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Experimental Cinema
Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists.
My Only Great Passion
In an industry that celebrates extravagance and showmanship, Danish film director Carl Th. Dreyer was a rarity, a man who guarded his privacy fiercely and believed that film provided a way to understand human nature by focusing on the individual person. Best known for his 1928 film The Passion of Joan of Arc, dominated by its emotionally harrowing close-ups of Joan during her trial, it was Dreyer who pioneered some of the seminal techniques of modern film, techniques that would later be made famous by better known contemporaries such as Sergei Eisenstein and D.W. Griffith. Now, in My Only Great Passion, the first full-length English language biography of Dreyer, Jean and Dale D. Drum restore...
Framing Faust
In this interdisciplinary cultural history that encompasses film, literature, music, and drama, Inez Hedges follows the thread of the Faustian rebel in the major intellectual currents of the last hundred years. She presents Faust and his counterpart Mephistopheles as antagonistic—yet complementary—figures whose productive conflict was integral to such phenomena as the birth of narrative cinema, the rise of modernist avant-gardes before World War II, and feminist critiques of Western cultural traditions. Framing Faust: Twentieth-Century Cultural Struggles pursues a dialectical approach to cultural history. Using the probing lens of cultural studies, Hedges shows how claims to the Faustian...
Rungs on a Ladder
Rungs on a Ladder looks at part of the movie industry from a unique perspective. Christopher Neame, son of director Ronald, started his career (in the early 1960s) at the very bottom, but determinedly made his way to the top. Neame fondly recalls his learning years at Bray Studios and beyond. Simply and often amusingly, he recounts his days with Hammer Films and observes many of the characters both in front of and behind the camera—names synonymous with those classic tales of Gothic horror: director Terrence Fisher, producers Anthony Hinds, Michael Carreras and Anthony Nelson Keys, screenwriter/producer Jimmy Sangster, and of course, Peter Cushing and Christopher Lee. Along the way, he enc...
3-D Filmmakers
La 4e de couv. porte : "In '3-D filmmakers : conversations with creators of stereoscopic motion pictures', stereographer and film historian Ray Zone presents the insights of twenty-one professionals who have worked in this specialized field. In this collection of interviews, Zone explores the art and craft of 3-D filmmaking with producers, screenwriters, directors, and cinematographers. Interviewees range from Arch Oboler - producer of Bwana Devil, the 1952 feature that triggered the boom of 3-D films - to producers and cinematographers who have worked with single-strip 3-D film production in the 1970s and '80s, 3-D films in theme parks, current IMAX films, and the new and still-evolving format of digital 3-D cinema. These interviews provide a fascinating behind-the-scenes look at more than five decades of this unique medium. This one-of-a-kind book will interest aspiring filmmakers, stereo photography enthusiasts, cinema buffs, devotees of popular culture, and film historians."
Eyes Upside Down
Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussed span the sixty years since the Second World War. With three chapters each devoted to Stan Brakhage and Robert Beavers, two each to Hollis Frampton and Jonas Mekas, and single chapters on Marie Menken, Ian Hugo, Andrew Noren, Warren Sonbert, Su Friedrich, Ernie Gehr, and Abigail Child, Eyes Upside Down is the fruit of Sitney's lifelong study of visionary aspirations in the American avant-garde cinema.
The Nirvana Express
In 1897, an Indian yogi named Bava Lachman Dass exhibited himself at the Westminster Aquarium in London, demonstrating forty-eight yoga positions to a bemused audience. Four years earlier, Hindu philosopher Swami Vivekananda had spoken at the first World Parliament of Religions in Chicago, where theosophist Annie Besant rhapsodized about 'his inborn sense of worth' and the 'exquisite beauty' of his spiritual message.The Victorians had conflicted views on the religious beliefs and practices of the Indian sub-continent, blending fascination and suspicion. But within two generations, legions of young Westerners would be following the 'hippie trail' to India, and the Beatles would be meditating ...
Reach for the Top
The popular screen and stage star Laurence Harvey (1928-1973) is best remembered for his stellar performance in the film The Manchurian Candidate—a 20th century classic. Of his 50 films, Room At the Top not only brought sexual permissiveness to American and British screens and an Oscar nomination, but it also branded him a heartthrob sensation. For all his fame and fortune, Harvey's short life was riddled with controversy, demonized by critics, and fraught with tragedy. In this revealing biography by Harvey's sister-in-law, readers are provided a close-up view of his career, his three marriages and his longtime sexual affair with one of his male producers. It also details his battle with cancer and his failure to acknowledge its seriousness. Packed with personal anecdotes, more than twenty black and white photographs, and a filmography, Reach for the Top: The Turbulent Life of Laurence Harvey will fascinate film students, scholars, and fans of the actor.
Digital Diaspora
Traces the rise of black participation in cyberspace.
The Cinema of Poetry
Informed by the criticism of iconic filmmaker Pier Pasolini, The Cinema of Poetry offers spirited explorations of poetry's influence on classic films by Dimitri Kirsanoff, Ingmar Bergman, and Andrey Tarkovsky. It also highlights how avant-garde films made by Joseph Cornell, Lawrence Jordan, Jerome Hiler, Gregory Markopoulos, and others found rich, unexpected sources of inspiration in a diverse group of poets that includes Stéphane Mallarmé, Emily Dickinson, H.D., Ezra Pound, Robert Duncan, John Ashbery, and Aeschylus. Written with verve and panache, it represents the culmination of P. Adams Sitney's career-long fascination with the intersection of poetry, film, and the avant-garde.
