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(Un)sighted Archives of Migration
(Un)sighted Archives of Migration acknowledges that migration is a fundamental part of social practice and collective memory. However, archives that have undergone migration or were established by individuals or communities with migration experience gain little public and institutional attention. This volume with its transversal perspective across the fields of art, anthropology and social activism, offers new perspectives on the enormous potential of migratory archives as resourceful spaces for encounter and remembrance, and as a contribution to the plural collective memories and identities of post-migratory societies. Emphasizing the archival agency by migrants, the chapters raise new ques...
Image Controversies
In many contemporary societies we encounter iconoclasm breaking out with renewed violence. Iconoclastic actions against objects of visual material culture and testimonials of history act as dynamite in the public sphere. They are expressions of political, religious, national, and identity conflicts. Even the freedom of art is threatened by censorship and cancel culture. Based on case studies from different world regions, contemporary iconoclasms in art, media, and cultural heritage are critically analyzed from both a global and an interdisciplinary perspective. Divided into three sections, the book discusses attacks on monuments and memorials, idol disputes in museums and the visual arts, and forms of mediated iconoclasm in contemporary art.
Hearing Islam
Hearing Islam introduces the global religious tradition of Islam through its rich history of sounds and music. The book explores how the centrality of sonic practices and experiences within Islamic traditions stems largely from the orality of the Qur’an and the importance of recitation, while arguing that sound can provide a productive point of entry to human cultures in general. Its tripartite structure guides the reader through the foundations of Islamic traditions and sounds; theoretical frameworks of orality, listening, and deafness; and some of the major types of sonic practices and genres related to Islam, such as chanting the Islamic poetic tradition, South Asian qawwali, and hip-hop. This cutting-edge textbook is the go-to volume for students of Islam and sound, Islamic studies, religion and sound, and the practice of Islam.
The Digital Double Bind
The Middle East's digital turn has renewed hopes of socio-economic development and political change across the region, but it is also marked by stark contradictions and historical tensions. In this book, Mohamed Zayani and Joe F. Khalil contend that the region is caught in a digital double bind in which the same conditions that drive the state, market, and public immersion in the digital also inhibit change and perpetuate stasis. The Digital Double Bind offers a path-breaking analysis of how the Middle East negotiates its relation to the digital and provides a roadmap for a critical engagement with technology and change in the Global South.
Video Conferencing
The COVID-19 pandemic has reorganized existing methods of exchange, turning comparatively marginal technologies into the new normal. Multipoint videoconferencing in particular has become a favored means for web-based forms of remote communication and collaboration without physical copresence. Taking the recent mainstreaming of videoconferencing as its point of departure, this anthology examines the complex mediality of this new form of social interaction. Connecting theoretical reflection with material case studies, the contributors question practices, politics and aesthetics of videoconferencing and the specific meanings it acquires in different historical, cultural and social contexts.
Varieties of Cooperation
This volume conceives cooperation in broad terms as any form of mutual making, in which goals, means, and procedures are seen as ongoing accomplishments. From the exchanges of goods or information, to the interactions between bodies or organizations, and the coordination between colleagues, competitors, friends or foes. Mutually making the conditions of mutual making entails translating heterogeneous interests, negotiating conflicting values and articulating distributed activities. On the one hand, the contributions cover different notions and concepts of cooperation in diverse fields of study: from the mundane cooperation of everyday life to collective endeavors within specific domains. On the other hand, the contributions share a focus on the practices of making cooperation possible through cooperatively creating the conditions for cooperation itself. Seeing cooperative media both as a condition and consequence of cooperation, the volume sheds light on a general feature of media, technologies and instruments that both enable and constrain the collaboration between heterogeneous social worlds, with and without consensus.
