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All about the Boy
Discover the true story behind the iconic London fashion label 'BOY' told by the man himself - Stephane Raynor. Packed with punk attitude and original photography, buy a ticket and take the ride. Join Raynor on a journey through a life less ordinary - lived in a tireless pursuit for THE NEW. Artist, innovator, designer, anarchist, hedonist, maverick, Raynor lives like he means it. The guy behind the guy behind the guy - he was there from the beginning...fomenting and agitating in the background of punk, new romantic, acid house, you name it. 70s Acme Attractions, BOY, Punk, PX synth electro pop, Blitz Kids, the birth of Covent Garden 80s. New Romantics, BOY revisited, BOY london, Acid House, Ibiza. 90s. Street Sportswear, Watches, Celebs, St Tropez, Spice Girls, E17, Take That, Elton John OOs. The beach, Time Out, Chapter 11, Hipsters and East London 10's. The resurrection, Entourage, Genrification, Brick Lane, Berlin.
Throbbing Gristle
In 1976 the British band Throbbing Gristle emerged from the radical arts collective COUM Transmissions through core members Genesis P-Orridge and Cosey Fanni Tutti, joined by Hipgnosis photographer Peter Christopherson and electronics specialist Chris Carter. Though having performed previously in more low-key arts environments, their major launch coincided with the COUM retrospective exhibition Prostitution at London’s ICA gallery, showcasing and contextualising an array of challenging objects from COUM’s various actions in performance art and pornography. In a deliberately curated strategy inviting press, civic and arts dignitaries, extravagant followers of the nascent punk scene and mu...
Thinking Popular Culture
This book is about war and popular culture, and war in popular culture. Tara Brabazon summons, probes, questions and reclaims popular culture, challenging the assumptions of war, whiteness, Christianity, modernity and progress that have dominated our lives since September 11. Addressing modes of thinking, design, music and visual media, Thinking Popular Culture offers a journey through courageous, interventionist and thoughtful ideas, performers and cultures. It welcomes those who ask difficult questions of those in power. Addressing the lack of imagination and dissent that characterizes this new century, it is essential reading for any scholar of cultural studies and popular culture, media and journalism, creative writing and terrorism studies.
The Rise of the Stylist
The Rise of the Stylist examines the social factors that contributed to the stylist becoming a key role in fashion image-making. The 1980s' stylist is presented as a cultural intermediary and auteur, as commercial compass and avant-garde innovator. Focusing on London from 1980 to 1990, Philip Clarke draws on oral history interviews with the young creatives who were involved in the specific subcultural scenes, educational environments and new modes of publishing that informed a unique moment in British cultural life. By documenting the history of the stylist in fashion and dress, as well as their contribution to fields such as food photography and car manufacture, this study looks beyond the style press and bridges the gap between production and promotion. The Rise of the Stylist defines the specific nature of the stylist's role in relation to that of other creative occupations and locates discussion of styling within the context of postmodern society, where political shifts, technological developments and changing attitudes in all fields of cultural production are reflected in the manufacture and dissemination of fashion.
The Life & Times of Malcolm McLaren
'I couldn't put this book down. Malcolm inspired us to make art out of our boredom and anger. He set us free' Bobby Gillespie, Primal Scream Included in the Guardian 10 best music biographies 'Excellent . . . With this book, Gorman convincingly moves away from the ossified image of McLaren as a great rock'n'roll swindler, a morally bankrupt punk Mephistopheles, and closer towards his art-school roots, his love of ideas. Tiresome, unpleasant, even cruel - he was, this book underlines, never boring' Sunday Times 'Exhaustive . . . compelling' Observer 'Definitive . . . epic' The Times 'Gobsmacker of a biography' Telegraph 'This masterful and painstaking biography opens its doorway to an era of ...
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"Catalogue for this cult clothing company. Founded by Stephane Raynor in 1977, the story of BOY is a true one off, in that that the wildest rumours and legends that surround it couldn't hope to compete with the reality. Beloved by the underground, but frequently courted by an overground hungry for a piece of BOY's trademark attitude. From Warhol, to Madonna, Punks through to New Romantics, club kids to fashionistas, all have worn BOY. Adopted as the uniform of choice for every youth movement that has mattered. The first store opened on The Kings Road, London in the late 70's with Billy Idol working the till and Philip Salon making the tea. BOY was the epicentre of a new dawn in both fashion and music, defining the spirit of punk and birthing the New Romantic scene that appeared in its wake. The prominence of the label continued throughout the 80s and into the 90s, where trademark BOY tees were adopted as the uniform of choice for the acid house movement and the Ibiza explosion, and were an unmissable presence during the summer of love. This a fine copy in glossy wrappers, with musician Boy George modellng on the front cover."--Description from vendor, Cult Jones.
Spectacle, Fashion and the Dancing Experience in Britain, 1960-1990
This book explores dancing from the 1960s to the 1980s; though this period covers only twenty years, the changes during it were seismic. Nevertheless continuities can be found, and those are what this book examines. In dancing, it answers how we moved from the self-control that formed the basis for ballroom dancing, to ecstatic rave dancing. In terms of music, it answers how we moved from the beat groups to electronic dance music. In terms of youth, it answers how we moved from youth culture to club culture.
Zerox Machine
A visual history of the artists, fans, and fanzines of widely influential British punk. Zerox Machine is an immersive journey through the vibrant history of British punk and its associated fanzines from 1976 to 1988. Drawing on an extensive range of previously unpublished materials sourced from private collections across the United Kingdom, Matthew Worley describes and analyzes this transformative era, providing an intimate glimpse into the hopes and anxieties that shaped a generation. Far more than a showcase of covers, Zerox Machine examines the fanzines themselves, offering a rich tapestry of firsthand accounts, personal stories, and subcultural reflections. With meticulous research and insightful analysis, this book captures the spirit and essence of British youth culture, shedding new light on a pivotal movement in music history and offering a unique alternative history of Britain in the 1970s and ’80s.
Linus. Aprile 2023
Copertina – Grazia La Padula 02 – Punk is not dead: Lo spirito ribelle – Igort 05 – Illustrazione – Igort 06 – Peanuts – Charles M. Schulz 12 – Narrazioni fantastiche – Loredana Lipperini 14 – Calvin & Hobbes – Bill Watterson 22 – Perle ai porci – Stephan Pastis 28 – Letteratura – Vanni Santoni 30 – Inkspinster – Deco Punk is not dead: Lo spirito ribelle 35 – Copertina – Tiziano Angri e Elena Grigoli 36 – Frontiera party – Mariuccia Casadio 42 – I sex pistolini – Massimo Giacon 44 – DIY. Do It Yourself – Lorenzo Miglioli 48 – 430 King’s Road – Sergio Algozzino 50 – Un colpo di rimbalzo – Emanuele Sacchi 54 – Punk – à – porter...
