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In this stimulating study, Juan R. I. Cole challenges traditional elite-centered conceptions of the conflict that led to the British occupation of Egypt in 1882. For a year before the British intervened, Egypt's government and the country's influential European community had been locked in a struggle with the nationalist supporters of General Ahmad 'Urabi. Although most Western observers still see the 'Urabi movement as a 'revolt' of junior military officers with only limited support among the Egyptian people, Cole maintains that it was a full-scale revolution with a broad social base. While arguing this fresh point of view, he also proposes a theory of revolution against informal or neocolo...
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them alo...
Regional Sufi Centres in India: Significance and Contribution sets out to explore and understand the hundreds of years old multi-religious sect of India, "Sufism," which advocates humane and global outlook for entire mankind and regards humanity as a brotherhood. Sufism came to India from its Arabic Turkic and Persian homes, instead of remaining confined to palaces and mosques. It spread out to all over India establishing regional Centres and Dargahs often known by the surnames of the families which sustained it, like Khanqah-e-Niazia, in Bareilly (UP), Khanqah Gesu Daraz in Gulbarga, and Firdausi in Bihar. The authors of this volume discuss some of the regional Sufi Centres in India and their contribution in the social emancipation of the society. Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)
This handbook addresses the methodological problems and theoretical challenges that arise in attempting to understand and represent humour in specific historical contexts across cultural history. It explores problems involved in applying modern theories of humour to historically-distant contexts of humour and points to the importance of recognising the divergent assumptions made by different academic disciplines when approaching the topic. It explores problems of terminology, identification, classification, subjectivity of viewpoint, and the coherence of the object of study. It addresses specific theories, together with the needs of specific historical case-studies, as well as some of the challenges of presenting historical humour to contemporary audiences through translation and curation. In this way, the handbook aims to encourage a fresh exploration of methodological problems involved in studying the various significances both of the history of humour and of humour in history.
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Increasing numbers of teachers and parents are discovering the benefits of using drama in the classroom or at home to motivate students and enhance existing curriculum. The "Now I Get It!" Books are collections of short plays based on actual grade-specific subject matter taught in elementary school classrooms. Used as focused learning exercises, each play is expressly designed to boost comprehension and creativity. Each volume of "Now I Get It!" Covers lessons in Grammar, Writing, Vocabulary, Math, Geometry, Life Science, Physical Science, Earth Science, Geography, Citizenship, History, and Current Events.
Japan's about to get WRECKED! The bounty on Crash's head has gone public, and Killtopia's deadliest Mech hunters are ready to collect. Leading the charge is King Kaiju; a mechanised corporate mascot of death, who belongs to the evil Kaiju Cola Mega-Corporation. There's just one problem: the world's greatest Wrecker - Stiletto - has gotten to Crash first. Their explosive showdown sends Stiletto's peak celebrity status into a flaming tailspin that threatens to change Japan forever.
Frank Quitely's amazing, finely detailed artwork has been gracing the pages of DC Comics since he began illustrating stories in THE BIG BOOK series, from DC's Paradox Press imprint, in the mid-90's. Quitely quickly earned a name for himself illustrating fellow Scotsman Grant Morrison's FLEX MENTALLO, JLA EARTH 2, as well as Neil Gaiman's SANDMAN: ENDLESS NIGHTS. Graphic Ink: The DC Comics Art of Frank Quitely collects all of Quitely's BIG BOOK stories, his ALL STAR SUPERMAN and BATMAN & ROBIN: REBORN covers and much, much more!
This book examines the talmudic writings, politics, and ideology of Y.I. Halevy (1847-1914), one of the most influential representatives of the pre-war eastern European Orthodox Jewish community. It analyzes Halevy’s historical model of the formation of the Babylonian Talmud, which, he argued, was edited by an academy of rabbis beginning in the fourth century and ending by the sixth century. Halevy's model also served as a blueprint for the rabbinic council of Agudath Israel, the Orthodox political body in whose founding he played a leading role. Foreword by Jay M. Harris, Harry Austryn Wolfson Professor of Jewish Studies at Harvard University and the author of How Do We Know This? Midrash and the Fragmentation of Modern Judaism, among other works.
The latest installment of Yale French Studies explores the history and development of bande dessinée, Franco-Belgian comics This special issue of Yale French Studies on bande dessinée is a multifaceted reflection on its newfound academic status. It goes beyond the question, settled long ago, of its artistic legitimacy but aims to think "outside the boxes," or cases, themselves in order to explore the mutually enriching relationship between BD and the wider francophone cultural and intellectual world. Contributions thus intersect with art history, literary theory, cinema studies, postcolonialism, semiotics, and political sociology. Articles are by mainstream interdisciplinary scholars applying themselves to BD, leading authorities on bande dessinée itself, BD artists, and key figures in contemporary French thought whose texts appear in English for the first time.