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Children Shouldn't Use Knives
Canadian poet Shirley Camia presents a harrowing but exhilarating examination of life before adolescence. In a series of razor-sharp sketches, Camia's piercing observations are offered as a perfectly balanced counter-weight to the sing-song melody of innocence. Camia and Vancouver illustrator Cindy Mochizuki offer an individual reckoning that unpacks for the reader the universal truth that fear and danger respect no age and ignore all boundaries.
Mercy
Expanding breathlessly in the magnitude of loss, Shirley Camia's fourth collection, Mercy, confronts despair to emerge anew with a bright offering of elegy. Beginning at her mother's hospital bed, Camia invites readers to keep vigil while she journeys through seasons of bereavement, from the wake to the graveside, and into a year of processing, searching, and healing. Ethereal and elegant, Camia's reflections are grounded in grief as they do the aching, earth-shattering work of mourning and moving forward.
The Significance of Moths
Against the backdrop of the changing seasons, Shirley Camia's The Significance of Moths is a graceful exploration of home and memory through the eyes of the migrant and the migrant child. As lives are displaced by new landscapes, where does home exist? In the land or in the mind? For new Canadians and their children there is no easy answer. In the journey to form identity, The Significance of Moths confronts the ghosts of "what was" with the here and now.
Reuniting With Strangers
Inspired by the work of Souvankham Thammavongsa, Catherine Hernandez and Wayson Choy, this unforgettable novel follows the reunification of Filipino caregiver families over one Canadian winter—and the mysterious progress of Monolith, who appears and disappears in their lives. When five-year-old Monolith is taken from the Philippines to live with his mother in Canada, he immediately lashes out. Unable or unwilling to speak, he attacks her and destroys his new home. Everyone wants to know why—and everyone has a theory. But unlike the solid certainty his name suggests, the answer isn’t so simple. From a cliffside town in the Tagaytay highlands of the Philippines, to the Filipino communiti...
Twin Tongues
Mining bilong dispela stori: Exploring the power imbalance between English and Tok Pisin, Twin Tongues transforms the English Language into a character who encounters her own foreignness in Papua New Guinea. This text struggles with the ethics of appropriation, language use and second language teaching, questioning the subjective position of the author, the teacher, the speaker of English. The poetry scrapes away the veneer of objectivity assumed by historical descriptions of Tok Pisin. Twin Tongues tests the flexibility of language, and asks, "What does language sound like to unfamiliar ears? And what is English anyway?" "A deeply engrossing collection."--Broken Pencil
Duran Duran, Imelda Marcos, and Me
A graphic memoir about growing up in the Philippines in the 1980s with Depeche Mode, Duran Duran, Imelda Marcos and the EDSA Revolution.When she learns of her beloved father's fatal car accident, Mapa flies to Manila to attend his funeral. His sudden death sparks childhood memories. Weaving the past with the present, Mapa entertains with stories about religion, pop culture, adolescence, social class and politics, including her experiences of the 1986 People Power Revolution which made headlines around the world. It is a love letter to her parents, family, friends, country of birth, and in the end, perhaps even to herself.
TreeTalk
During the heatwave of July 2017, Ariel Gordon spent two days sitting on the patio of downtown Winnipegs Tallest Poppy, writing snippets of poems which she hung from the boulevard tree using paper and string. Passersby were invited to TreeTalk too their secrets / one-liners / meditations / haiku were also hung from the tree. By the end of the weekend, the elm had a second temporary canopy of leaves: 234 poems, 111 written by Gordon, 107 written by passersby, and 16 from other sources. Gordon has assembled all these voices into a long/found poem that asks: what does it mean to live in the urban forest? What does it mean to be in relationship with each other but also with the more-than-human? The book also includes pen and ink illustrations by Winnipeg artist Natalie Baird. Since 2017, Gordon has also hung poems in trees at the Sage Hill Poetry Experience in Muenster, SK, the Prairie Gate Literary Festival in Morris, MN, and at the Winnipeg Folk Festival as part of the Prairie Outdoor Exhibition. Stay tuned for more TreeTalk-ing!
Coming to Canada
A CBC Best Graphic Novel selection for 2021 With sensitivity and tenderness, Starkie Mak has captured a tale of the immigrant experience, from the eyes of a child. Masterfully rendered with careful homage paid to the children's books that have touched the hearts of so many, Mak's brush strokes and calligraphy evoke the turbulent emotions and difficulties a child must surely experience when having their little world upended, only to have a much larger and foreign world unfold before them. In a heartbreaking parting, a child says goodbye to her family and is left with her imagination as guide. In search of a new life in a new land, a child retreats into the realm of fantasy. Through the devastating pain of childhood loss emerges the joy of a child's triumph. Fiction. Graphic Novel.
Admission Requirements
A Globe and Mail Best Book A debut collection from a startling new voice in Canadian poetry. The poems in Admission Requirements attempt to discover what is required of us when we cut across our material and psychic geographies. Simultaneously full and empty of its origins, the self is continually taxed of any certainties and ways of being. The speaker in these poems is engaged in a kind of fieldwork, surveying gardens, communities, and the haphazard cityscape, where the reader is presented with the paradoxes of subsumed histories. With understated irony and unsettling imagery, the poems address the internal conflicts inherent in contemporary living.
The Unpublished City
Orient yourself in the city with these nineteen works of creative non-fiction that offer a different, more multifarious wayfinding. In this second volume of The Unpublished City, imagination is the means by which these writers find detours, shortcuts and convergences. Even as they are inventing and imagining the city, these emerging Toronto-based writers find themselves marked through tender and violent encounters. For them, the city is more than backdrop, but a witness, an accomplice and a lover.This anthology's maps of experience bring us beyond the city's limits to the cul-de-sacs and vertical dimensions of Mississauga, Vaughan, North York and Scarborough. They follow buried creeks and mi...
