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In April 1943, German authorities claimed that they had found the bodies of more than 4,000 Polish prisoners of war buried near Katyn, in the Western Soviet Union. The Polish exile government in London agreed with the Germans. In January, 1944, Soviet authorities issued a report claiming that the Germans had murdered the Polish POWs. In 1990-92 Soviet, then Russian authorities agreed that the Soviets were indeed the guilty party. But by 2010 serious evidence had been discovered that cast doubt on Soviet guilt. There has never been an objective, thorough study of this mystery - until now. All mainstream accounts blame the USSR - Stalin - for the deaths, while all the evidence points in the opposite direction. Grover Furr has identified, obtained, and studied all the evidence, and has also studied all the supposedly "authoritative" scholarly accounts of Katyn, with skill and - what is most important - with objectivity. In this book he lays out the evidence and solves this mystery for once and for all.
As a writer, critic, and philosopher, Stanislaw Brzozowski (1878-1911) left a lasting imprint on Polish culture. The essays in this volume reassess and contextualize Brzozowski's writings from a distinctly transnational vantage point.
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Cakavian dialects, the westernmost dialects of the South Slavic language area, have long attracted the attention of investigators, largely owing to the complexity of their prosodic systems. These prosodic systems are interesting not only from a typological point of view, but also contain material of great importance for the study of Slavic historical accentology. The description of a Cakavian dialect in Istria (Croatia) presented in this volume contributes data for South Slavic historical dialectology, and for historical accentology. The book includes an introduction on Cakavian and other South Slavic dialects, particularly those spoken in Istria, and chapters, based on fieldwork by the author, on the phonology, morphology and some syntactic phenomena of the dialect of Orbanici. In the chapters on morphology, special attention is paid to accentuation types. The book also contains dialect texts (70 pp.) and a lexicon, in which all attested forms are listed.
"Nothing of the former world holds true anymore," Zofia Nalkowska wrote in her Wartime Diaries on 7 May 1943. "Nothing has remained." The burning of the Warsaw ghetto had broken Nalkowska's privileged life in two; in the years to come, the need to bear witness to the horrors she had seen firsthand would lead this gifted member of the Polish avant-garde to write the stories in Medallions.
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A beautifully illustrated meditation on the fullness of life for readers of all ages by by Nobel Prize-winning novelist Olga Tokarczuk. "Olga Tokarczuk’s The Lost Soul, an experimental fable illustrated by Joanna Concejo and translated by Antonia Lloyd-Jones, resonates with our current moment. . . . What a striking, and lovely, material object it is." —New York Times "The Lost Soul, by Olga Tokarczuk and illustrator Joanna Concejo, is a quiet meditation on happiness, following a busy man who loses his soul. . . It pours a childlike sense of wonder into a once-upon-a-time tale that is already resonating with adults around the world." —The Guardian The Lost Soul is a deeply moving reflec...
How can we portray the history of Renaissance knowledge production through the eyes of the students? Their university notebooks contained a variety of works, fragments of them, sentences, or simple words. To date, studies on these materials have only concentrated on a few individual works within the collections, neglecting the strategy by which texts and textual fragments were selected and the logic through which the notebooks were organized. The eight chapters that make up this volume explore students' note-taking practices behind the creation of their notebooks from three different angles. The first considers annotation activities in relation to their study area to answer the question of how university disciplines were able to influence both the content and structure of their notebooks. The volume's second area of research focuses on the student's curiosity and choices by considering them expressions of a self-learning practice not necessarily linked to a discipline of study or instructions from teaching. The last part of the volume moves away from the student's desk to consider instructions on note-taking methods that students could receive from manuals of various kinds.
The work of Andrzej Wajda, one of the world’s most important filmmakers, shows remarkable cohesion in spite of the wide ranging scope of his films, as this study of his complete output of feature films shows. Not only do his films address crucial historical, social and political issues; the complexity of his work is reinforced by the incorporation of the elements of major film and art movements. It is the reworking of these different elements by Wajda, as the author shows, which give his films their unique visual and aural qualities.