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Muslim Women and Misogyny
Debunking lazy stereotypes, a courageous exploration of Islamophobia, patriarchy and identity. What is it really like to be a Muslim woman in today's Britain?
The Roles We Play
Two-thirds of today's British Pakistani diaspora trace their origins back to Mirpur in Azad Kashmir, a district that saw mass displacement and migration when it was submerged by the waters of a dam built after Partition. Sabba Khan's debut graphic memoir explores what identity, belonging and memory mean for her and her family against the backdrop of this history.
Ottoman Puritanism and Its Discontents
This study explores the emergence of new activist Sufism in the Muslim world from the seventeenth century onwards.
We Are All Birds of Uganda
'A remarkably accomplished, polished debut.' MALORIE BLACKMAN 'Rightfully tipped for greatness' SUNDAY TIMES 'This moving tale of love and loss ... is well worth the wait' INDEPENDENT '[W]hat's distinctive is the modern, multi-ethnic vision of masculinity she presents and the solidarity that emerges from it ... undeniably powerful too.' GUARDIAN '[A] sprawling and epic dual narrative ... woven together with gentle urgency; sensitive and with a rare perspective on how our mixed race backgrounds can help form feelings of both internal power and conflict.' I-D MAGAZINE 'You can't exactly stop birds from flying, can you? They go where they will...' 1960s UGANDA. Hasan is struggling to run his fa...
Marital and Sexual Ethics in Islamic Law
Roshan Iqbal traces the intellectual legacy of the exegesis of Qur’an 4:24, which is used as the proof text for the permissibility of mut’a (temporary marriage) and asks if the use of verse 4.24 for the permissibility of mut’a marriage is justified within the rules and regulations of Qur’anic hermeneutics. Iqbal examines seventeen Qur’an commentaries, the chronological span of which extends from the first extant commentary to the present day in three major Islamicate languages. Iqbal concludes that doctrinal self-identity, rather than strictly philological analyses, shaped the interpretation of this verse. As Western academia’s first comprehensive work concerning the intellectual...
Cut from the Same Cloth?
From modern pop culture to anti-Blackness, faith and family, politics, education, creativity and working life; this anthology gives visibly Muslim women a space to speak. SPOILER ALERT: We won’t be answering the usual questions! Perceived as the visual representation of Islam, hijab-wearing Muslim women are nevertheless rarely afforded a platform on their own terms. Harangued by awkward questions, radical commentators sensationalising our existence, non-Muslims and non-hijabis making assumptions, men speaking on our behalf, or stereotypical norms being perpetuated by the same old faces, hijabis are tired. Cut from the Same Cloth? seeks to tip the balance back in our favour. Here, twenty-on...
Gendering the Hadith Tradition
Gendering the Hadith Tradition presents for the first time a partial translation and study of Imam Badr al-Din al-Zarkashi's work, al-Ijaba li-Iradi ma Istadraktahu Aisha Ala al-Sahabah-The Corrective: Aisha's Rectification of the Companions. It critically analyses from the perspective of hadith criticism a number of sections presenting Aisha's refutations and corrections of key Companions including, Umar b. al-Khattab, Abdullah b. Abbas, Zayd b. Thabit, and Abu Hurayra, applying classical hadith methodology to the scrutiny of narrators by way of impugnment and validation (al-jarh wa al-tadil) in an effort to re-construct and re-present Aisha as a central authority in Islamic knowledge produ...
Veiled Threat
Nadeine Asbali would be the first to say that a scarf on a woman's head doesn't define her, but in her case, that's a lie. Nadeine's life changed overnight. As a mixed-race teenager, she had unknowingly been passing as white her entire life: until she decided to wear the hijab. Then, in an instant, she went from being an unassuming white(ish) child to something sinister and threatening, perverse and foreign. Veiled Threat is a sharp and illuminating examination of what it is to be a visibly Muslim woman in modern Britain, a nation intent on forced assimilation and integration and one that views covered bodies as primitive and dangerous. From being bombarded by racist stereotypes to being subjected to structural inequalities on every level, Nadeine asks why Muslim women are forced to contend with the twin oppressions of state-sanctioned Islamophobia and the unrelenting misogyny that fuels our world, all whilst being told by white feminists that they need saving. Combining a passionate argument with personal experience, Veiled Threat is an indictment of a divided Britain that dominates and systematically others Muslim women at every opportunity.
The Economist
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A Virtue of Disobedience
‘I hope that this short thought provoking meditation on rightful responses to injustice will trigger a societal discussion for the conscience and future of liberal democracies.’ Marc Sageman, former CIA officer ‘I find Qureshi’s personal tone profound and loud, and it does what all good works of politics and anti-racism should. It makes visible the most intimate ways white power impacts us, destroy us, and has us dream about our futures.’ Yassir Morsi, author of Radical Skin, Moderate Masks ‘Drawing on an extraordinary range of influences that includes Primo Levi, Tupac Shakur, fourteenth century Islamic jurists and the Qu’ran, Qureshi weaves a moving account of his personal po...
