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In the context of Northrop Frye's theories of myth, and in light of the attempts of social critics and early anthologists to define Canada and Canadian literature, McKenzie discusses the ways in which our decidedly fractured sense of literary nationalism has set indigenous culture apart from the mainstream.
Poetry from the United Kingdom.
Stephanie D. McKenzie (but you can call her "Coach Steph") has completed her relationship, life and bereavement coaching certifications with ICF (International Coaching Federation) Certified, World Coach Institute, and is both a Certified Relationship Coach (CRC), and a Certified Professional Coach (CPC), in addition to having an MBA. In addition to her extensive experience in business and marketing, Stephanie is passionate about relationships, and the impact they have on our lives. Melding her two loves-business and relationships -she is proud to present her new seminars for singles and couples based on this book as well as other endeavors related to all things life and love. Coach Steph is the Coaching Director of The Relationship Firm, a Houston-based coaching practice. www.TheRelationshipFirm.com
In Stephanie McKenzie's second collection, grace wanders through snowdrifts and late nights and finds its way to Northern Ireland, Newfoundland, and the United States. In these poems, grace feels a particular affinity with Van Gogh, with Sylvia Plath, with women who can no longer speak for themselves. We learn that grace must wander even with the lonely sight of crows.
This collection brings together two great artists - Emily Carr (1871-1945) and Vincent van Gogh (1853-1890). Carr's appreciation for the First Nations of her day and Van Gogh's compassion for the impoverished seem to find a home together. So, too, do their spiritual yearnings and frustrations with societies that did not understand them. Stephanie McKenzie was born and raised in British Columbia but now lives in Corner Brook, Newfoundland. She teaches in the English Program at Grenfell Campus, Memorial University.
A fearless collection by a trailblazing writer whose poems “represent the people, culture, and topography of the Caribbean in multidimensional, complex ways” (Tanya Shirley) A Fierce Green Place: New and Selected Poems brings together, across the span of thirty-plus years, the rebellious, innovative work of the Jamaican-born Canadian writer Pamela Mordecai. From her acclaimed first collection Journey Poem published in 1989, to the moving elegy for her murdered brother in the true blue of islands, to the stories of freed slaves told in subversive sonnets, and on to her dazzling reimaginings of biblical stories, A Fierce Green Place highlights the astounding range and depths of a poet who mixes Jamaican Creole with standard English, profanity and reverence with dub and blues, the oral and vernacular with metrical virtuosity. Mordecai’s words, written out of a “womb-space” of sound and power, shine through neo-colonial violence and patriarchy with such lines as: “Women together / in one place will / bleed in solidarity / till every last body / turn super bitch at once."
In the late 1960s and early 1970s, Canada witnessed an explosion in the production of literary works by Aboriginal writers, a development that some critics have called the Native Renaissance. In Before the Country, Stephanie McKenzie explores the extent to which this growing body of literature influenced non-Native Canadian writers and has been fundamental in shaping our search for a national mythology. In the context of Northrop Frye's theories of myth, and in light of the attempts of social critics and early anthologists to define Canada and Canadian literature, McKenzie discusses the ways in which our decidedly fractured sense of literary nationalism has set indigenous culture apart from the mainstream. She examines anew the aesthetics of Native Literature and, in a style that is creative as much as it is scholarly, McKenzie incorporates the principles of storytelling into the unfolding of her argument. This strategy not only enlivens her narrative, but also underscores the need for new theoretical strategies in the criticism of Aboriginal literatures. Before the Country invites us to engage in one such endeavour.
"Coach Steph, you took me back to grad school with the SWOT Analysis..."I hate to break it to you, but dating is just like having a successful business. Unfortunately, if most of you ran a business like you run your dating life, it would be an "epic fail." So, this is your chance to get some information that can really help you along your journey to, "the one." Stop sexing (yes, I said it) and start selecting people who are worthy of your time, emotions, and energy. The last loser you dated was a loser on day one--you just saw all of their potential. But, they never did, did they? Tsk-Tsk.This book takes traditional business principles and applies them to your modern dating life. This book will CHANGE YOUR LIFE!...Of course, you could read something else, and keep dating those losers.You have options. Choose wisely...GET THIS BOOK!
This compilation from one of Canada's most acclaimed writers spans four decades and six volumes. Often bittersweet and occasionally enigmatic, these poems represent Pittman's infinite talent. Targeted at a wide circle of readers, this book gives poetry back to the people, where it truly belongs.
By examining the root causes of aboriginal problems, Frances Widdowson and Albert Howard expose the industry that has grown up around land claim settlements, showing that aboriginal policy development over the past thirty years has been manipulated by non-aboriginal lawyers and consultants. They analyse all the major aboriginal policies, examine issues that have received little critical attention - child care, health care, education, traditional knowledge - and propose the comprehensive government provision of health, education, and housing rather than deficient delivery through Native self-government.