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This book brings together different and interdisciplinary perspectives on the Spanish Civil War, its victims, its contentious ending, and its aftermath. In exploring the slow demise of republican ideals, contributors range over many diverse historical and cultural topics — discussing, for instance, the attitudes of both Left and Right to the poet Federico García Lorca and to his assassination, examining the documentary evidence offered in surviving memoirs of the Civil War, and assessing the major characteristics of the new order in Spain under Franco. Cinematic and literary depictions of the Civil War and its consequences are also studied. Other topics investigated include: contemporary ...
This volume brings together new interdisciplinary perspectives on the Spanish Civil War, its victims, its contentious ending, and its aftermath. In exploring the slow demise of the Spanish Republic and the course of the Civil War, the authors have chosen to range in turn over cinematic, literary and historical depictions of the era. In addition, reactions elsewhere in Europe to the Spanish conflict are examined; the role of the International Brigades is looked at afresh; the fate of children displaced during the Civil War is explored; and the Spanish anarcho-syndicalist movement is revisited. The volume shows that to be any kind of soldier in the armies of the Republic, or even to be seen as...
This original study focusing on four Irish writers – Leslie Daiken, Charles Donnelly, Ewart Milne and Michael Sayers – retrieves a hitherto neglected episode of Thirties literary history which highlights the local and global aspects of Popular Front cultural movements. From interwar London to the Spanish Civil War and the USSR, the book examines the lives and work of Irish writers through their writings, their witness texts and their political activism. The relationships of these writers to George Orwell, Samuel Beckett, T.S. Eliot, Nancy Cunard, William Carlos Williams and other figures of cultural significance within the interwar period sheds new light on the internationalist aspects o...
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Although Spain has one of the lowest per capita rates of book buying in Europe, popular and mass-market print fiction is perennially in demand. The essays in this volume assess the appeal of popular genres such as the detective novel, romance, and science fiction to particular groups of readers and consider what makes a bestseller in the Spanish context. They look at how reader taste is directed by nonacademic book-buying magazines and analyze the political intentions of seemingly innocuous comics and popular novels with particular reference to women's writing. Montalban, Esther Tusquets, or Carmen Martin Gaite decide to incorporate the themes, devices, and structures of mass cultural products into their highbrow literature. The wide-ranging nature of this volume and its fusion of textual analysis and theoretical overview provide unique access to aspects of Spanish mass, popular, and high literature hitherto largely ignored by the critics. Shelley Godsland is Jubilee Research Fellow, Department of Hispanic Studies, Royal Holloway, University of London. Nickiane Moody is principal lecturer in Media and Cultural Studies at Liverpool John Moores University.
This study examines the work of Manuel Vazquez Montalban, a Spanish creative writer and socio-political commentator, focusing on his Carvalho series of detective novels, which span some 25 years. Bayo Bellenguer (Spanish, Dublin University, Trinity College) attempts to establish the literary value of the Carvalho series and to show how it relates to Montalban's earlier creative work and to his essays. She demonstrates the impact of major trends in literary theory upon the series in order to redress earlier critics' literary assessments, and analyzes the series' protagonist using the traditional tools of character study. c. Book News Inc.
While many scholars have approached Don Juan in terms of myth, this study argues for the understanding of Don Juan as a discourse of gender relations, changing over time. Using examples from the plays by Tirso de Molina, Moliere, Mozart, Zorrila, Shaw and Frisch, it argues that Don Juan's entire identity as a male individual is constructed around women, but that over time - reflecting a growing sense of crisis in the male individual - the women appear more and more pathological in their desire for Don Juan. In contrast with early modern works where women fend for themselves in a positive manner, the heroines of later Don Juan works actively prey on the individual male.This book argues that these changes in approach to the female characters, and, in tandem, the developing identity of the male protagonist, suggest Don Juan as dischronic discourse rather than myth.
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