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Sami Tchak
Associant hommages, analyses textuelles et deux transcriptions de ses entretiens en séminaire, ce livre propose diverses lectures de l'oeuvre littéraire de Sami Tchak, comptant parmi les plus significatives du rapport de l'écrivain africain francophone à la mondialisation de l'édition, de la réception et des consécrations littéraires.
Nimrod
The Chadian writer Nimrod—philosopher, poet, novelist, and essayist—is one of the most dynamic and vital voices in contemporary African literature and thought. Yet little of Nimrod’s writing has been translated into English until now. Introductory material by Frieda Ekotto provides context for Nimrod’s work and demonstrates the urgency of making it available beyond Francophone Africa to a broader global audience. At the heart of this volume are Nimrod’s essays on Léopold Sédar Senghor, a key figure in the literary and aesthetic Négritude movement of the 1930s and president of Senegal from 1945 through 1980. Widely dismissed in recent decades as problematically essentialist, Seng...
Ainsi parla mon père
Sami Tchak est né en 1960. Il est le premier enfant de son père à avoir appris à lire et à écrire. Après une licence de philosophie à l'université de Lomé, il termine des études à Paris par un doctorat de sociologie. Il écrit des essais puis des romans. Mais c'est dans la forge de son père qu'a commencé son éducation. Le charbon, les soufflets, le feu, l'enclume, le fer rougi et le marteau ont précédé les pages et la plume. Et surtout les histoires de son père. Sami Tchak l'écoutait sans cesse. Ce dialogue, cette écoute a duré plus de quarante ans et ne s'est interrompu que par la mort du père en 2003 mais il continue à entendre sa voix, à percevoir ses mots et sa s...
Revolutionary Hope in a Time of Crisis
Revolutionary Hope in a Time of Crisis takes up the question of how to theorize and revive revolutionary hope in the present era of political disillusion. The collection consists of new cutting-edge research essays written by an interdisciplinary mix of established and emerging scholars, bringing together a wide range of intellectual traditions and perspectives. The contributors confront the challenge of relearning hope by exploring the politically transformative potential of past disappointments and defeats. They encourage us to acknowledge, come to terms with and learn from the complexities, failures, and losses entailed in resistance, and to consider them as an occasion for rethinking the...
Decolonial Aesthetics II
This book features writing by 17 authors from Germany and from African and Latin American countries on highly diverse aesthetic phenomena as seen from their own different points of view. The texts in this volume all deal with the imperative of ‘decolonization’: they try to highlight aesthetic strategies for the (re)discovery of unthematized, misappropriated, transcultural and even transcontinental histories and memories and aesthetic practices that are absent from or too little perceived within national consciousnesses. Novels, poems and musical performances from the East African region are analysed as intertwined histories of the Indian Ocean and its different languages. Artworks of the Black Atlantic and perceptions of Africa are discussed from, for example, Brazilian perspectives. Within the German context, decolonisation strategies in exhibition practices in ethnological or art museums developed by Nigerian artists are evaluated; new terms such as ‘dividuation’ are proposed to describe these contemporary composite-cultural entanglements, and so on. A stimulating, wide-ranging and heterogeneous portrait of contemporary interwoven world cultures!
To Write the Africa World
In October 2016, thirty intellectuals and artists from Africa, its diasporas, and beyond gathered together in Dakar and Saint-Louis, Senegal, to reflect on the present and future of Africa in the midst of transformations that are sweeping through the contemporary world. The aim was to take stock of the renewal of Afro-diasporic critical thought and to discuss the new perspectives emerging from the ongoing projects constructing political, cultural, and social imaginaries for and from the African continent. This book brings together and makes available to the English-speaking world the material presented at the 2016 Ateliers de la pensée – Workshops of Thought – in Dakar. The authors deal...
Dealing with Authorship
Literature and film generate symbolic as well as economic capital. As such, aesthetic productions exist in various contexts following contrasting rules. Which role(s) do authors and filmmakers play in positioning themselves in this conflictive relation? Bringing together fourteen essays by scholars from Germany, the USA, the UK and France, this volume examines the multiple ways in which the progressive (self-) fashioning of authors and filmmakers interacts with the public sphere, generating authorial postures, and thus arouses attention. It questions the autonomous nature of the artistic creation and highlights the parallels and differences between the more or less clear-cut national context...
Indigenous Societies in the Post-colonial World
This edited book provides perceptions on “indigeneity” through a global perspective. Emphasizing the contemporary and postcolonial debates on indigenous, it delves into diversity and dissonance within indigenous concepts. Through its chapters based on theoretical and empirical studies from Asian, African, and American perceptions of indigenous societies, it brings out complexity, resilience, and response of “indigenous” in the post-colonial global society. It especially looks at how these societies manage to move forward by going beyond the stigma of the colonial past. The chapters in the book are divided into three sections where they discuss indigenous cultures through interdiscipl...
Contemporary Francophone African Writers and the Burden of Commitment
By looking at engagée literature from the recent past, when the francophone African writer was implicitly seen as imparted with a mission, to the present, when such authors usually aspire to be acknowledged primarily for their work as writers, Contemporary Francophone African Writers and the Burden of Commitment addresses the currrent processes of canonization in contemporary francophone African literature. Odile Cazenave and Patricia Célérier argue that aesthetic as well as political issues are now at the forefront of debates about the African literary canon, as writers and critics increasingly acknowledge the ideology of form. Working across genres but focusing on the novel, the authors take up the question of renewed forms of commitment in this literature. Their selected writers range from Mongo Beti, Ousmane Sembène, and Aminata Sow Fall to Boubacar Boris Diop, Véronique Tadjo, Alain Mabanckou, and Léonora Miano, among others.
Afrique Sur Seine
Addresses the development since the 1950s of a new type of Francophone African novel created by first-generation African authors living in France. This book examines how these authors, men and women, part from mainstream African literature by exploring more personal avenues while retaining a shared interest in the community of African emigrants.
