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Women, Islam and Cinema
The first book to examine the troubled relationships between women, Islam and cinema.
Ecomedia
Ecomedia: Key Issues is a comprehensive textbook introducing the burgeoning field of ecomedia studies to provide an overview of the interface between environmental issues and the media globally. Linking the world of media production, distribution, and consumption to environmental understandings, the book addresses ecological meanings encoded in media texts, the environmental impacts of media production, and the relationships between media and cultural perceptions of the environment. Each chapter introduces a distinct type of media, addressing it in a theoretical overview before engaging with specific case studies. In this way, the book provides an accessible introduction to each form of medi...
Women and Turkish Cinema
Since 2000, there has been a considerable effort in Turkish cinema to come to terms with the military's intervention in politics and subsequent national trauma. It has resulted in an outpouring of cinematic texts. This book focuses on women and Turkish cinema in the context of gender politics, cultural identity and representation. The central proposition of this book is that enforced depolticisation introduced after the coup is responsible for uniting feminism and film in 1980s Turkey. The feminist movement was able to flourish precisely because it was not perceived as political or politically significant. In a parallel move in the films of the 1980s there was an increased tendency to focus on the individual, on women's issues and lives, in order to avoid the overtly political. Women and Turkish Cinema provides a comprehensive view of cinema's approach to women in a country which straddles European and Middle Eastern cultural conceptions, identities and religious values and will be an invaluable resource for students and scholars of Film Studies, Gender Studies and Middle East Studies, amongst others.
Medya Çağında İletişim
İletişim olgusu toplumsal bir varlık olan insan için her dönem önemli bir konuma sahip olmuştur. Tarihin ilk dönemlerinden itibaren doğa ile iç içe yaşayan insan beslenme, barınma ve korunma gibi temel ihtiyaçlarını giderirken iletişim kurmaya çabalamıştır. İletişim her dönem insanların hayatlarını biçimlendirmiş, yaşayışlarına yön vermiştir. Toplumsal dönüşümü hızlandıran ve sosyalleşmeyi biçimlendiren iletişim olgusu medyanın etkisiyle birlikte daha zengin bir yapıya kavuşmuştur. Geleneksel medyadan yeni medyaya dönüşüm sürecinde iletişim teknolojileri etkisini derinden hissettirmiş ve içinde yaşadığımız dönem “medya çağı...
IHLAMUR 52
IHLAMUR’UN MART SAYISINDA Şık Katil Danyel Amca ve Üşümez Hafiye – Emel İRTEM Umut Tümay Arslan ile Söyleşi – Söyleşen: Mehmet Akif ERTAŞ Konusuz XXII – Nuri DEMİRCİ Düşkün – Melike İNCİ Leyla Şahin ve Çocukluğun Gökyüzüne Değen Uçurtması – Hilmi HAŞAL Özlem Belkıs ile Söyleşi – Söyleşen: Neslihan YALMAN Ayşe Teyze ve Zombiler – Cahit KAYA Nurperi Hanım’dan Melek’e Sevim Burak’ta Ev İçi Emek – Melike Belkıs AYDIN Rüya Hasar Raporu – Serap ERDOĞAN Bilge Olgaç Sinemasına Bir Bakış – Nevzat ÇALIKUŞU Meryem Silüeti – Nilüfer ALTUNKAYA Efe Kadın, Efendi Kadın – Esra AKPINAR Kadın – Ezgi ASLAN “Orası Neresi Burası Bir Adam” Varlık Problemi Karşısında İNS – Muhammed Emin KAPTAN Çöp Kadınlar – Pelin YILMAZ Tebrizli Türk Masal Anaları – Seçkin SARPKAYA Küllerin Ocak Tutuşturması İronidir. Ateşin Külle Sarsılması, Şiir. – Fatma Nur ÖLKE Ekofeminizm, Kadın Belleği ve Dişil Dil Bağlamında Latife Tekin Romanları I – Dilek ÇETİNTAŞ
Sinema söyleşileri
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Turkish Cinema
Films often act as a prism that refracts the issues facing a nation, and Turkish cinema in particular serves to encapsulate the cultural and social turmoil of modern-day Turkey. Acclaimed film scholar Gönül Dönmez-Colin examines here the way that national cinema reveals the Turkish quest for a modern identity. Marked by continually shifting ethnic demographics, politics, and geographic borders, Turkish society struggles to reconcile modern attitudes with traditional morals and centuries-old customs. Dönmez-Colin examines how contemporary Turkish filmmakers address this struggle in their cinematic works, positing that their films revolve around ideas of migration and exile, and give voice to previously subsumed “denied identities” such as that of the Kurds. Turkish Cinema also crucially examines how these films confront taboo subjects such as homosexuality, incest, and honor killings, issues that have only become viable subjects of discussion in the new generation of Turkish citizens. A deftly written and thought-provoking study, Turkish Cinema will be invaluable for scholars of Middle East studies and cinephiles alike.
Arada Kalmak
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