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Attacked by T.S. Eliot and F.R. Leavis, Shelley's poetry has, over the last few decades, enjoyed a revival of critical interest. His radical politics and arrestingly original poetic strategies have been studied from a variety of perspectives - formalist, deconstructionist, new historicist, feminist and others. Of all the Romantics, Shelly has benefited most from the so-called 'theoretical revolution', as is borne out by the wide range of recent critical work represented in this volume. The 134 essays selected analyse many of Shelley's finest poems, including Alastor, Julian and Maddalo, Prometheus Unbound, Adonais and The Triumph of Life. Michael O'Neill's informed Introduction explores the contours of this debate. Detailed headnotes to the individual essays, explanations of difficult terms, and a further reading section provide invaluable guides to the reader. This collection illuminates the enduring and contemporary significance of the work of a major poet.
Winner of the 2013 Richard J. Finneran Award, Society for Textual ScholarshipOutstanding Academic Title, Choice "His name is Percy Bysshe Shelley, and he is the author of a poetical work entitled Alastor, or the Spirit of Solitude.” With these words, the radical journalist and poet Leigh Hunt announced his discovery in 1816 of an extraordinary talent within “a new school of poetry rising of late.” The third volume of the acclaimed edition of The Complete Poetry of Percy Bysshe Shelley includes Alastor, one of Shelley’s first major works, and all the poems that Shelley completed, for either private circulation or publication, during the turbulent years from 1814 to March 1818: Hymn to...
An analysis of Shelley's fiction, poetry, and letters covers the topics of narcissism, gender identity, and self-idolotry.
This study of the poetry and drama of Percy Bysshe Shelley reads the letters and their biographical contexts to shed light on the poetry, tracing the ambiguous and shifting relationship between the poet's art and life. For Shelley, both life and art are transfigured by their relationship with one another where the 'poet participates in the eternal, the infinite, and the one' but is equally bound up with and formed by the society in which he lives and the past that he inherits. Callaghan shows that the distinctiveness of Shelley's work comes to rest on its wrong-footing of any neat division of life and art. The dazzling intensity of Shelley's poetry and drama lies in its refusal to separate the twain as Shelley explores and finally explodes the boundaries between what is personal and what is poetic. Arguing that the critic, like the artist, cannot ignore the conditions of the poet's life, Callaghan reveals how Shelley's artistry reconfigures and redraws the actual in his poetry. The book shows how Shelley's poetic daring lies in troubling the distinction between poetry as aesthetic work hermetically sealed against life, and poetry as a record of the emotional life of the poet.
Dana Van Kooy draws critical attention to Percy Bysshe Shelley as a dramatist and argues that his dramas represent a critical paradigm of romanticism in which history is 'staged'. Reading Shelley's dramas as a series of radical stages - historical reenactments and theatrical reproductions - Van Kooy highlights the cultural significance of the drama and the theatre in shaping and contesting constructions of both the sovereign nation and the global empire in the post-Napoleonic era. This book is about the power of performance to challenge and reformulate cultural memories that were locked in historical narratives and in Britain's theatrical repertoire. It examines each of Shelley's dramas as a...
Based on the author's thesis (Ph.D., Anglia Ruskin University).
The book is an authoritative and up-to-date collection of original essays on one of the greatest of all English poets, Percy Bysshe Shelley. It covers a wide range of topics, exploring Shelley's life and work from various angles.
Jane Austen’s final novel, Persuasion, opens in an unusual way—with two hearts already broken. Anne Elliot and Captain Frederick Wentworth have endured seven years of separation and longing after Anne was convinced by family and friends to refuse his proposal. When they meet again, the central question they face is one that resonates for readers in every time and place: Can we earn a second chance at love? In their Story Grid Masterwork Analysis Guide, editors Mai Nguyen and Celeste Sharpe show precisely how Austen layered her complex love story with all the necessary obstacles, secrets, and sacrifices to get Anne and Frederick to their well-deserved happy ending. Nguyen and Sharpe analyze Austen’s innovative story scene-by-scene to reveal the genius of Anne’s heroic journey to recapture her voice and agency. If you dream of crafting stories where characters must navigate their own do-overs in love, friendship, or other meaningful relationships, this writer’s guide to Persuasion provides a map to help you find your way.
"This volume ends after Shelley's important Swiss summer of 1816 with Byron. A latter volume will cover Shelley's Italian years, the circumstances of his death in 1822, and the subsequent lives of his intimates."--Jacket.
As writers, we all struggle to transform the messy raw materials in our minds into stories that will reach readers’ hearts. When it works, it feels like magic. But what really makes that magic happen? A few essential components, which Story Grid calls conventions and obligatory moments, can span the distance between writers and readers. It’s those conventions and moments that fulfill readers’ expectations in every story—from gripping action tales to tender romances. In Conventions and Obligatory Moments, veteran Story Grid editors Kimberly Kessler and Leslie Watts provide the first comprehensive Story Grid guide to these essential elements of the writer’s craft. Kessler and Watts i...