You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In The Vices of Learning: Morality and Knowledge at Early Modern Universities, Sari Kivistö examines scholarly vices in the late Baroque and early Enlightenment periods. Moral criticism of the learned was a favourite theme of Latin dissertations, treatises and satires written in Germany ca. 1670–1730. Works on scholarly pride, logomachy, curiosity and other vices kept the presses running at German Protestant universities as well as farther north. Kivistö shows how scholars constructed fame and how the process involved various means of producing celebrity. The book industry, plagiarism and impressive titles were all labelled dishonest means of advancing a career. In The Vices of Learning Kivistö argues that scholarly ethics was an essential part of the early modern intellectual framework.
This book argues that no ethically appropriate relation to other human beings is possible unless we treat them as genuinely other. The authors provide reasons to be critical of various attempts, many of them popular in our contemporary (Western) culture, to encourage deeper attachment to and immersion into others’ lives and experiences. They defend the significance of the distance between human beings, criticizing exaggerated uses of, e.g., the concept of empathy and related concepts in academic as well as more popular ethical contexts, across a range of issues from the nature of ethical duty to the philosophy of love. The chapters offer non-technical philosophical and cultural criticism t...
Offering fresh readings of numerous Neo-Latin texts, Medical Analogy in Latin Satire provides an introduction to medical issues in the tradition of Latin satire. The book explores what functions physical diseases and peculiarities had in early modern satires and how satire was considered as a form of healing instruction.
With so much of the global population living on the move, away from their homelands, and in diasporic communities, death and mourning practices are inevitably impacted. Transnational Death brings together eleven cutting-edge articles from the emerging field of transnational death studies. By highlighting European, Asian, North American, and Middle Eastern perspectives, the collection provides timely and fresh analysis and reflection on people’s changing experiences with death in the context of migration over time. First beginning with a thematic assessment of the field of transnational death studies, readers then have the opportunity to delve into case studies that examine experiences with...
This book offers an overview on the growing field of nonhuman studies in relation to Anglophone novels. It illuminates the variety of nonhuman actors that take centre stage in the twenty-first-century novel and the formal changes that the Anthropocene, the digital turn, the animal rights movement, and research into plant consciousness have brought to the novel as a form. The book is divided into four sections, each focusing on a different aspect of twenty-first-century literature that engages with the nonhuman. The collection investigates how the environmental changes and the increasing use of AI technologies have fostered the flourishing of genres like the New Weird, Climate Fiction, and speculative fiction, how it makes us embrace new perceptions of life in relation to genetic engineering, and how it forces us to engage with newly emerging political contexts.
The American Journal of Islamic Social Sciences (AJISS), established in 1984, is a quarterly, double blind peer-reviewed and interdisciplinary journal, published by the International Institute of Islamic Thought (IIIT), and distributed worldwide. The journal showcases a wide variety of scholarly research on all facets of Islam and the Muslim world including subjects such as anthropology, history, philosophy and metaphysics, politics, psychology, religious law, and traditional Islam.
Sports and film are media that create time. They are temporal not only in the sense that they are defined and regulated by certain temporalities as a result of processes of social negotiation, but also in the sense of modulating and intervening in these processes in the first place. They are determined by multiple temporalities referring to and aligning along perceptual corporeality; but at the same time, they also produce time through and along temporalities of bodily expression and perception. Thus, as much as we perceive and understand sports and film by means of our culturally coded conceptions of time, this comprehension is itself already the product of these media’s fabrication and m...
Dante's Persons is a study of the concept of personhood in Dante's Comedy. Focusing on the encounters staged in Purgatory and Paradise, the book shows how Dante redefines personhood in his otherworlds as depending on mutual recognition and interpersonal attention. The book argues that Dante fills his text with characters that readers are meant to relate to as persons. He accomplishes this by means of dense corporeal detail, suchas gestures and postures. Building from this possibility of recognizing characters as persons, Dante's text offers readers opportunities to act and to join the community that extends between the living and the dead.
Literary mimesis is an age-old concept which has been variously interpreted and at times highly contested, and which has recently been brought back to the forefront of scholarly interest. The debate around mimesis has been reactivated by approaches that re-evaluate its meaning both in the ancient texts in which it first appeared, and in the contemporary discussions of the power of literary representation. This volume presents a selection of central contributions to both the theoretical debate on mimesis and to its up-to-date critical practice. This volume approaches mimesis by emphasising the principles of knowledge, understanding and imagination that have been associated with mimesis since ...
Laughter and power are here examined in a variety of contexts, ranging from the satires of Renaissance Humanism through to the polemics of contemporary journalism. How do the powerful use laughter as a cultural weapon which reinforces their position? How do the powerless use laughter as a last resort in their self-defence? Sixteenth-century intellectuals applied their satires to a campaign against intolerance. Seventeenth-century absolutism demanded of comedy that it serve its interests. Yet subversive humour survived, even at the court, and led through the Enlightenment to its apogee in the black humour of Sade. Twentieth-century experimental fiction owes that trend a conscious debt. Meanwhile an aesthetic tradition, represented here by Flaubert, Beckett and Queneau, incites a laughter which releases tension rather than raising awareness. As humour theorists, Bergson, Freud and Koestler help focus these concerns.