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Theology and Star Trek
After Star Trek: Enterprise concluded in 2005, Star Trek went on hiatus until the 2009 film Star Trek and its sequels. With the success of these films, Star Trek returned to the small screen with series like Discovery, Picard, and Strange New Worlds. These films and series, in different ways, reflect cultural shifts in Western society. Theology and Star Trek gathers a group of scholars from various religious and theological disciplines to reflect upon the connection between theology and Star Trek anew. The essays in part one, “These are the Voyages,” explore the overarching themes of Star Trek and the thought of its creator, Gene Roddenberry. Part two, “Strange New Worlds,” discusses politics and technology. Part three, “To Explore and to Seek,” focuses on issues related to practice and formation. Part four, “To Boldly Go,” contemplates the future of Star Trek.
George Lindbeck and The Israel of God
George Lindbeck lamented that his most widely read work, The Nature of Doctrine, had often been read apart from his ecumenical focus. In this book, Shaun Brown seeks to provide a corrective to misreadings of Lindbeck’s work by focusing upon his “Israelology”—his emphasis upon the church and Israel as one elect people of God. While many Christians after the Holocaust have noted the harm that Supersessionism brought to the Jews, Lindbeck focuses upon the harm that supersessionism has brought to the church. He argues the appropriation of Israelhood by the church can bring intra-Christian ecumenical benefits. This work comes in two stages. In the first stage, undertaken while he was an observer at the Second Vatican Council, Lindbeck discusses a parallel between Israel and the church. The second stage, which begins in the late 1980s and continues through the end of his career, Lindbeck describes the church as “Israel-like” or “as Israel.”
George Lindbeck
George Lindbeck wrote one of the most often read and debated theological works of the twentieth century, The Nature of Doctrine. Despite the work's wide readership, few read the book considering his work as an ecumenist. In addition, few have read Lindbeck's other writings. This work seeks to remedy this situation by providing (1) a context for understanding The Nature of Doctrine, (2) a corrective to misreadings of Lindbeck's work, (3) an introduction to his broader corpus, and (4) some possible ways in which Lindbeck's work can contribute to future ecumenical discussion and to Christian theological practice more broadly. It will do so by focusing upon several key roles or aspects of Lindbeck's life and thought, from his understanding of his own Lutheran background and his participation in Lutheran-Catholic dialogue, to his training in medieval philosophy and theology and later work on the church as Israel.
George Lindbeck
George Lindbeck wrote one of the most often read and debated theological works of the twentieth century, The Nature of Doctrine. Despite the work's wide readership, few read the book considering his work as an ecumenist. In addition, few have read Lindbeck's other writings. This work seeks to remedy this situation by providing (1) a context for understanding The Nature of Doctrine, (2) a corrective to misreadings of Lindbeck's work, (3) an introduction to his broader corpus, and (4) some possible ways in which Lindbeck's work can contribute to future ecumenical discussion and to Christian theological practice more broadly. It will do so by focusing upon several key roles or aspects of Lindbeck's life and thought, from his understanding of his own Lutheran background and his participation in Lutheran-Catholic dialogue, to his training in medieval philosophy and theology and later work on the church as Israel.
Nazi Occultism, Jewish Mysticism, and Christian Theology in the Video Game Series Wolfenstein
The critically acclaimed if controversial game series Wolfenstein is famous for its inclusion of historical objects and figures from the realm of Nazi Occultism, including the Swastika, the Spear of Destiny, the Thule Medallion, Heinrich Himmler, Helena Blavatsky, and Karl Wiligut. The series was criticized for its alleged Nazi glorification and for completely neglecting primary victims of the Second World War, the Jewish people. But since its reboot with Wolfenstein: New Order in 2014, the series has a new, distinct filo semitic flavor, including a number of explicit Jewish characters, a playable concentration camp level, and several theological discussions on God and the existence of evil. In Nazi Occultism, Jewish Mysticism, and Christian Theology in the Video Game Series Wolfenstein, game theologian Frank G. Bosman critically examines both the Nazi occultist and Judaist inspirations and aspirations of the game series, putting forth the question if the series has not invertedly ventured into implicit antisemitic territory by including the Da’at Yichud, a fictional, ancient, and distinct Jewish organization harboring the great minds of history.
