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Practical Theatre
Practical Theatre meets the requirements of the A level theatre studies/performing arts syllabuses and GNVQ performing arts. It seeks to encourage practical quality work by providing a rigorous framework of knowledge.
The Man in the Arena
There was a time when Wyoming and other Rocky Mountain and midwestern states were as likely to elect a liberal Democrat to Congress as they were a conservative Republican. Gale McGee (1915–92) was elected to the U.S. Senate in 1958, at the height of American liberalism. He typified what Teddy Roosevelt called “the man in the arena” and was a major player in the development of America’s post–World War II foreign policy and almost every legislative milestone in U.S. history from the 1950s to 1980. McGee’s careers as an academic, a senator, and an ambassador spanned World War II, the Red Scare, the Korean and Vietnam Wars, and the activist Congress of the 1960s. This elegantly conce...
True Irish Ghost Stories
Embark on a chilling journey into the shadowy realms of the Emerald Isle with this collection of captivating Irish ghost stories, featuring first-hand tales of paranormal sightings. Faithfully recorded from real newspaper accounts, interviews, and personal letters, St. John Seymour and Harry Neligan eagerly recount the eery and enigmatic ghost-sightings of the Irish people. In these masterfully arranged pages you will find stories of haunted houses, poltergeists, apparitions and other uncanny accounts, which promise to equally perturb and entice.
Remaking Pacific Pasts
Since the late 1960s, drama by Pacific Island playwrights has flourished throughout Oceania. Although many Pacific Island cultures have a broad range of highly developed indigenous performance forms—including oral narrative, clowning, ritual, dance, and song—scripted drama is a relatively recent phenomenon. Emerging during a period of region-wide decolonization and indigenous self-determination movements, most of these plays reassert Pacific cultural perspectives and performance techniques in ways that employ, adapt, and challenge the conventions and representations of Western theater. Drawing together discussions in theater and performance studies, historiography, Pacific studies, and p...
Utility Corporations
None
Critical Perspectives on Applied Theatre
This collection offers fresh perspectives on the aesthetics, politics and histories of applied theatre in a range of global contexts.
Montgomery County, Ohio, marriages
Has all the marriages in Montgomery from 1803-1851.
Performing Ruins
This book engages with the relationship between ruins, dilapidation, and abandonment and cultural events performed within such spaces. Following the author’s fieldwork in the UK, Bosnia Herzegovina, Poland, Germany, Greece, and Sicily, chapters describe, investigate, and reflect upon live performance events which have taken place in sites of decay and abandonment. The book’s main focus is upon modern economic ruins and ruins of warfare. Each chapter provides several case studies based upon the author’s own site visits and interviews with actors, directors, producers, curators, writers, and other artists. The book contextualises these events within the wider framework of Ruin Studies and provides brief summaries of how we might understand the ruin in terms of time, politics, culture, and atmospheres. The book is particularly preoccupied with artists’ reasons and motivations for placing performance events in ruined spaces and how these work dramaturgically.
Ecoscenography
This ground-breaking book is the first to bring an ecological focus to theatre and performance design, both in scholarship and in practice. Ecoscenography weaves environmental philosophies and practices across genres and fields to provide a captivating vision for the future of sustainable theatre production. The book forefronts leading designers that are driving this emerging field into the mainstream through their relational and reciprocal engagement with place, audiences, materials, and processes. Beyond its radical philosophy and framework, Ecoscenography makes a compelling case for pursuing an ecological ethic in theatre and performance design, not only as a moral imperative, but for the extraordinary possibilities that it offers for more-than-human engagement. Based on her personal insights as a leading ecological researcher and practitioner, Beer offers a rich resource for scholars, students and practitioners alike, opening up new processes and aesthetics of theatrical design that enhance the environmental and social advocacy of the field.
