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Reuniting With Strangers
Inspired by the work of Souvankham Thammavongsa, Catherine Hernandez and Wayson Choy, this unforgettable novel follows the reunification of Filipino caregiver families over one Canadian winter—and the mysterious progress of Monolith, who appears and disappears in their lives. When five-year-old Monolith is taken from the Philippines to live with his mother in Canada, he immediately lashes out. Unable or unwilling to speak, he attacks her and destroys his new home. Everyone wants to know why—and everyone has a theory. But unlike the solid certainty his name suggests, the answer isn’t so simple. From a cliffside town in the Tagaytay highlands of the Philippines, to the Filipino communiti...
Magdaragat
Since first arriving in Canada, the Filipino community has contributed invaluably — and too often invisibly — to the fabric of Canadian society. In this anthology of Filipino-Canadian writing, Magdaragat explores the diverse intricacies of this growing yet underrepresented people, continuing the vital work of recognizing and celebrating their cultural contributions. Writers in this anthology, hailing from across Turtle Island, each provide their singular yet universally resonating insights through stories of new homes and old homelands, of untangling internalized racism and championing solidarity, of the chasms within intergenerational households and the work of repairing them, and more. Poems, essays, short fiction, plays, and speeches — their works collected here showcase a wide breadth of Filipino-Canadian experience. Through stories of sacrifice, violence, and discrimination interspersed with stories of success, recovery, and solidarity, Magdaragat delves into Filipino-Canadian history, the joys and struggles of its present, and the hopes and aspirations for the future.
Duran Duran, Imelda Marcos, and Me
A graphic memoir about growing up in the Philippines in the 1980s with Depeche Mode, Duran Duran, Imelda Marcos and the EDSA Revolution.When she learns of her beloved father's fatal car accident, Mapa flies to Manila to attend his funeral. His sudden death sparks childhood memories. Weaving the past with the present, Mapa entertains with stories about religion, pop culture, adolescence, social class and politics, including her experiences of the 1986 People Power Revolution which made headlines around the world. It is a love letter to her parents, family, friends, country of birth, and in the end, perhaps even to herself.
域多利華埠
Victoria's Chinatown is Canada's oldest Chinese neighbourhood and has a lineage unbroken since 1858. With large-format colour photos and photocollages, Robert Amos and Kileasa Wong take you behind the doors of the 29 private clubs that make up the Chinese Consolidated Benevolent Association, where you'll see the gilded altars, antique art and ornate furniture that grace the meeting halls. Through stunning pictures and text in both Chinese and English, you will meet the club members and take an inside look at the culture of this complex community. Inside Chinatown is sure to become a landmark publication chronicling the vibrant heritage of Chinese Canadians. Inside Chinatown was voted Monday Magazine's Non-Fiction Book of the Year, and authors Robert Amos and Kileasa Wong were presented with a 2010 Outstanding Achievement Award from BC Heritage for their work on Inside Chinatown.
Changing the Face of Canadian Literature
"A collection of poetry, fiction and non-fiction that celebrates Canada's diverse literary voices. That's what this anthology is: It's a celebration. A moment to cry out, 'Look how many of us have a voice! There are stories, and poetry in this country that are about people like me! I am not alone!'"--
Precarious Employment
This edited collection introduces and explores the causes and consequences of precarious employment in Canada and across the world. After contextualizing employment precarity and its root causes, the authors illustrate how precarious employment is created amongst different populations and describe the accompanying social impacts on racialized immigrant women, those in the non-profit sector, temporary foreign workers and the children of Filipino immigrants.
The Significance of Moths
Against the backdrop of the changing seasons, Shirley Camia's The Significance of Moths is a graceful exploration of home and memory through the eyes of the migrant and the migrant child. As lives are displaced by new landscapes, where does home exist? In the land or in the mind? For new Canadians and their children there is no easy answer. In the journey to form identity, The Significance of Moths confronts the ghosts of "what was" with the here and now.
Death at the Savoy
An atmospheric, entertaining new mystery series introducing a plucky Canadian heroine and set in the world’s most famous hotel. It’s 1968. London is in full swing and the Savoy Hotel is at the height of its legendary glitz and glamour, welcoming the rich, famous and aristocratic into its rarified world of perfection. Elizabeth Taylor and Richard Burton are squabbling in the American Bar while Noël Coward drinks champagne. Royals wait upstairs in luxurious suites for discreet encounters. In short, all is as it should be at the Savoy. If only it weren’t for the dead body in Room 705. Could it be murder at the Savoy? Impossible! Who could have done such a thing? Suspicion falls upon Pris...
Made in Korea
"Two entrepreneurial Korean-American teens butt heads-and fall in love-while running competing Korean beauty businesses at their high school"--
Pantompains
Therese Estacion?survived a rare infection that nearly killed her, but not without losing both?her legs below the knees, several fingers, and reproductive organs.?Phantompains?is a visceral, imaginative?collection?exploring disability, grief and life by interweaving stark?memories with magic surrealism. Taking inspiration?from Filipino horror and folk tales, Estacion incorporates some Visayan language into her work, ?telling stories of mermen, gnomes and ogres that haunt childhood?stories of the?Philippines and, then, imaginings in her hospital room, where she spent months after her operations, recovering. There is a dreamlike?quality to these pieces, rivaled by depictions of pain, of amputation, of hysterectomy, of disability, ?and the realization of catastrophic change. Estacion says she?wrote these poems out of necessity: an essential task to deal with the trauma?of hospitalization and what followed. Now, they are demonstrations of?the power?of our imaginations to provide catharsis, preserve memory, rebel and even to find?self-love.