The Last of Us and Theology
With a catastrophic fungal pandemic, the post-apocalypse, a moral quest despite societal breakdowns, humans hunting humans or morphed into grotesque infected, The Last of Us video games and HBO series have exhilarated, frightened, and broken the hearts of millions of gamers and viewers. The Last of Us and Theology: Violence, Ethics, Redemption? is a richly diverse and probing edited volume featuring essays from academics across the world to examine theological and ethical themes from The Last of Us universe. Divided into three groupings—Violence, Ethics, and Redemption?—these chapters will especially appeal to The Last of Us fans and those interested in Theology and Pop Culture more broadly. Chapters not only grapple with theologians, ethicists, and novelists like Cormac McCarthy, Fyodor Dostoevsky, Martin Buber, and Paul Tillich; and theological issues from forgiveness and theodicy to soteriology and eschatology; but will help readers become experts on all things fireflies, clickers, Cordyceps, and Seraphites. “Save who you can save” and “Look for the Light.”
Post-Christian Religion in Popular Culture
Post-Christian Religion in Popular Culture: Theology through Exegesis analyzes several theological exegeses of contemporary popular culture as post-Christian scripture. It includes analyses of the Marvel Cinematic Universe, The Lion King, and Cloud Atlas, the television shows Lucifer and Shameless, and contemporary pop punk and alternative music. Through an application of three hermeneutical methods (re-enchantment, resourcement, and rescription), a prophetic and apocalyptic critique of modernity, and an analysis of the late-modern human condition, Andrew D. Thrasher argues how popular culture recites post-Christian religious and theological messages marked by a post-disenchantment theology constituted by the consumption of these messages shapes and informs what the contemporary world finds believable, credible, and desirable in a post-Christian context.
George Lindbeck
George Lindbeck wrote one of the most often read and debated theological works of the twentieth century, The Nature of Doctrine. Despite the work’s wide readership, few read the book considering his work as an ecumenist. In addition, few have read Lindbeck’s other writings. This work seeks to remedy this situation by providing (1) a context for understanding The Nature of Doctrine, (2) a corrective to misreadings of Lindbeck’s work, (3) an introduction to his broader corpus, and (4) some possible ways in which Lindbeck’s work can contribute to future ecumenical discussion and to Christian theological practice more broadly. It will do so by focusing upon several key roles or aspects of Lindbeck’s life and thought, from his understanding of his own Lutheran background and his participation in Lutheran-Catholic dialogue, to his training in medieval philosophy and theology and later work on the church as Israel.
Theology, Fantasy, and the Imagination
Theology, Fantasy, and the Imagination offers analyses of the theological, philosophical, and religious imagination found in fantasy literature, the theological imagination, and table-top games. Part I offers an invocation to the study through a theological reflection of the “old magic.” Part II analyzes classical Christian fantasy—ranging from dogmatic theological reflection on the fantastic imagination to analyses of C.S. Lewis and J.R.R. Tolkien. Part III analyzes the post-Christian turn in fantasy after about 1960 through today—featuring methodological, theological, and philosophical essays that reflect a movement beyond Christianity in the fantasy literature and writings of Rabbi Shagar, Ursula le Guin, Terry Pratchett, Robert Jordan and David Eddings, and Brandon Sanderson and Orson Scott Card. Part IV closes with two analyses of the religious and philosophical dimensions of table-top games, including Dungeons and Dragons and Magic: the Gathering. Theology, Fantasy, and the Imagination offers astute analyses of how theological fantasy actually is by articulating the religious, philosophical, and theological dimensions of the fantastic imagination.
Theology and the Star Wars Universe
Scholars have been arguing for years that Star Wars is more than light sabers, Wookies, Millennium Falcons, and troubling familial relationships. Star Wars is an exciting space fantasy that we can explore from multiple academic perspectives, such as philosophy and psychology. This volume adds to that conversation by asking, “what would it look like if we analyzed the Star Wars universe theologically?” In Theology and the Star Wars Universe, contributors from various theological traditions take on this task by exploring the nature of the Force, the spiritual role of the Jedi, nonviolent and liberationist readings of the Franchise, and the enduring power of hope. Written for the restless, curious academic but accessible to diehard fans, Theology and the Star Wars Universe is an exciting foray into the study of theology and popular culture.
