana - an Iranian from the eleventh century - and her many passions: her husband, her teacher, her culture and, always, her quest to learn. Using intersecting narratives, soliloquies, legends and a host of colourful characters, real and imagined, Mirza dismantles the carefully manufactured European myth about the making of the modern world. He brings to life an Islamic civilization that was the flourishing, crackling centre of the sciences and liberal arts. As much a literary installation as a fictionalized history, Mirza's novel will help us take a fresh look at the past and, hopefully, understand the great game that is being played in the present.
Ammi
A brilliant debut by the master filmmaker. Mirza's narrative interweaves memories of a mother with the living political creed she believed in - the egalitarian ethos of a democratic faith coupled with a deep, inquiring faith in religion. The book begins as a letter that contains within itself a vast repertoire of literary genres ranging from the short story, poetry, interior monologue, memoir and diatribe, to travelogue, novelisation and film script. Mirza writes simply and, with a filmmaker's passion for authenticity, he makes everyday events tell a deeply complex story. In 1938, his mother, while walking back with his father from an evening show at the Eros Cinema in Mumbai, casually removed her burqa and never donned it again. This was one of the 'quietest revolutions' ever witnessed.
Directory of World Cinema: India
Indian cinema teems with a multitude of different voices. The Directory of World Cinema: India provides a broad overview of this rich variety, highlighting distinctions among India’s major cinematic genres and movements while illuminating the field as a whole. This volume’s contributors – many of them leading experts in the fields – approach film in India from a variety of angles, furnishing in-depth essays on significant directors and major regions; detailed historical accounts; considerations of the many faces of India represented in Indian cinema; and explorations of films made in and about India by European directors including Jean Renoir, Peter Brook, and Powell and Pressburger. Taken together, these multifaceted contributions show how India’s varied local film industries throw into question the very concept of a national cinema. The resulting volume will provide a comprehensive introduction for newcomers to Indian cinema while offering a fresh perspective sure to interest seasonal students and scholars.
The Satanic Verses
Gibreel Farishta, India's legendary movie star, and Saladin Chamcha, the man of a thousand voices, fall earthward from a bombed jet toward the sea, singing rival verses in an eternal wrestling match between good and evil.
Encyclopaedia of Hindi Cinema
The Encyclopaedia Which Brings Together An Array Of Experts, Gives A Perspective On The Fascinating Journey Of Hindi Cinema From The Turn Of The Last Century To Becoming A Leader In The World Of Celluloid.
A Woman of Substance
This is the memoir of a remarkable woman, Begum Khurshid Mirza, the daughter of Sheikh Abdullah and Waheed Jahan Begum, the founders of Aligarh Women's College. An intimate portrait of an upper class Muslim family in India and Pakistan from the early part of the twentieth century until the recent past, this narrative is much more than an account of Khurshid Mirza s personal life. It spans the years from 1857 to 1983 and provides an insight into the social conditions of Indian Muslims, the state of Muslim women s education, and the transition to Pakistan, while illuminating Khurshid Mirza s rich and varied life as an actor, activist, radio and TV artist, a writer, a devoted daughter, wife and mother.
Because He Is...
'Papi says it is wrong of parents to presume that they know better, or know more than their child does. They may be biologically older than their child, but in their experience as parents, they're of the same age. So if I was his two-year-old daughter, he was my two-year-old father. And we were both learning and evolving together -- he as my father and me as his daughter.' All of us know Gulzar as a film-maker, screenplay and dialogue writer, lyricist par excellence, author and poet. Because He Is... presents a facet of the icon that none of us are aware of -- as a father. In iridescent prose, his daughter, Meghna, documents his life, revealing the man behind the legend: in every way a hands...
A Gift for the Queen
The Diamond Jubilee of Her Majesty Queen Victoria was celebrated with great pomp and show in June 1897 throughout British India. Since the purpose of the advent of the Promised Messiah(as) was to propagate the Unity of God and His message, he found a way to serve those objectives at that occasion. He published the booklet Tohfa-e-Qaisariyyah on May 25, 1897. In addition to felicitating Her Majesty, the Promised Messiah(as) made the following points with great subtlety and wisdom: 1. Truthfulness of the Holy Prophet Muhammad(sa). 2. Truthfulness of Islam and its teachings that can bring about international peace. 3. A proposal for Her Majesty to organise a conference of great religions. 4. A strong plea for Her Majesty to clear Hazrat Isa(as) (Jesus) of the accusation of having been cursed. 5. An undertaking to show a sign of his own truthfulness, provided that Her Majesty would agree to accept his message in case of fulfilment – adding that he would accept death penalty if he is unable to show a convincing sign.
Art Cinema and India’s Forgotten Futures
Co-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details...
