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The Teller's Tale
This book offers new, often unexpected, but always intriguing portraits of the writers of classic fairy tales. For years these authors, who wrote from the sixteenth to the nineteenth centuries, have been either little known or known through skewed, frequently sentimentalized biographical information. Jacob and Wilhelm Grimm were cast as exemplars of national virtues; Hans Christian Andersen's life became—with his participation—a fairy tale in itself. Jeanne-Marie Leprince de Beaumont, the prim governess who wrote moral tales for girls, had a more colorful past than her readers would have imagined, and few people knew that nineteen-year-old Marie-Catherine d'Aulnoy conspired to kill her much-older husband. Important figures about whom little is known, such as Giovan Francesco Straparola and Giambattista Basile, are rendered more completely than ever before. Uncovering what was obscured for years and with newly discovered evidence, contributors to this fascinating and much-needed volume provide a historical context for Europe's fairy tales.
The Queen's Mirror
This exciting and comprehensive anthology?the first anthology of German women's fairy tales in English?presents a variety of published and archival fairy tales from 1780 to 1900. These authors of these stories used fairy tales to explain their own lives, to teach children, to examine history, and to critique society and the status quo. Powerful and conflicted females are queens, girls on quests, mothers, daughters, magical wisewomen, and midwives to the fairies; they love, hate, murder, save children, fight tyranny, overcome cannibals, and rescue the working poor. ø Jeannine Blackwell's introduction places the tales in their historical, social, and critical context, and Shawn C. Jarvis's afterword presents a thematic analysis of the texts and approaches to reading them in conjunction with other European and American tales.
The Life of High Countess Gritta Von Ratsinourhouse
A group of girls escape from their convent school and after surviving a shipwreck found a feminist paradise on an exotic island. Written in the 1840s by a mother-daughter team, the novel was a critique of German paternalism.
In the Shadow of Olympus
This anthology represents the first sustained feminist examination of eighteenth-and nineteenth-century German women writers in English. These essays highlight the literature produced by German women in the period 1790-1810, framing the discussions with a comparative orientation. The book analyzes in culturally specific detail how these authors came to constitute the first generation of writing women in Germany at a time when Goethe set the standard for literary production. Each essay focuses on the ambivalence of the author(s) toward literary and social models. The authors treated include Rahel Varnhagen, Charlotte von Stein, Friederike Helene Unger, Bettine von Arnim, Caroline Schlegel-Schelling, Sophie Albrecht, Therese Huber, Sophie Mereau, Sophie von La Roche, Henriette Frolich, and Benedikte Naubert.
Hot Chocolate at Hanselmann's
A work of understated elegance and cumulative power, this novel eases readers into a drama unfolding within a Catholic family in Italy on the eve of World War II. As scenes only dimly understood by the child Lorenza are revisited by the woman she becomes, what seemed a family affair?a romance involving Lorenza?s mother, her father?s Jewish friend Arturo, and her aunt Margot in Switzerland?begins to reveal the broader outlines of the drama of history, in particular the tragedy of Italy?s Jews during the Holocaust. Limning the interplay of past and present, of memory and presence, this haunting work by one of Italy?s foremost writers brings to life the subtleties and complexities of history as it is experienced, interpreted, and relived within the most intimate of realms.
Historical Dictionary of Fantasy Literature
Fantasy is a genre in motion, gradually expanding its reach and historical sources to embrace a global identity Historical Dictionary of Fantasy Literature, Second Edition is a snapshot of the genre in this moment, identifying new themes and sources that are emerging to inspire, enhance and invigorate the published works of fantasy writers.
Contested Selves
Investigates the field of German life writing, from Rahel Levin Varnhagen around 1800 to Carmen Sylva a century later, from Döblin, Becher, women's WWII diaries, German-Jewish memoirs, and East German women's interview literatureto the autofiction of Lena Gorelik.
A Broken Mirror
In its moment of great splendor the novel was held as a mirror of society: Merc_ Rodoreda shatters that mirror in this, her most ambitious novel, which tells its story in brilliant fragments, a vision reflected and refracted and finally coming together in a richly articulated mosaic of life. Through this Broken Mirror, the reader sees events and characters spanning three generations and composing a kaleidoscopic family history ranging over six decades and turning upon events both intimate and historic?most notably the Spanish Civil War. Opening with Teresa Goday, the lovely young fishmonger?s daughter married to a wealthy old man, the story shifts from one perspective to another, reflecting from myriad angles the founding of a matriarchal dynasty?and its eventual, seemingly inevitable disintegration. A family saga extending from the prosperous Barcelona of the 1870s to the advent of the Franco dictatorship, A Broken Mirror is finally also a novel about the inexorable passing of time.
Discovering the Human
'Discovering the Human' investigates the emergence of the modern human sciences and their impact on literature, art and other media in the 18th and 19th centuries. Up until the 1830s, science and culture were part of a joint endeavour to discover and explore the secret of life. The question 'What is life?' unites science and the arts during the Ages of Enlightenment and Romanticism, and at the end of the Romantic period, a shift of focus from the human as an organic whole to the specialized disciplines signals the dawning of modernity. The emphasis of the edited collection is threefold: the first part sheds light on the human in art and science in the Age of Enlightenment, the second part is concerned with the transitions taking place at the turn of the 19th century. The chapters forming the third part investigate the impact of different media on the concept of the human in science, literature and film.
God's Mercy
When Hillevi, a young, inexperienced midwife, moves from the university town of Uppsala to the wilderness of Svartvattnet (Blackwater) to be with her unofficial fiancé, she is ill prepared for what awaits her. In this frigid, austere, and isolated territory, she encounters the overwhelming and unpredictable forces of nature and demoralizing poverty and ignorance while also gaining access to the unfamiliar world of nomadic Sami reindeer herders. A single traumatic event, never fully confronted, has devastating and far-reaching repercussions, but Hillevi also finds unexpected warmth and love. Incorporating elements of the jojk oral tradition of Sami culture, God’s Mercy is a thoroughly engrossing story about the capriciousness of memory, the resilience of the human psyche, and the endless wonder of the wild.
