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Since 1979, the literary journal Blueline has served as a venue for literature that reflects the distinctive spirit of the Adirondack region. These poems and prose pieces, drawn from twenty-five years of Blueline's pages, represent the abundance and variety of creative responses to the singular geography and history of the Adirondacks. Read together, however, they do something more: they reveal a distinct way of looking at the world, attuned both to nature in all its various detail and to profound questions about nature and humanity. Under the editors' discriminating eyes, the contributions coalesce into a natural and elegant extension of the region's landscape and people. From Joseph Bruchac's "Writing by Moonlight" and Neal Burdick's "Waiting for a Train at the Plattsburgh Amtrak Station" to Alice Wolf Gilborn's "On Adirondack Porches," The Blueline Anthology offers rare glimpses into the soul of a region, brief and shifting views that, like those glimpsed by a hiker looking out from the trees at the blue mountains, capture the eye and the mind.
Author and naturalist Christopher Angus profiles for the first time the adventurous life of Clarence Petty, one of the great pioneer conservationists of the Adirondack Mountain region of New York State. Raised in the heart of the Adirondack wilderness between Tupper and Saranac Lakes, Petty overcame his humble beginnings and pursued a variety of careers as wilderness guide, forester, Civilian Conservation Corps camp director, World War II pilot, district ranger, and aerial forest-fire fighter—ultimately leaving his indelible mark as a lifelong advocate for the protection of the wilderness. The story of Petty's life reads like a Horatio Alger novel. His father moved to the mountains in the ...
A common definition of ekphrasis is descriptive writing influenced by the visual arts. Beyond the written word, however, responding to art can engender self-reflection, creativity, and help writers to build characters, plot, and setting. This book unites the history and tradition of ekphrasis, its conventions, the writing process, and multi-genre writing prompts. In addition to subjects such as early art engagement, psychology, and the eye-brain-perception relationship, this book discusses artists' creative processes, tools, and techniques, and offers instruction on how to read art by way of deep-looking.
The first book length study of this genre, Collective Identity and Cultural Resistance in Contemporary Chicana/o Autobiography facilitates new understandings of how people and cultures are displaced and reinvent themselves. Through the examination of visual arts and literature, Juan Velasco analyzes the space for self-expression that gave way to a new paradigm in contemporary Chicana/o autobiography. By bringing together self-representation with complex theoretical work around culture, ethnicity, race, gender, sex, and nationality, this work is at the crossroads of intersectional analysis and engages with scholarship on the creation of cross-border communities, the liberatory dimensions of cultural survival, and the reclaiming of new art fashioned against the mechanisms of violence that Mexican-Americans have endured.
This book explores and celebrates works by Norma Elia Cantú, focusing on her critically-acclaimed book, Canícula: Snapshots of a Girlhood en La Frontera, a fictionalized memoir of Laredo in the 1940s, 1950s, and early 1960s--Provided by publisher.
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Reveals the development of Maurice Kennys growing artistic consciousness, while attesting to both the beauty and brutality of the world in which he lived. Maurice Kennys career as a writer, teacher, publisher, and storyteller spanned more than six decades, during which he published over thirty books and became one of the most prominent voices in American poetry. From the early 1970s onward, he was instrumental in the resurgence of Native American literature through both his celebrated volumes of poetry, such as I Am the Sun and the award-winning The Mama Poems, and his work as an editor and publisher. Angry Rain, his bittersweet memoir, reveals this rich literary life by recounting its t...
The most trusted guide to publishing poetry! Want to get your poetry published? There's no better tool for making it happen than Poet's Market 2019, which includes hundreds of publishing opportunities specifically for poets, including listings for book and chapbook publishers, print and online poetry publications, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and--when offered--payment information. In addition to the completely updated listings, the 32nd edition of Poet's Market offers all-new articles devoted to the craft and business of poetry, including poets and collaboration, dealing with problem editors, increasing your odds of publication, and more. You will also gain access to: • Lists of conferences, workshops, organizations, and grants • Guidelines to more than 60 poetic forms you can use to diversify your poetic arsenal
THE MOST TRUSTED GUIDE TO GETTING POETRY PUBLISHED Want to get your poetry published? There's no better tool for making it happen than Poet's Market 2016, which includes hundreds of publishing opportunities specifically for poets, including listings for book and chapbook publishers, poetry publications, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and--when offered--payment information. In addition to the listings, Poet's Market offers all-new articles devoted to the craft and business of poetry, including advice for performing poems live, how to take poetry to new audiences, a schematic for sculpting lang...