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A father and son shovel snow from a driveway; a boy accidentally sets himself on fire; two boys fish for bluegill; a young drag queen returns home to die. At the center of it all, a teenage boy's suicide resonates through the lives of those closest to him. The poems in Bruce Snider's Paradise, Indiana describe a place where mundane events neighbor the most harrowing. Shaped by the author's experiences growing up in rural Indiana, Snider investigates the landscapes traditionally claimed by male poets such as James Wright, James Dickey, and Richard Hugo, whose visions of place rarely, if ever, included the presence of gays and lesbians. Paradise, Indiana envisions a seldom recorded rural America, one where everything exists side by side: the county fair and an abandoned small town gay bar, farmers and cross-dressers, death and hope, beauty and despair.
In this intimate first collection Bruce Snider explores the intricacies of memory, loss, and identity in poems about everything from algebra to sperm to lipstick. A farmer finds the body of a dead child, a boy watches his mother get ready for a date, a woman with cancer shops for a wig, an overweight sister shares a cupcake with her little brother. In the book's longest and most complex poem a tarot card reading excavates the relationship between a son and his distant, often violent father. Sometimes funny, always big-hearted and inventive, Snider catalogues the minutiae of daily life with language that is plainspoken yet strongly imagistic, weaving together both public and private moments as he maps one man's longing for transformation. It's an attempt to reconcile it all--past and present, fear and desire, self and sexuality--making the barest symbols of maleness and femaleness into their own deeply personal language.
Poetry. Literary Nonfiction. Essay. In thirty innovative essays, THE POEM'S COUNTRY: PLACE & POETIC PRACTICE considers how the question of place shapes contemporary poetry. Responding from cities and rural communities across the United States, the contributors of THE POEM'S COUNTRY thoughtfully and passionately explore issues of politics, personal identity, ecology, the Internet, war, sexuality, faith, and the imagination. Essential reading for students of poetry at every level, THE POEM'S COUNTRY examines the connection between lyric and geographical constraint, as well as how place challenges, enchants, and helps clarify the intersections between language and the world. "This remarkable an...
Bruce Snider's third poetry collection grapples with what it means to be childless in a world obsessed with procreation. Poems move between the scientific and the biblical, effortlessly sliding from the clinical landscape of a sperm bank to Mount Moriah as Abraham prepares Isaac for sacrifice. Exploring issues of sexuality, lineage, and mortality, Snider delves into subjects as varied as the Creation Museum in Petersburg, Kentucky; same-sex couple adoption; and Gregor Mendel's death in 1884. Each poem builds into a broader examination of power and fragility, domesticity and rebellion, violence and devotion: heartrending vignettes of the aches and joys of growing up and testing the limits of nature and nurture. In language both probing and sensitive, Fruit delivers its own conflicted and celebratory answers to pressing questions of life, death, love, and biology.
DEE’S NOT GONNA TAKE IT As lead singer and songwriter of Twisted Sister, Dee Snider became the poster boy for heavy metal, hair bands, and the wild side of rock. Now, in his twisted new memoir, he reveals the real stories behind the crazy makeup, the big hair, and badass hits like “We’re Not Gonna Take It” and “I Wanna Rock.” A classically trained countertenor who sang with his high school choir, Dee remembers the day he decided he was “not gonna take it” and stopped caring what people thought about him. Following in the footsteps of his idols Alice Cooper and Black Sabbath, Dee jumped from band to band before meeting Jay Jay French and Twisted Sister. But it wasn’t until h...
Selected papers from the conference held in Washington DC, July 9-14, 1989.
In 2005, filmmaker Christopher Nolan redefined Batman for a new generation with Batman Begins, followed in 2008 by The Dark Knight, and now 2012’s conclusion to the trilogy, The Dark Knight Rises. Here, for the first time, is an in-world exploration of Christopher Nolan's Batman: The Dark Knight Manual, the definitive guide to his tools, vehicles, and technologies. Following the destruction of Wayne Manor, Bruce Wayne began to assemble key sketches, diagrams, observations, and other top-secret documents germane to becoming Batman; he then entrusted this manual to his faithful butler, Alfred. Every defining moment is detailed here, charting Wayne's collaborations with Lucius Fox at Wayne Enterprises on the latest cutting-edge technology. This package features a distressed vintage cover design and includes removable documents, including the design and capability of the famed utility belt, the hi-tech functions of Batman’s cowl, and every detail of his amazing arsenal of weapons and gadgets, The Dark Knight Manual reveals how Bruce Wayne operates as Gotham's greatest protector. BATMAN and all related characters and elements are trademarks of and © DC Comics. (s12)
Is evil evidence against the existence of God? A collection of essays by philosophers, theologians, and other scholars. Even if God and evil are compatible, it remains hotly contested whether evil renders belief in God unreasonable. The Evidential Argument from Evil presents five classic statements on this issue by eminent philosophers and theologians, and places them in dialogue with eleven original essays reflecting new thinking by these and other scholars. The volume focuses on two versions of the argument. The first affirms that there is no reason for God to permit either certain specific horrors or the variety and profusion of undeserved suffering. The second asserts that pleasure and pain, given their biological role, are better explained by hypotheses other than theism. Contributors include William P. Alston, Paul Draper, Richard M. Gale, Daniel Howard-Snyder, Alvin Plantinga, William L. Rowe, Bruce Russell, Eleonore Stump, Richard G. Swinburne, Peter van Inwagen, and Stephen John Wykstra.
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"The work of Polhemus Savery DaSilva Architects Builders reflects the special qualities of Cape Cod, Martha's Vineyard, and Nantucket." "Architecture of the Cape God Summer presents more than ten years of evocative design and well-crafted construction that is rooted in this tabled place. In an architectural world increasingly polarized between strict revivalist classicism and "avant-grade" abstraction, the work of Polhemus Savery DaSilva displays a compelling third way." "The book features twenty-five projects that range from modest to elaborate. Each is an individual creation tailored to its specific location and client. Several additional projects are depicted in a chronology of the firm's major work. Drawings by the firm and more that four hundred color photography by leading architectural photographers illustrate this sixth volume of the New Classicists series."--BOOK JACKET.