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The Last Unkillable Thing
""What will be possible / when I'm no longer sorry?" asks the speaker of THE LAST UNKILLABLE THING after the sudden death of a parent. "What do lost daughters burst into?" In this debut collection by Emily Pittinos, the speaker is tasked with relearning the ways of loneliness, family, sex, and wilderness as a person who feels thoroughly and abruptly without. Shaped by both concision and unfolding sequences, THE LAST UNKILLABLE THING is a journey across landscapes of mourning where "in [the] periphery, every shadow / is a new dead thing." The light of these poems takes on the tint of grief, and through that light the speaker reexamines what remains: her changed self, her desire, the midwestern flora, the unyielding snow. Interior and exterior ecologies blur until loss becomes a place of its own, and the only inevitability. "Doesn't it hurt," Pittinos writes, "to be human. I'm so human, I could die.""--
Landlock X
-Finalist in the 2023 Big Other Book Award for Poetry Sarah Audsley’s debut poetry collection, Landlock X, joins a growing body of adoptee poetics. By examining the consequences of the international transracial adoptee experience—her own—Audsley’s collection finds more questions than solid answers. Employing a variety of poetic forms, co-opting the pastoral tradition to argue for belonging to the rural landscape—despite the inheritance of displacement and removal from a country of origin—Landlock X tries to solve for all of the (adoptee’s) variables and knows it is an impossible task that the “I”, “you”, and “we” of the poems only approximate. ... From “The Black Cows in the Foreground” it is unknown where the bones of your mother turned to fragments none in the painting of the black cows so where to grieve her body no parcel of land to plant sorrow in furrowed rows the black cows graze
We Borrowed Gentleness
We Borrowed Gentleness interrogates the innateness of pain and forms of destruction—through natural disaster, through God, through family, and through the power structures and patriarchal violence that embeds itself in language and cultural memory. Poems critique and challenge the patriarchal narratives that dominate American history. The poems leave the question open of whether man, men, a father and son, are redeemable after the surge of rising white nationalism in America. And yet, there are poems that find, still, bits of joy and perhaps a shred of hope. By juxtaposing poems of louder narrative imagination with quieter poems that explore intimate failings within a family, often portrayed with a realist aesthetic, the book attempts to work through the essential fault in man, in men—in the structures that they design and maintain.
Magical/Realism
Longlisted for the National Book Award A brilliant, singular collection of essays that looks to music, fantasy, and pop culture—from Beyoncé to Game of Thrones—to excavate and reimagine what has been disappeared by migration and colonialism. Upon becoming a new mother, Vanessa Angélica Villarreal was called to Mexico to reconnect with her ancestors and recover her grandmother’s story, only to return to the sudden loss of her marriage, home, and reality. In Magical/Realism, Villarreal crosses into the erasure of memory and self, fragmented by migration, borders, and colonial and intimate violence, reconstructing her story with pieces of American pop culture, and the music, video games...
Tom Walsh's Opera
In 1951, the first ever Wexford Opera Festival (now known as 'Wexford Festival Opera') took place in a small town in the southeast corner of Ireland. What started out as an informal gathering of friends listening to gramophone music, developed into one of Europe's leading classical music events. T.J. Walsh, a medical doctor by profession and an amateur musician, was the man whose novel idea it was to start an opera festival from such humble beginnings. This book traces the history of the Festival, from its establishment up to the present day.
GHETTOCLAUSTROPHOBIA
What does it mean to move away from the shadow of one’s mother, parents, or family in order to come into being within this world? As collective memory within the Black diaspora has been ruptured, GHETTOCLAUSTROPHOBIA time travels by creating and recapturing memory from a fractured past to survive in the present and envision a future. In her first full-length collection GHETTOCLAUSTROPHOBIA: Dreamin of Mama While Trying to Speak Woman in Woke Tongues, Shanta Lee Gander navigates between formal and vernacular styles to introduce the reader to a myriad of subjects such as scientific facts that link butterflies to female sexuality and vulnerability; whispers of classical Greek myth; H.P. Lovec...
Fablesque
A hybrid-genre carnivalesque of trauma and rebirth, Fablesque harnesses the power of old tales to dispel the disenchantments of women and animals in the #MeToo era. Blending fiction and myth, personal essay, prose poetry and verse, and spanning scales from local to celestial, chanelling voices of the voiceless and the mighty, Fablesque speaks to the apocalyptic moment of the present. Harnessing folktale, fairy tale, and collage, the poems embrace constraint as a starting point for liberating new content and for addressing constructions and intersections of gender, race, power, and time
Numbskull in the Theatre of Inquiry
Renowned senior member of the adult development, leadership, and organization transformation fields, award-winning researcher, consultant, and teacher, Bill Torbert offers us this final and signature book -- an anti-heroic memoir named Numbskull that shares his dramatic early life in Spain, Austria, Italy, and Somalia, then at Yale, the Southern Methodist University Business School, and the Harvard Ed School, culminating with the creation of The Theatre of Inquiry. He recounts for us how he gradually learned, from the experiences of his own leadership efforts, a theory of learning from experience. From his experiences, he also learned a theory of organizational transformation, culminating in...
My Brigadista Year
In an engrossing historical novel, the Newbery Medal-winning author of Bridge to Terebithia follows a young Cuban teenager as she volunteers for Fidel Castro’s national literacy campaign and travels into the impoverished countryside to teach others how to read. When thirteen-year-old Lora tells her parents that she wants to join Premier Castro’s army of young literacy teachers, her mother screeches to high heaven, and her father roars like a lion. Nora has barely been outside of Havana — why would she throw away her life in a remote shack with no electricity, sleeping on a hammock in somebody’s kitchen? But Nora is stubborn: didn’t her parents teach her to share what she has with s...
