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The Advocate
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
Warriors of the Word
An enlightening illustrated overview of Gaelic culture and history in Scotland. Words have always held great power in the Gaelic traditions of the Scottish Highlands: Bardic poems bought immortality for their subjects; satires threatened to ruin reputations and cause physical injury; clan sagas recounted family origins and struggles for power; incantations invoked blessings and curses. Even in the present, Gaels strive to counteract centuries of misrepresentation of the Highlands as a backwater of barbarism without a valid story of its own to tell. Warriors of the Word offers a broad overview of Scottish Highland culture and history, bringing together rare and previously untranslated primary...
Murder in the Garden District
The Sheehans are referred to as "Louisiana's Kennedys," a powerful political dynasty with connections in Baton Rouge and Washington. When Warren Sheehan is shot to death in his Garden District mansion, Chanse races to sort out the truth from the many lies surrounding the great family as another hurricane puts New Orleans squarely in its cross hairs.
Medieval Art and Architecture in the Diocese of Glasgow
This volume includes many of the papers given at the 1997 conference of the British Archaeological Association. It focuses on aspects of patronage, the wider architectural context of the cathedral, and on the Romaneque sculpture and manuscripts with the diocese.
Flipping Out
A vicious killer is targeting the wives of LAPD cops, and it’s up to homicide detectives Mike Lomax and Terry Biggs to crack the case. Gritty, original, and laugh-out-loud funny, 04/ is another fast-paced novel in best-selling author Marshall Karp's popular Lomax and Biggs Mysteries series.
Memory and Remembering in Early Irish Literature
Ireland possesses an early and exceptionally rich medieval vernacular tradition in which memory plays a key role. What attitudes to remembering and forgetting are expressed in secular early Irish texts? How do the texts conceptualise the past and what does this conceptualisation tell us about the present and future? Who mediates and validates different versions of the past and how is future remembrance guaranteed? This study approaches such questions through close readings of individual texts. It centres on three major aspects of medieval Irish memory culture: places and landscapes, the provision of information about the past by miraculously old eye-witnesses, and the personal, social and cu...
Archaeology and Ancient History
This collection of pieces from an international range of contributors explores in detail the separation of the human past into history and archaeology.
Sacred Heritage
Forges innovative connections between monastic archaeology and heritage studies, revealing new perspectives on sacred heritage, identity, medieval healing, magic and memory. This title is available as Open Access.
Magic in Britain
Magic, both benevolent (white) and malign (black), has been practiced in the British Isles since at least the Iron Age (800 BCE-CE 43). "Curse tablets"--metal plates inscribed with curses intended to harm specific people--date from the Roman Empire. The Anglo-Saxons who settled in England in the fifth and sixth centuries used ritual curses in documents, and wrote spells and charms. When they became Christians in the seventh century, the new "magicians" were saints, who performed miracles. When William of Normandy became king in 1066, there was a resurgence of belief in magic. The Church was able to quell the fear of magicians, but the Reformation saw its revival, with numerous witchcraft trials in the late 16th and 17th centuries.
Irish and Scottish Art, c. 900-1900
As evidenced by the famed Book of Kells and monumental high crosses, Scotland and Ireland have long shared a distinctive artistic tradition. The story of how this tradition developed and flourished for another millennium through survival, adaptation and revival is less well known. Some works were preserved and repaired as relics, objects of devotion believed to hold magical powers. Respect for the past saw the creation of new artefacts through the assemblage of older parts, or the creation of fakes and facsimiles. Meanings and values attached to these objects, and to places with strong early Christian associations, changed over time but their 'Celtic' and/or 'Gaelic' character has remained to the forefront of Scottish and Irish national expression. Exploring themes of authenticity, imitation, heritage, conservation and nationalism, these interdisciplinary essays draw attention to a variety of understudied artworks and illustrate the enduring link that exists between Scottish and Irish cultures.
