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Tiyatro Sanatında Kostüm Tasarımı
  • Language: tr
  • Pages: 182

Tiyatro Sanatında Kostüm Tasarımı

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Rönesans’ın Renkleri ve Shakespeare
  • Language: tr
  • Pages: 144

Rönesans’ın Renkleri ve Shakespeare

None

Atatürk Üniversitesinin elli yılı 1957-2007
  • Language: tr
  • Pages: 594

Atatürk Üniversitesinin elli yılı 1957-2007

  • Type: Book
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  • Published: 2007
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  • Publisher: Unknown

None

Hece
  • Language: tr
  • Pages: 668

Hece

  • Type: Book
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  • Published: 2005
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  • Publisher: Unknown

None

Osmanlı saray düğünleri ve şenlikleri: İntizâmi sûrnâmesi
  • Language: tr
  • Pages: 652

Osmanlı saray düğünleri ve şenlikleri: İntizâmi sûrnâmesi

  • Type: Book
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  • Published: 2009
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  • Publisher: Unknown

None

İslâm ansiklopedisi
  • Language: tr
  • Pages: 616

İslâm ansiklopedisi

  • Type: Book
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  • Published: 2006
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  • Publisher: Unknown

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The History of the Greek and Roman Theater
  • Language: en
  • Pages: 343

The History of the Greek and Roman Theater

  • Type: Book
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  • Published: 2003-01
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  • Publisher: Unknown

None

The Information Age, Volumes 1-3
  • Language: en
  • Pages: 1488

The Information Age, Volumes 1-3

The Information Age is a three volume investigation of contemporary global economic, political and social change. It is a work of outstanding penetration, originality and importance. The three volumes are now available to buy as an attractive boxed set.

The Necessity of Art
  • Language: en
  • Pages: 293

The Necessity of Art

  • Categories: Art
  • Type: Book
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  • Published: 2020-05-05
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  • Publisher: Verso Books

"Art is necessary in order that man should be able to recognize and change the world. But art is also necessary by virtue of the magic inherent in it."-Ernst Fischer Reissued with an introduction by John Berger, The Necessity of Art is a beautifully written meditation on art's importance in viewing the world in which we live. In this wide-ranging and erudite exploration of literary and fine art, Fischer looks at the relationship between the creative imagination and social reality, arguing that truthful art must both reflect existence in all its flaws and imperfections, and help show how change and improvement might be brought about. With his emphasis on the individual's need to engage with society, his rejection of rampant consumerism and hypertechnology, and his indomitable optimism, this radical, affirmative and humane vision of the artistic endeavor remains as timely today as when it was first published sixty years ago.

My Profession
  • Language: en
  • Pages: 257

My Profession

A profile of the authors life as a famous Soviet puppeteer and puppet theatre director. He describes childhood impressions, writes of earlier professions as artist and actor, and finally about his personal experiences with puppetry which helped him achieve mastery of his craft.Born in Moscow in 1901, he describes every step he took to his profession, how he worked on individual productions, and an account of all of his productions. In the 1920s Sergei Obraztsov founded the State Central Puppet Theatre in Moscow --- the biggest in Russia, an educational center of professional and amateurs theatre groups. The center houses the museum of theatrical puppets, a library on the theme, manuscript and pedagogical departments, and one of the worlds largest collection of theatrical puppets (about 3000 from 50 countries). Now over 50 years old, The Sergei Obraztsov Central Puppet Show has entertained tens-of-thousands of fans in 50 different countries, with a witty program that parodies slipshod variety performances.