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An analysis of Shelley's fiction, poetry, and letters covers the topics of narcissism, gender identity, and self-idolotry.
The familiar literary-critical category of 'graveyard poetry' has made the eighteenth-century churchyard a commonplace in the period's cultural imaginary: a location in which melancholy, religious poets get lost in imaginative reveries or didactic visions of the afterlife. By contrast, Churchyard Poetics: Landscape, Labour, and the Legacy of Genre shows how the churchyard takes on a new shape and a fresh importance for a counter-tradition of women and labouring-class poets, for whom this landscape is a resting place with no closure. In work by Mary Leapor, Ann Yearsley, Charlotte Smith, and John Clare-but also for Robert Blair, Thomas Gray, and William Wordsworth-the churchyard emerges as a ...
Eternity in British Romantic Poetry explores the representation of the relationship between eternity and the mortal world in the poetry of the period. It offers an original approach to Romanticism that demonstrates, against the grain, the dominant intellectual preoccupation of the era: the relationship between the mortal and the eternal. The project's scope is two-fold: firstly, it analyses the prevalence and range of images of eternity (from apocalypse and afterlife to transcendence) in Romantic poetry; secondly, it opens up a new and more nuanced focus on how Romantic poets imagined and interacted with the idea of eternity. Every poet featured in the book seeks and finds their uniqueness i...
Taking twenty women writers of the Romantic period, Romanticism and Gender explores a neglected period of the female literary tradition, and for the first time gives a broad overview of Romantic literature from a feminist perspective.
Byron’s and Shelley’s experimentation with the possibilities and pitfalls of poetic heroism unites their work. The Poet-Hero in the Work of Byron and Shelley traces the evolution of the poet-hero in the work of both poets, revealing that the struggle to find words adequate to the poet’s imaginative vision and historical circumstance is their central poetic achievement. Madeleine Callaghan explores the different types of poetic heroism that evolve in Byron’s and Shelley’s poetry and drama. Both poets experiment with, challenge and embrace a variety of poetic forms and genres, and this book discusses such generic exploration in the light of their developing versions of the poet-hero. The heroism of the poet, as an idea, an ideal and an illusion, undergoes many different incarnations and definitions as both poets shape distinctive and changing conceptions of the hero throughout their careers.
The book is an authoritative and up-to-date collection of original essays on one of the greatest of all English poets, Percy Bysshe Shelley. It covers a wide range of topics, exploring Shelley's life and work from various angles.
We all need safe places to live and safe paths to travel. Animals, too. Meet the people who are stitching the planet's habitats back together. Let’s explore together how scientists, engineers, and lots of everyday people are working to make sure that the wildlife so essential to Earth’s health and beauty continues to freely move through the landscapes, waterways, and skylines of this richly inhabited planet. Combining first-person reporting with research and stunning two-color art from illustrator Jamie Green, Wildlife Crossings of Hope takes a personal, in-depth look at wildlife crossings, corridor projects, and dam removal efforts around the world, from an underpass for elephants in Ke...
This study of the poetry and drama of Percy Bysshe Shelley reads the letters and their biographical contexts to shed light on the poetry, tracing the ambiguous and shifting relationship between the poet’s art and life.
The essays in this volume show how authors from Ovid to 20th century science fiction writers have used the concept of metamorphosis to raise fundamental questions about the nature and agency of radical change.
"Shelley found a retreat on the Bay of Lerici where, joined by his friends Edward and Jane Williams, he sailed his new boat and confided darkening thoughts to Edward Trelawny. Shelley's love lyrics to Jane, his last inamorata, were written as he composed his final great work, The Triumph of Life, broken off by his untimely drowning, a controversial sailing tragedy that is considered here in detail. Shelley's fascinating posthumous life is narrated in the subsequent intermingled lives of the poet's most intimate associates."--BOOK JACKET.