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Profile of Saint John
  • Language: en
  • Pages: 13

Profile of Saint John

  • Type: Book
  • -
  • Published: 19??
  • -
  • Publisher: Unknown

None

The Arts Council of Saint John Presents
  • Language: en
  • Pages: 4

The Arts Council of Saint John Presents

  • Type: Book
  • -
  • Published: 1969
  • -
  • Publisher: Unknown

None

Profile of Saint John
  • Language: en
  • Pages: 13

Profile of Saint John

  • Categories: Art
  • Type: Book
  • -
  • Published: 1968
  • -
  • Publisher: Unknown

None

Saint John Art Club, 60th anniversary
  • Language: en
  • Pages: 13

Saint John Art Club, 60th anniversary

  • Categories: Art
  • Type: Book
  • -
  • Published: 1972
  • -
  • Publisher: Unknown

None

Catalogue, Loan Exhibition [of The] Saint John Art Club
  • Language: en
  • Pages: 10

Catalogue, Loan Exhibition [of The] Saint John Art Club

  • Type: Book
  • -
  • Published: 1880
  • -
  • Publisher: Unknown

None

Saint John Art Club 60th Anniversary
  • Language: en
  • Pages: 13

Saint John Art Club 60th Anniversary

  • Type: Book
  • -
  • Published: 1972
  • -
  • Publisher: Unknown

None

Saint John Art Club
  • Language: en
  • Pages: 11

Saint John Art Club

  • Type: Book
  • -
  • Published: 1958*
  • -
  • Publisher: Unknown

None

Student Art : Saint John High
  • Language: en
  • Pages: 1

Student Art : Saint John High

None

The Dignity of Every Human Being
  • Language: en
  • Pages: 368

The Dignity of Every Human Being

  • Categories: Art

“The Dignity of Every Human Being” studies the vibrant New Brunswick artistic community which challenged “the tyranny of the Group of Seven” with socially-engaged realism in the 1930s and 40s. Using extensive archival and documentary research, Kirk Niergarth follows the work of regional artists such as Jack Humphrey and Miller Brittain, writers such as P.K. Page, and crafts workers such as Kjeld and Erica Deichmann. The book charts the rise and fall of “social modernism” in the Maritimes and the style's deep engagement with the social and economic issues of the Great Depression and the Popular Front. Connecting local, national, and international cultural developments, Niergarth's study documents the attempts of Depression-era artists to question conventional ideas about the nature of art, the social function of artists, and the institutions of Canadian culture. “The Dignity of Every Human Being” records an important and previously unexplored moment in Canadian cultural history.