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What do exotic area rugs, handcrafted steel-string guitars, and fiddling have in common today? Many contemporary tradition bearers embrace complexity in form and content. They construct objects and performances that draw on the past and evoke nostalgia effectively but also reward close attention. In Rugs, Guitars, and Fiddling: Intensification and the Rich Modern Lives of Traditional Arts, author Chris Goertzen argues that this entails three types of change that can be grouped under an umbrella term: intensification. First, traditional creativity can be intensified through virtuosity, through doing hard things extra fluently. Second, performances can be intensified through addition, by packi...
Since the late 1960's there have been many important Italian writers whose work remains unknown outside Italy. This ground-breaking book offers general critical introductions to fifteen contemporary novelists whose work is of an international calibre.
Sicilian Elements in Andrea Camilleri’s Narrative Language examines Camilleri’s unique linguistic repertoire and techniques over his career as a novelist. It focuses on the intensification of Sicilian linguistic features in Camilleri’s narrative works, in particular features pertaining to the domains of sounds and grammar, since these have been marginalized in linguistic-centered research on the evolution of Camilleri’s narrative language and remain overall understudied. Through a systematic comparative analysis of the distribution patterns of selected Sicilian features in a selection of Camilleri’s historical novels and novels of the Montalbano series, the author identifies the in...
It started as a false accusation by an embittered former employee and ended a half-decade later in a San Antonio courtroom with two words - not guilty. Beating the 10-count felony criminal prosecution - over just one FDA-cleared medical device that made up only 0.1% of the company's sales and never harmed a single patient-- took a 121-lawyer team and a $25 million legal bill. Even a single guilty verdict would have put the 500-employee company's continued existence in doubt and sent its CEO Howard Root to prison for years. In Cardiac Arrest, Howard tells the true story of out-of-control prosecutors leveraging vague federal regulations to manufacture criminal charges that put his company and his freedom in peril.
Italy has transformed itself in the last fifty years, changing from a rural society into one of the seven wealthiest nations in the world. This is despite the fact that Italy has had to cope with many apparent contradictions, such as the twin influences of the Roman Catholic Church and the most powerful Communist Party in the West.
Cimabue and the Franciscans sheds new light on the legendary artist Cimabue, revealing his sophisticated engagement with complicated intellectual and theological ideas about materials, memory, beauty, and experience. This book offers a fresh look at the broader question of artistic change in the late thirteenth century by examining the intersection of two histories: that of the artist Cimabue (ca. 1240-1302), and that of the Franciscan Order. While focused on the work of a single artist, this study sheds new light on the religious motives and artistic means that fueled the period's visual and spiritual transformations. Flora's study reveals that Cimabue was not just a crucial figure in processes of stylistic change. He and his Franciscan patrons engaged with complicated intellectual and theological ideas about materials, memory, beauty, and experience, creating innovative works of art that celebrated the Order and enabled new modes of Christian devotion. Cimabue's contributions to the history of art thus can finally be recognized for their wide-ranging scope and impact within the rapidly-evolving religious culture of the late thirteenth century.
These papers, deriving from the 7th International Conference on Historical Linguistics (ICHL) in Pavia in 1984, provide an overview of the current status of research in this field. They clearly show that new issues are emerging in the theory of linguistic change which tend to incorporate non-autonomous principles like naturalness in phonetic processes, the influence of socio-cultural settings and discourse pragmatics.