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The Trends conference attracts the world's leading welding researchers. Topics covered in this volume include friction stir welding, sensing, control and automation, microstructure and properties, welding processes, procedures and consumables, weldability, modeling, phase transformations, residual stress and distortion, physical processes in welding, and properties and structural integrity of weldments.
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The first anthology of its kind, Indivisible brings together forty-nine American poets who trace their roots to Bangladesh, India, Nepal, Pakistan, and Sri Lanka. Featuring award-winning poets including Meena Alexander, Agha Shahid Ali, Chitra Banerjee Divakaruni, and Vijay Seshadri, here are poets who share a long history of grappling with a multiplicity of languages, cultures, and faiths. The poems gathered here take us from basketball courts to Bollywood, from the Grand Canyon to sugar plantations, and from Hindu-Muslim riots in India to anti-immigrant attacks on the streets of post–9/11 America. Showcasing a diversity of forms, from traditional ghazals and sestinas to free verse, experimental writing, and slam poetry, Indivisible presents 141 poems by authors who are rewriting the cultural and literary landscape of their time and their place. Includes biographies of each poet.
Poetry. Asian & Asian American Studies. Winner of an Editor's Choice Prize from The (Great) Indian Poetry Collective, THE TROUBLE WITH HUMPADORI introduces readers to what Srikanth Reddy calls "a Rabelaisian journey of epic (dis) porportions." Readers follows the progress of Hump (a.k.a. Humpadori, Hum, Om) a racialized, monstrous, performing entity that morphs across genders and commodity forms. Structured as a set of slapstick theatrical acts borrowing from American comedy routines and minstrel traditions, the book moves from lyric intimacy to predatory rage, examining the "textures" of feeling available to marginalized bodies in a globalized world. "Vidhu Aggarwal goes all 'boogie woogie'...
Edited by leaders at one of the acclaimed transplant institutions in the United States, this reference covers all aspects of living donor solid organ and cellular transplantation in current clinical practice, including the kidney, liver, pancreas, lung, small bowel, islet, and hematopoietic stem cell transplantation. Detailed, engaging, and organ-
For use in schools and libraries only. Spirituals, folk rhymes, and poems by such writers as Phyllis Wheatley, Langston Hughes, Gwendolyn Brooks, and Don L. Lee reveal the development of African American poetic expression.
Jeet Thayil's definitive selection covers 55 years of Indian poetry in English. It is the first anthology to represent not just the major poets of the past half-century - the canonical writers who have dominated Indian poetry and publishing since the 1950s - but also the different kinds of poetry written by an extraordinary range of younger poets who live in many countries as well as in India. It is a groundbreaking global anthology of 70 poets writing in a common language responding to shared traditions, different cultures and contrasting lives in the changing modern world.Thayil's starting-point is Nissim Ezekiel, the first important modern Indian poet after Tagore, who published his first...
Poetry. Asian & Asian American Studies. Art. The poems in this debut collection chart the passage of a metamorphosing self through euphoria, desire, despair, defiance, equanimity, grief, and loneliness. Appropriating freely from diverse poetic sources, the writer gives voice to a polyglot emotional range. Sanskrit poetics, Jazz lyrics, ekphrasis, the locutions of India's poet-saints, and the Anglo-American writing tradition all find place here. The book's chorus of figures--from Christ to Krishna to Caravaggio--move the reader between present and past, myth and history, bird and human, and across cities and continents.
Poetry. Asian & Asian American Studies. Winner of the Kundiman Prize for exceptional work by an Asian American poet. "In Rohan Chhetri's LOST, HURT, OR IN TRANSIT BEAUTIFUL, inherited literary forms--the ode, the lyric, and pristine tercets--are juxtaposed with gorgeously fractured and stylistically daring hybrid pieces. The end result is a work in which poetic technique is brought to bear on lingering questions of identity, artistic tradition, and the cruelty implicit in language itself. Here, form, grammar, and syntax function as a kind of containment, but also, a 'ruined field' that is rife with possibility. Chhetri dramatizes and resists the ways language, and its implicit logic, limit w...