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In sparse, powerful lines, Shara Lessley recalls an expat's displacement, examines her experience as a mother, and offers intimate witness to the unfolding of the Arab Spring. Veering from the strip malls and situation rooms of Washington to the markets and mines of Amman, Lessley confronts the pressures and pleasures of other cultures, exploring our common humanity with all its aggressions, loves, biases, and contradictions.
Poetry. Literary Nonfiction. Essay. In thirty innovative essays, THE POEM'S COUNTRY: PLACE & POETIC PRACTICE considers how the question of place shapes contemporary poetry. Responding from cities and rural communities across the United States, the contributors of THE POEM'S COUNTRY thoughtfully and passionately explore issues of politics, personal identity, ecology, the Internet, war, sexuality, faith, and the imagination. Essential reading for students of poetry at every level, THE POEM'S COUNTRY examines the connection between lyric and geographical constraint, as well as how place challenges, enchants, and helps clarify the intersections between language and the world. "This remarkable an...
These intimate, visceral and often wickedly funny poems journey through the darker days of new parenthood, teasing out the anxieties which plague us when night falls. Violence against women, the destruction of our environment, the poisons and pitfalls of 21st-century living are explored here in poems by turns lyrical and earthy, yearning and angry. They mine gold from the darkness and seek luminescence in the deepest oceans. Pit Lullabies is Jessica Traynor's third collection, following Liffey Swim (2014) and The Quick (2019) from Ireland's Dedalus Press, and is a Poetry Book Society Recommendation.
A father and son shovel snow from a driveway; a boy accidentally sets himself on fire; two boys fish for bluegill; a young drag queen returns home to die. At the center of it all, a teenage boy's suicide resonates through the lives of those closest to him. The poems in Bruce Snider's Paradise, Indiana describe a place where mundane events neighbor the most harrowing. Shaped by the author's experiences growing up in rural Indiana, Snider investigates the landscapes traditionally claimed by male poets such as James Wright, James Dickey, and Richard Hugo, whose visions of place rarely, if ever, included the presence of gays and lesbians. Paradise, Indiana envisions a seldom recorded rural America, one where everything exists side by side: the county fair and an abandoned small town gay bar, farmers and cross-dressers, death and hope, beauty and despair.
Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction. The Poet's Mistake -- Chapter 1. Wordsworth's Imperfect Perfect -- Chapter 2. Robert Browning's Bad Habit -- Chapter 3. Wondering about John Clare -- Chapter 4. Emily Dickinson's Eloquent Lies -- Chapter 5. Hart Crane's Wrapture -- Chapter 6. Fact-Checking Elizabeth Bishop -- Chapter 7. Misremembering Seamus Heaney -- Conclusion. Mistaking on Purpose -- Notes -- Works Cited -- Index.
Ann Fisher-Wirth's graceful and sturdy lines unsettle the seemingly familiar...her distilled attentiveness presses against our all-too-common ambivalence and detachment from the ordinary world... the poems in The Bones of Winter Birds exhibit an abundance of compassion and civility.
"She's earned some good karma. An army widow at twenty-one, Heather Clarke has spent the past three years running her aunt's quilt store, raising her twin girls alone and earning a degree in landscape horticulture. Finally, she's launching her new career and starting to feel as though she's on solid ground. And then Rick Slater rides onto her job site. Heather needs a mysterious, gorgeous, ex-army distraction like a hole in the head. Especially when he's the restless type who's flirting with reenlisting. And flirting with her! Even if she were ready to love again, she wouldn't risk it on a man who might not stay. Now, if he decides to stop moving and grow some roots ... then that's a whole other story"--Publisher.
The January Children depicts displacement and longing while also questioning accepted truths about geography, history, nationhood, and home. The poems mythologize family histories until they break open, using them to explore aspects of Sudan's history of colonial occupation, dictatorship, and diaspora. Several of the poems speak to the late Egyptian singer Abdelhalim Hafez, who addressed many of his songs to the asmarani--an Arabic term of endearment for a brown-skinned or dark-skinned person. Elhillo explores Arabness and Africanness and the tensions generated by a hyphenated identity in those two worlds.
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