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Potkin and Stubbs
Lil Potkin, wannabe reporter, doesn't scare easily. She spends her time stalking the streets looking for a story, sticking her nose in where it doesn't belong, desperate for a news scoop . . . And as Lil is about to discover, a scoop can be found anywhere at all - even sitting opposite her in the all-night bus station.
How Football Saved My Life
The day had gone badly: Celtic had just lost to their Old Firm rivals Rangers in the 1999 Scottish Cup final, and now Alan Stubbs had to provide a sample for a random drugs test. Little did he know, but it would help save his life... The results of the test showed he had testicular cancer, and suddenly, at the age of 27 and at the peak of fitness, he realised that he had the biggest battle of his life in front of him. In this compelling and moving memoir, Stubbs recalls his despair at the time and explains how, with the support of family, friends and fans as well as terrific doctors, he pulled through to resume his career at the top. And what a career it was. First he helped Bolton Wanderers...
George Stubbs And The Wide Creation
Far more than a fine horse portraitist, George Stubbs was a painter and a printmaker of the highest importance, on a par with his great contemporaries, Hogarth, Reynolds and Gainsborough. An artist-scientist who emulated Leonardo da Vinci, Stubbs tirelessly explored the natural world, and new ways of representing it. Born the son of a Liverpool tradesman, Stubbs was self-taught and at first struggled in obscurity as a northern provincial painter. Robin Blake's book uncovers Stubbs's origins and some of the secrets of his youth: sympathy with the Jacobite rebels and Catholicism; and a previously undocumented wife and family in York. A 'niece', Mary, became his mistress and lifelong companion,...
The Embroidery Book
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George Stubbs, Painter
George Stubbs is one of the greatest of British eighteenth-century painters, with a deep and unaffected sympathy for country life and the English countryside. This fully illustrated book outlines his career, followed by a catalogue raisonne (the first since Sir Walter Gilbey's short listing of 1898) of all his known works. One of the stickiest labels in the history of British art attached itself to Stubbs as 'Mr Stubbs the horse painter'. Over half of his paintings were of horses, each founded on the pioneering observations assembled (in 1766) in his book The Anatomy of the Horse; but Stubbs's wide-ranging subjects included portraits, conversation pieces and paintings of exotic animals from the Zebra to the Rhinoceros, as well as an extraordinarily sympathetic series of portraits of dogs.
Lily and Bear
"Originally published in 2015 in Great Britain by Boxer Books Limited."
George Stubbs
George Stubbs: 'all done from Nature' presents the first significant overview of Stubbs's work in Britain for more than 10 years and brings together 100 paintings, drawings and publications, from the National Gallery's Whistlejacket to pieces that have never been seen in public. George Stubbs: 'all done from Nature' accompanies an exhibition organised by MK Gallery in Milton Keynes, which will be shown at MK Gallery and the Mauritshuis in The Hague. The publication includes new writing on Stubbs with major essays by Jenny Uglow, Martin Myrone, Martin Postle and Nicholas Clee as well as new and existing poetry by Roger Robinson. Born in Liverpool in 1724, Stubbs was a quintessential product o...
Exercise-Based Interventions for Mental Illness
Exercise-Based Interventions for People with Mental Illness: A Clinical Guide to Physical Activity as Part of Treatment provides clinicians with detailed, practical strategies for developing, implementing and evaluating physical activity-based interventions for people with mental illness. The book covers exercise strategies specifically tailored for common mental illnesses, such as depression, schizophrenia, bipolar disorder, and more. Each chapter presents an overview of the basic psychopathology of each illness, a justification and rationale for using a physical activity intervention, an overview of the evidence base, and clear and concise instructions on practical implementation. In addit...
Fear of Music
Modern art is a mass phenomenon. Conceptual artists like Damien Hirst enjoy celebrity status. Works by 20th century abstract artists like Mark Rothko are selling for record breaking sums, while the millions commanded by works by Andy Warhol and Francis Bacon make headline news. However, while the general public has no trouble embracing avant garde and experimental art, there is, by contrast, mass resistance to avant garde and experimental music, although both were born at the same time under similar circumstances - and despite the fact that from Schoenberg and Kandinsky onwards, musicians and artists have made repeated efforts to establish a "synaesthesia" between their two media. Fear of Music examines the parallel histories of modern art and modern music and examines why one is embraced and understood and the other ignored, derided or regarded with bewilderment, as noisy, random nonsense perpetrated by, and listened to by the inexplicably crazed. It draws on interviews and often highly amusing anecdotal evidence in order to find answers to the question: Why do people get Rothko and not Stockhausen?
George Stubbs the Complete Engraved Work
4to. Cloth in d-j. This catalogue raisonné is the only single volume to contain all Stubbs's known engravings and provides a complete record of prints made by others after his works. Introductory essays consider Stubbs's relationships with other artists, particularly his engravers, and examine how the prints were originally marketed. Part 1 covers the more important prints issued during Stubbs's lifetime, some of which are published here for the first time. Each of the 218 entries is fully illustrated and accompanied by comparative material. Part 2 comprises 440 supplementary entries and indicates the nature and extent of Stubbs's posthumous reputation. This book also is the first substantial review of the work of a major 18th century British painter by reference to the important, but neglected, medium of reproductive prints.
